Recommendations
Senior Film Conservator

Looking back at the 1926 milestone that is Dürfen wir schweigen?, the cinematic shorthand used by Richard Oswald is both ancient and revolutionary. Dive into this collection and find the spiritual successors to Richard Oswald's vision.
As Richard Oswald's most celebrated work, it defines to articulate the unspoken anxieties of Germany's 1926 era.
A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.
Based on the unique thematic gravity of Dürfen wir schweigen?, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Richard Oswald
A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.
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Dir: Richard Oswald
About unwanted pregnancies and abortions as a result of unprotected sexual intercourse.
Dir: Richard Oswald
A scholar defends prostitution before the World Court.
Dir: Richard Oswald
In the third part syphilis is also at the center of the action. This time a landowner falls ill. He proves to be a real fiend, tyrannizes his wife and seduces the daughter of the forester he employs. When the young woman thinks she can't find a way out, she seeks suicide. Finally, the despot also dies and, post mortem, takes his son with him into the misfortune. The latter believes that he too is suffering from syphilis and is soon obsessed with this delusion.
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Dir: Richard Oswald
Paul Mauthner, a painter, has syphilis. A quack who promises a cure cannot help. Paul seduces his brother's wife and infects her with syphilis. While he then flees, the young, infected woman dies of the disease. The daughter born of this liaison, also infected, is admitted to a special clinic and can be cured there.
Dir: Richard Oswald
The second syphilis film poses the moral question: namely how far an illness should be considered a human disgrace. The protagonist of this story, a young doctor, believes that only characterless people can contract the disease through reprehensible actions. At a meeting in honor of a venereologist, a violent dispute erupts between the doctor who applies moral categories and a colleague who argues more objectively. Two events make the dogmatic young doctor think: his sister marries a syphilitic who has not yet been completely healed, and he himself falls ill as a result of a kiss from a young woman who also suffers from syphilis. But the doctor is healed and reconsiders his previous attitude.
Dir: Richard Oswald
Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques
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Dir: Richard Oswald
Philanthropist attempts to awaken in the good side in criminals.
View DetailsAnalysis relative to Dürfen wir schweigen?
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Eerie Tales | Gritty | Linear | 90% Match |
| Es werde Licht! 4. Teil: Sündige Mütter | Gritty | Linear | 97% Match |
| Jettchen Gebert's Story | Ethereal | Layered | 92% Match |
| Prostitution | Tense | High | 94% Match |
| Es werde Licht! 3. Teil | Gritty | Layered | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Richard Oswald's archive. Last updated: 8/17/2026.
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