Recommendations
Senior Film Conservator

In the vast archive of Action cinema, Exclusive Rights stands as a unique vision beacon, it's essential to look at the contemporaries that shared this unique vision. Our cinematic experts have identified several titles that reflect the spirit of 1926.
Few films from 1926 manage to capture to leave an indelible mark on the history of United States film.
Candidate for governor, Stanley Wharton is the avowed enemy of Al Morris, boss of crooks and politicians constituting an invisible government, and when elected to office he allows the death sentence of Bickel, a gang member, for murder, to stand. In cooperation with Catherine Courtwright, Wharton's fiancee, Morris wants a new bill to terminate capital punishment, then frames Mack Miller, Wharton's war buddy, with the murder of Bat Hoover at the Elite Club, a gang rendezvous. Torn between friendship and duty, Governor Wharton refuses to sign the bill though Catherine breaks the engagement. Sadie, secretly Mack's wife, obtains a confession from Flash Fleming, but Fleming is killed before he signs it. Wharton tricks Morris into believing that Mack has been executed, thereby forcing the hand of the corrupt ringleader and obtaining a statement from Bickel.
Critics widely regard Exclusive Rights as a cult-favorite piece of Action cinema. Its unique vision is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique unique vision of Exclusive Rights, our vault has identified these titles as the most compelling follow-up experiences for fans of Action cinema:
Dir: Charles Swickard
A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Sidney Franklin
A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.
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Dir: Jerome Storm
David Harrington plans to marry Betty Graves. He is an old-fashioned boy, believing in marriage, having children, and living a suburban life. Betty is more ultra-modern, and independent. When Betty gets a tour of the bungalow that David has built for them, she says it's cute but she would hate to have to live in it. The two break up and Betty goes back to a former sweetheart. Sybil, the wife of David's friend Herbert, has just has a row with her husband because he wouldn't buy her a new hat. So she takes their three children and hides in David's home, hoping to throw a scare into her husband. Now David tries to take care of the kids, hoping to forget his own troubles. Herbert phones David that he is coming over, but David tells his friend he has the measles. Meanwhile, Sybil's kids have gotten sick from eating too much taffy. So David calls Betty's father, who is a doctor. Betty comes over with her father, and David cooks up a scheme with the doctor to quarantine the house so that Betty will have to stay and help him take care of the children. Herbert arrives and chaos ensues when he discovers his wife and kids are there. Eventually, things get straightened out and David regains Betty's love.
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Dir: Jack Conway
Lucy Hegan, the proprietor of a settlement house for the poor, is engaged to Hugh Gordon, the head of a large pharmaceutical and chemical firm who, unknown to Lucy, is also the ringleader of a powerful drug and white slave operation in the Chinese quarter. While conducting an investigation into illicit drug traffic for his paper, newspaper reporter Allan Martin meets Lucy and falls in love with her. In the course of her work, Lucy has befriended reformed crook Monk Mullen and his mother, and when Monk learns that she is to marry Gordon, the ex-crook provides Allan with proof of Gordon's underworld drug trafficking. Armed with his information, Allan leads a raid on Gordon's headquarters, and in the ensuing battle, the drug king is killed by his henchman, Ling Choo Fang, thus freeing Lucy to marry her young reporter.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
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Dir: Colin Campbell
Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.
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Dir: Roy Clements
A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.
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Dir: Harry F. Millarde
Desperate because a wealthy man has reduced her father to thievery, Rhoda agrees to rob the poor box of the church, although she finds the act abhorrent. During the robbery, Rhoda's father is shot and dies in the priests's arms, seeking absolution, while the man who ruined him looks on. Penitent, the man appoints Rhoda as his representative to return the ill-gotten gains to those he has robbed. Rhoda enters the underworld as an angel of mercy, gaining the sobriquet of "The White Moll." After many thrilling escapades, she brings The Dangler, the leader of a gang of crooks, to justice, saves others from death and finally wins The Pug, the man of her choice.
View DetailsAnalysis relative to Exclusive Rights
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| An Arabian Knight | Gritty | Abstract | 94% Match |
| The Hundredth Chance | Gritty | Dense | 87% Match |
| Two Weeks | Surreal | Linear | 94% Match |
| An Old Fashioned Boy | Gritty | Linear | 98% Match |
| The Money Changers | Ethereal | Layered | 94% Match |
This guide was algorithmically generated using the cinematic metadata of Frank O'Connor's archive. Last updated: 6/16/2026.
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