Hand-Picked Alternatives for Fans of East of Java: Cult Guide

Dir: George Melford

For the first time in her life Katherine Silverton--Kitty to her friends--hesitated about spending carfare to ride six blocks to the law office of her godfather, John Travers. She was not used to walking and she didn't intend to start just because her money supply was short and she faced a future which threatened economy of the strictest sort. Kitty's father had died leaving her practically nothing. She sought the advice of Mr. Travers. At the moment she entered the outer office, Mr. Travers had a perplexing problem on his hands. He was attorney for a large estate, the heir to which, Lord Reginald Belsize, had that morning arrived in New York to claim his inheritance. Lord Reginald was young, good-looking and ambitious to marry Mme. Helen de Semiano. Mme. Helen saw a favored match in Lord Reginald, who was soon to be wealthy, and her young-spendthrift brother Jack Churchill encouraged the match. But certain provisions of the will perplexed Mr. Travers. They also perplexed Lord Reginald. It was stipulated that Lord Reginald was to marry within a year or lose his inheritance; it further was stipulated that he was not to marry an actress. Lord Reginald didn't see how it could be arranged as he had brought Mme. Helen and her brother to New York. Mr. Travers suggested that he marry someone else first, leave her after the wedding and in six months she will obtain a divorce on grounds of desertion, making you free to marry whom you please. Then Kitty entered the office. Kitty assented to the proposition readily. She had the promise of a large sum of money, a quick divorce, and a chance to look around the world. But Kitty was very attractive and pretty, and Lord Reginald said that if Mme. Helen, who had reluctantly agreed to the arrangement, should see such an attractive young woman, she would refuse her consent. But resourceful Kitty rearranged her hair, put on a gingham apron, rolled up her sleeves, and made herself into a most unpromising person. Mme. Helen passed approval, not knowing the hoax. The ceremony was quickly performed and Lord Reginald and his bride left to be gone for several months until Kitty had gained her divorce. Meanwhile the jealousy of Mme. Helen was discouraging Lord Reginald, so one day he went to Long Island where Kitty was living. Realizing her opportunity, Kitty did everything within her power to make him happy. When Mme. Helen arrived, having followed Lord Reginald, the latter told her the time had come for the parting of their ways. Kitty, he said, was the woman he loved, and Kitty admitted that she loved him.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of A Gentleman of Leisure perfectly mirrors the editorial trajectory of our deep dive.

A young New York society man makes a bet that he can rob a house and get away without being caught by the police. Shortly after making this wager, he overpowers a professional burglar in his own house, and instead of giving the man up, decides to use him in winning the bet. However, the house that he attempts to rob is the home of the Deputy Police Commissioner, with whose daughter he is in love. The succeeding complications, which arise out of this altogether original situation, are due to the Commissioner's willingness to accept graft and the professional burglar's inability to restrain himself when tempted to steal a valuable necklace. The final result is a happy conclusion to the very troubled love-story.

Dir: George Melford

Margery Huntley, an orphan alone in New York employed at a dressmaking establishment, is sent by the forewoman to match a sample of lace for a gown. At the lace counter she stands next to Helen North, a wealthy girl who is a kleptomaniac. Helen steals a piece of very expensive lace that is missed before she can get away; in a panic, she slips it into Margery's open handbag and disappears. The stolen goods are found on Margery and she is sent to prison; meanwhile,, Helen goes abroad with her invalid father. Margery serves her full term in prison, and on her release is befriended by the "Prison Angel," a kind Salvation Army woman who hears her story, believes in her, and gives her a chance to train as a nurse. Margery graduates and is happy in her work, when the detective who arrested her recognizes her while visiting the hospital and tells one of the nurses that she has a prison record. Margery, realizing that her usefulness in that particular field is over, asks the doctor to send her abroad to nurse the wounded in Belgium. Through the war Helen's father loses all his money and dies suddenly in Belgium and Helen is left practically penniless. Her only hope is to hear from her father's old friend, wealthy Mrs. Franklyn of California, to whom her father had written, begging her to help his daughter. Mrs. Franklyn has never seen Helen, but generously sends her money and a steamer ticket and urges her to join her as quickly as possible. Helen starts on her journey, but is compelled to wait, and suffers the delays and hardships common to all the refugees at that time. Margery has reached Belgium and is working in a Red Cross Emergency Hospital. Helen and other refugees are driven from the refugee camp by the appearance of two hostile airships. Helen, panic-stricken, runs so far that she is lost and exhausted, and is brought to the Emergency Hospital. Margery recognizes her, but Helen doesn't recognize Margery. Helen tells Margery her story, displaying her steamer ticket and asking how she may continue on her journey. Margery tells Helen, "I am the girl you sent to prison." A shell strikes the Emergency Hospital and Helen is severely wounded and left for dead The enemy captures the town and Margery is left alone with those wounded who couldn't be moved. While arranging Helen's dress and papers, she is struck by their similarity of age and height, and notes the fact that Mrs. Franklyn has never seen Helen. She yields to the temptation to take this chance Fate has put in her way and determines to go to California as Helen North. She leaves the Emergency Hospital in the company of Dr. Richard Carlton, a young American Red Cross surgeon, serving with the enemy who has been so badly wounded that he is invalided home. After Margery's departure, the German surgeon discovers that Helen is not dead, but suffering from a depressed fracture of the skull. He operates and restores her to health. In the meantime Margery has been successful in establishing herself as Helen North. Mrs. Franklyn has become very fond of her and Dr Carlton is deeply in love with her and wishes to marry her. The real Helen North makes her escape and comes to claim her own. At first Margery only begs to be allowed to go away quietly, but the other woman is so vindictive and so forgetful of the part she played in robbing Margery of her good name, that Margery, angry, determines to deny the truth. She succeeds in this up to the last moment and then overcome by the thought that she is condemning this girl to lifelong imprisonment in an insane asylum, and that she herself has gained Dr. Carlton's love under false pretenses, makes full confession, only to find that the doctor loves her in spite of everything.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of Stolen Goods perfectly mirrors the editorial trajectory of our deep dive.

