Recommendations
Archivist John
Senior Editor

For those who were mesmerized by Face Value, a true cult masterpiece from 1917, its influence on cult cinema remains a vital reference point for fans today. This list serves as a bridge to other cult experiences that are just as potent.
The legacy of Face Value is built upon its ability to blend thematic complexity with stunning visual execution.
Joan runs away from home and becomes a cashier at a restaurant, but quits when the manager attempts to make love to her. She meets Louie, with whom she was once friendly, and he forces her to steal for him. She is caught and sentenced to a state reformatory.
Based on the unique cinematic excellence of Face Value, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Robert Z. Leonard
In an English mining town during the 1870s, Joan Lowrie falls in love with Fergus Derrick, the new chief engineer who vows to improve working conditions. Joan's father Don, however, runs the mine and likes conditions just as they are. As a result, he quickly learns to detest the crusading Fergus, even to the point of trying to murder him. Joan saves Fergus, after which Don is killed by one of the workers whom he habitually mistreated. Don's death removes the only impediment to Joan's romance as well as to improvements in the mine, so while Joan and Fergus make plans for their marriage, plans also are developed to make the mine safer and more efficient.
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Dir: Robert Z. Leonard
Senator Wright and foundry foreman Richard Wallace lobby hard in Washington for passage of a war preparedness bill, which Congress finally enacts. Foreign spies Keron Theris and Orlin Dagore tell their governments that it will be at least two years before the United States is ready to fight, though, thus guaranteeing the success of an immediate invasion. Richard, however, called in by the president, presents him with a plan through which American industry could arm the country almost instantly. The president puts the plan into action, and Theris and Dagore quickly revise their opinion and warn their governments against an invasion of the United States.
Dir: Robert Z. Leonard
Moralistic Aunt Elvira, has raised Elena Evans and believes that because of Elena's mother, Elena possesses "the scarlet strain." Aunt Elvira scolds Elena when the youngster is caught flirting with Van Presby. Elena and Van sneak out to a movie and then return home where Aunt Elvira demands that they get married. Van's uncle, Harvey Presby, prevents the hurried marriage and takes Elena to the home of Van's mother Edith Presby. Mrs. Presby accepts Elena and sends Van off to college. When Mrs. Presby discovers that Uncle Harvey, in whom she is interested herself, has developed an interest in Elena, she plans to marry Elena off to Joseph Fleming. Elena later rebels and refuses to marry Joseph. Van returns from college, and in a drunken state tries to take advantage of Elena. Uncle Harvey rescues her and marries Elena himself. "The scarlet strain" turns out to be the sin of a second marriage.
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Dir: Robert Z. Leonard
In the late fifties John Hogue, his wife and daughter, Dora, are living in a little cabin on the edge of civilization, directly in the path of the great caravans of Mormons as they made their way from the States to their community in Utah. One of these caravans, under the guidance of Elder Darius Burr, a power among the Mormons, passes the Hogue cabin and Tom Rigdon, a youthful convert to the newer religion, is impressed by Dora. His interest in the girl is shared by Burr, but with different motives. The Indians raid the Hogue cabin and the family is forced to join the Mormon party despite the fact that Dora's father and mother have many misgivings. Arrived in Salt Lake City, the Hogues are taken aback by the presence of the Avenging Angels, the peculiar group of masked men who seem to have unlimited power. Hogue is an industrious man and soon becomes quite prominent. Burr, coveting Dora, induces "The Lion," head of the church, to insist that Hogue take a second wife and gains his permission to win Dora if he can. Meanwhile, Tom and Dora have become more and more attached to each other. Four Angels intercept them and separate them, Dora being taken into a room adjoining the council chamber. Hogue is brought in and forced to marry a woman he has never seen and Dora is told by Burr that the only way she can save her father is by marrying him. Ignorant of the fact that he has actually been married, Dora decided to comply in order to save her father. When Hogue's second wife is brought to the house by the Avenging Angels, Dora's mother kills herself. Hogue, Tom and Dora then try to escape, but are caught by the Angels and the girl is taken to Burr's household. Hogue is taken out to the desert to die of thirst, but makes his way back to the settlement, killing one of the Angels and donning his peculiar uniform, in which he is safe from molestation. When Dora is brought before the council to be married, she declares she cannot marry Burr because of her past sins, and she is condemned to die. Tom is spirited away by an Avenging Angel who also unlocks Dora from her prison cell and flees with them, with Burr in pursuit. Getting Burr aside, the Avenging Angel takes him to the spot where the fugitives are hiding, and reveals himself as Hogue. Burr is sent out into the desert to die, just as he has condemned Hogue to do, and the three make their escape from the dread community.