Helen Scott has been left the sole owner of the Scott Canneries by her father's death, but being too busy with social duties, she leaves the handling of the industry's business to her hard-fisted uncle and only calls upon him when she needs money. Harvey Brooks, manager of the canneries' Tampa branch, is a hard-working young man with new ideas of social welfare. He has hundreds of people in his employ working under most unfavorable conditions for starvation wages. He has pleaded with Helen Scott and her uncle to better the working conditions but has always been ignored. During the height of the social season, Helen goes to Palm Beach, Florida with a party of friends for the yacht races. While sailing her sloop one foggy night, it is run down and sunk by a large schooner, a fruit carrier for the Scott canneries. Helen is rescued from the sea by the captain of the schooner. The heiress is stunned by a blow on the head, received at the time her sloop was struck. When she recovers she is unable to remember her name or her identity. The schooner captain takes Helen to his home, and when she has recovered, his daughter, who works in the cannery, secures Helen a position beside her at the cutting table. Brooks, hearing of Helen's accident and loss of identity, takes an interest in her and she is attracted by his kind manner. Labor leaders are urging the cannery workers to strike and place the blame for the conditions upon young Brooks. One night Brooks is slugged and bound to a chair in his frame office building and the plant is set on fire by the excited workers. Helen rushes through the flames to his aid and as she unbinds him she is overcome by smoke and falls unconscious by his chair. Brooks carries her to safety through the burning buildings and returns her to the schooner captain's home. While they are both recovering from their burns a detective, employed by the uncle, locates Helen. The shock of the fire and the burns has slightly restored Helen's memory and the clever detective finally brings her to realize who she really is. Helen is in love with Brooks and he with her, believing that she is a poor factory girl. The heiress realizes that Brooks hates the real Helen Scott for her indifference to the workers. When he has recovered she meets him alone, tells him she is Helen Scott, and breaks down his wall of hatred and together they go to help their coworkers.

Dir: George Melford

Despite her love for penniless Dirck Mead, Lorraine marries wealthy Aaron Roth to save her family from financial ruin. Roth is a swindler and when trying to escape the wrath of the law, he jumps from a ship and is declared dead. Mead, now a diamond magnate, finds Lorraine in New York, marries her and takes her to live in South Africa, where, as it happens, Roth, who survived his leap from the ship, is currently conducting his shady business. Roth discovers Lorraine's situation and threatens her with exposure, and Lorraine is about to leave Mead when she learns of Roth's plan to steal a valuable diamond that Mead is escorting to the city. Summoning help, Lorraine reaches Mead in time to thwart the robbery. Roth is killed in the fight, and Lorraine is spared the task of resolving her marital status.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of Out of the Darkness perfectly mirrors the editorial trajectory of our deep dive.