Dir: Robert Z. Leonard
Ambrosia is a sweet little girl of tender heart and loving disposition, who lives near to nature in fancy and ideals. Her mother dies, and she is sent to an aunt in the city, whom Ambrosia calls "Aunt Grouchy," to be reared as her own child. The aunt is of dignified and austere disposition, far different from Ambrosia's dead mother, and the atmosphere is a decided change from the freedom of country life and the tenderness of mother love. Ambrosia makes friends with the boy next door, and these two greatly enjoy their romps and play together. Ambrosia's cousin is in love with a poor young man, and her mother objects to his attentions, desiring for her daughter an advantageous marriage, regardless of the girl's wishes or thoughts of love. "Aunt Grouchy" is a disciple of Hindu mystics, and consults the "Swami," seeking his aid. The "Swami" practices hypnotism upon the daughter of "Aunt Grouchy," influences her to send a note breaking off the affair with the young man, and finally kidnaps the girl and holds her for ransom. Ambrosia and the boy next door discover where the girl is being held prisoner and inform the police. While the kidnappers' den is being raided, the "Swami" is at "Aunt Grouchy's" in the act of collecting the ransom money, under guise of a tribute to the Buddhist's god, but when the Secret Service men arrive and arrest him, his true character is exposed. The raid is accomplished at a critical moment, the girl is saved from harm, and when "Aunt Grouchy's" eyes are opened she realizes her past shortcomings. Conquering her proud disposition, she gives her sanction to her daughter's marriage to the poor young man, and Ambrosia lives happily ever after.
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Dir: Robert Z. Leonard
Famous romance writer Hartly Poole retreats to the country for inspiration. There he meets ardent admirer Justina Chaffin, who is about to marry a fortune-hunting scoundrel. After Justina and Hartly fall in love, she discovers her fiancé's deception and flees to Hartly's cottage. Seeing her car parked in front, the sheriff accuses Hartly of abduction, but all is resolved when Justina and Hartly exchange vows.
Dir: Robert Z. Leonard
A story that begins on the South African veldt and goes to the drawing rooms of fashionable London Society.
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Dir: Robert Z. Leonard
A poor hat-check girl loses her job and is forced to get a job as a dancer at a roadhouse. There she falls in love with the son of a rich businessman. The boy's father, believing her to be after the family's money, determines to embarrass her and show his son what she really is.
Dir: Robert Z. Leonard
The cabaret act of husband-and-wife dancing team Peggy and Joe Blondin is broken up when Joe becomes consumptive and is ordered West to recuperate. Peggy remains in New York to maintain the couple's income but gradually becomes desperate when letters sent her by her husband request more and more money. Joe's letters actually are being intercepted and rewritten by millionaire Harlan Quinn, who has designs on Peggy and wishes to portray Joe's situation as hopeless. After receiving a particularly alarming letter, Peggy consents to sell her honor to Harlan, but Joe arrives, fully recovered, just as the villain knocks on her door. The two men fight until Peggy's stepfather, a drug addict who has been acting as Harlan's dupe, shoots Quinn. The police arrive and shoot the old man, after which Peggy and Joe begin a new life together.
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Dir: Robert Z. Leonard
Wanting to escape from the drab life of the country, Helen Wayne moves to the big city and becomes a secretary for the Calder family. Just before beginning her new job, however, Helen meets a man who promises to take the hungry girl to dinner. When she goes to the prearranged meeting place, she is arrested and her name is put on the police record. Some time later, Helen and young Rand Calder fall in love. As they are about to announce their engagement, Martin Ingleton, the man who earlier had caused Helen's arrest, attempts to ruin Rand's business ventures. When all of the principals go to court to fight the issue, Ingleton recognizes Helen and tries to label her a woman of unworthy character. Instead of causing Rand to admonish her, however, Ingleton instigates Helen to tell the judge her story and she is exonerated.
View DetailsAnalysis relative to Face Value
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Secret Love | Ethereal | Abstract | 91% Match |
| The Eagle's Wings | Surreal | Layered | 96% Match |
| The Scarlet Shadow | Gothic | Abstract | 87% Match |
| A Mormon Maid | Gothic | Dense | 96% Match |
| The Love Girl | Surreal | Abstract | 93% Match |
This guide was algorithmically generated using the cinematic metadata of Robert Z. Leonard's archive. Last updated: 5/13/2026.
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