The story relates the attempt of a group of machine politicians at Washington to ruin Matthew Standish, an insurgent who has made himself so strong with the people that he is in a position to defeat the Mullins bill, fostered by a corrupt ring in Washington, in favor of certain railroads. The leaders of this ring are Jim Blake, the boss of the party machine, and his son-in-law Mark Robertson. Standish is being hailed throughout the country as the exponent of morals and virtue, and Blake realizes that the only way to defeat him is to find some blot on his record in the past. He puts a detective to work, who, by bribing Standish's former secretary, finds out that some years ago Standish became involved with a young woman of good family, but for some reason he did not marry her. Blake realizes that skillfully handled, this story could be made to ruin Standish's career, but without the woman's name it will look like a campaign lie. So the entire machine bends its energy to discovering the woman's identity to prove the story. To accomplish this, they lay a trap that they think will make Standish try to warn the woman by telephone. He is deceived and does telephone the woman to be on her guard, calling the number Plaza 1001. Wanda Kelly, telephone girl at the Keswick, has been told of the plan by Blake, who believes that she can be bribed to give him the telephone number. After Standish telephones, Blake's son-in-law Robertson comes in to 'phone his home in New York, calling the same number that Standish has just called. Wanda, the operator, sees that the woman in the case is really Blake's daughter and Robertson's wife, and besides refusing to give the number, destroys her record sheet. Mrs. Robertson arrives from New York and is driven to desperation when Standish informs her that, though he has tried to protect her, he needs to give her name to Blake and Robertson if they continue striving to ruin him by this story. The subsequent events leading to the conclusion of the drama and the defeat of the offensive Mullins bill in Congress are stirring in the extreme. Once again the telephone girl interferes in the plot by disconnecting the wires when the "ring'' politicians, driven to their last ditch, are trying to telephone a newspaper to release the story even without the woman's name. She keeps her courage after this, even when threatened with arrest and criminal prosecution. It is the woman herself who finally comes to the rescue and refuses to see the little telephone girl made to suffer further on her behalf. This terrible revelation makes Blake and Robertson see what a veritable heroine she has been and even leads to the happy consummation of a romance between the telephone operator and Jim Blake's son.

Dir: George Melford

Masha, a young Russian emigrant traveling to the U.S., is saved from an officer's advances by civil engineer David Harding. Upon landing in America, J. J. Walton, a self-made political boss and contractor, pursues Masha and hires her as his maid. She leaves after the first night, but becomes his mistress after Walton promises her an education and marriage. Sometime later, David defeats Walton in a bidding war for a contract to build a dam in Arizona. Intent on ruining David, Walton dynamites the dam while Masha distracts the engineer. Although Walton takes refuge, he is drowned in the floodwaters. David and Masha survive, and confess their mutual love.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of The Years of the Locust perfectly mirrors the editorial trajectory of our deep dive.

Ram, High Priest of the Temple of Delhi, urges his people to throw off the British yoke. Word of the uprising reaches General Kimber who is in command of the troops at Calcutta. Summoning Captain Arlington and Lieutenant Shannon of the famous Sixth, he orders them to proceed to Delhi with their troops. Arlington and Shannon are rivals for the hand of Dora, the commandant's daughter. Although secretly betrothed to Surrada, the beautiful native girl employed as Dora's maid, Arlington is filled with jealous rage upon discovering that Dora loves his rival. The captain has tired of Surrada but fears to cast her off because of the scandal she may create. Shortly afterwards, Arlington and Shannon reach Delhi where they succeed in restoring order. The High Priest Ram, however, lays his plans for a general uprising and on Sunday, May 10, 1857, the famous massacre at Meerut, which started the nationwide mutiny, commences. Thousands of English men, women and children are slain. Ram and his followers make their way to Delhi. At the sight of the priest, the Sepoy troops turn upon their white officers and slay them. At the first sign of danger, Arlington flees. Shannon, however, rallies the white troops. The soldiers are finally compelled to make a stand about the arsenal. The women and children beg Shannon to slay them, should the natives prove victorious. Knowing the terrible fate which must befall them should they fall into the hands of the Sepoys. Shannon consents. The women and children are placed in the magazine of the arsenal, while Shannon makes preparations to destroy the building in event of defeat. The soldiers are beaten back. The victorious natives rush into the arsenal to capture the women inside. Shannon lights a fuse leading to the powder stored in the building. The awful explosion which follows rends the walls asunder, bringing death to the hundreds in the building. Arlington makes his way back to Calcutta where he informs General Kimber that Shannon and his men have been slain by the natives. Believing her sweetheart dead, Dora is grief-stricken. Arlington attempts to console her but is spurned. By a miracle, Shannon has escaped death in the explosion which destroyed the arsenal. Slaying a native, the lieutenant disguises himself in the man's clothes. After many days he reaches Calcutta. Dora is overjoyed to see her lover alive and uninjured. Fearing lest his cowardice be revealed, Arlington implores Shannon to keep silent. The latter consents. General Kimber marches upon Delhi with his entire army. A few days after her father's departure, Dora decides to follow. Accompanied by a bodyguard of natives, she sets out for Delhi despite Surrada's pleas. The treacherous natives, however, deliver the girl into the hands of Shah, king of Delhi. Inflamed by her beauty, the king decides to make her the queen of his harem. Overwhelmed by the fate which menaces her mistress, Surrada slays the man guarding their room and escapes from the palace. The native girl makes her way out of the city to the British encampment. While she informs General Kimber of his daughter's plight, the murder of the guard is discovered. Dora is thrown into a dungeon to await torture and death. Kimber, Arlington and Shannon are horrified upon hearing Surrada's awful news. Shannon and Arlington beg to be allowed to go to the girl's rescue. Because of his seniority in rank, the honor falls to Arlington. Accompanied by Surrada, the man hastens towards the city gates. The two arrive a moment too late and are locked out of the city tor the night. Unwilling to return to camp, Arlington and Surrada enter the Temple nearby where they determine to hide for the night. There the captain sees the great diamond which forms the eye of the idol Brahma. Filled with greed, Arlington forgets his mission and unknown to Surrada, pries the jewel from its resting place. Umballa, a servant in the Temple, sees the thief at work, and is knocked unconscious after a struggle with the Englishman. To hide the jewel, Arlington returns to camp where he announces his failure. Unable to sleep, Shannon strolls beyond the lines. Learning of Arlington's failure upon his return, the man denounces him as a coward. Later, the thief wraps the diamond in a cloth and gives it to Surrada. He tells the native girl that it contains his mother's jewels. The following morning. Ram, Umballa and a number of natives arrive at the camp and inform General Kimber of the theft of Brahma's eye. Having promised that the sacred edifice should not be molested, the British commander vows to find and punish the offender. Umballa sees Shannon. Mistaking him for his assailant the native accuses the lieutenant of the theft. Circumstances point to Shannon as the vandal. Kimber orders him to his tent. Shortly afterwards, the British troops make an assault upon Delhi. While the attack is going on, Surrada suspecting the truth, comes to Shannon and gives him the package. Heart-broken because of her lover's deception, and fearing the curse of Brahma, the girl suicides before Shannon can interfere. The lieutenant sees that the British are being repulsed. He rejoins his men. Calling for volunteers Shannon announces his intention of blowing up the city gates. Accompanied by three men, the lieutenant crawls to the gates where he plants several sacks of powder A few moments later, the huge doors are torn from their hinges by a terrific explosion. Led by Shannon, the British enter the city and sweep all before them. King Shah hears this news with dismay. Furious, he determines to wreak vengeance upon the daughter of the British commander. Dora is tied to the muzzle of a loaded cannon. After lighting the fuse the natives flee. The maddened rebels make a last stand in the city streets. A number of them surround Arlington. Facing death, the man's courage comes to the surface. Six of the natives fall by his sword. A spear thrust through his breast brings Arlington low. Attracted by a woman's screams for help, Shannon and his men dash into the palace courtyard. The gallant soldier sees his sweetheart's awful danger. Slashing her bonds, Shannon pulls Dora aside. An instant later, a terrific roar appraises the fainting girl of the awful danger from which she had been rescued in the nick of time.

Dir: George Melford

Sue Wells husband Tom works as a shepherd, is sick of being poor, living in the shadow of Mr. and Mrs. James Peabody's opulent estate. When the Peabodys leave for a vacation, Sue and Tom carry out a check fraud scheme and take advantage of a loophole in the Peabody's lease, resulting in their becoming the owners of the estate. However, living in the mansion does little to make Sue happy, and when James returns and discovers what she and her husband have done, he kills Tom. He is about to murder Sue, too, when she wakes up, and realizes that her life as a wealthy landowner has been only a dream. James then enters, and announces that he has made Tom the estate manager, which forever ends Sue's financial worries.

Dir: George Melford

Foster sister of the Duchess d'Aubeterre, Madeline, marries Jean Renaud, a French soldier, and has a daughter named Adrienne. Five years later, on a battlefield, Renaud is entrusted by the Count de Moray with jewels and papers proving that Adrienne is his heir. After Moray's death, Renaud gives everything to Madeline and then returns to the battle. Lazarre, who had followed Renaud, then goes to Madeline and demands the jewels. Madeline's refusal awakens Adrienne, but Madeline quiets her by saying that her father is home. When Madeline still refuses Lazarre's request, he stabs her. Later, Adrienne tells the neighbors that her father had just been with her mother. Renaud is sentenced to prison for life, after which the Duchess adopts Adrienne. Many years later, Adrienne re-encounters her father and eventually the true murderer is revealed and Renaud is pardoned.