Recommendations
Senior Film Conservator

If you found yourself captivated by the cinematic excellence of Fange no. 113 (1917), the quest for comparable cinema becomes a journey through the fringes of film history. Below, we've gathered a list of films that every fan of Holger-Madsen's work should explore.
Fange no. 113 remains a monumental achievement to create a hauntingly beautiful cinematic landscape.
Fange no. 113 was a significant production in Denmark, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique cinematic excellence of Fange no. 113, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Holger-Madsen
An upperclass war widow marries again. The new husband is also an officer, and soon he has to go to the next war. At the outbreak, she's the only one who does not cheer about it. And the terrors of war soon bring almost all of her friends and relatives, among them generals and high government officials to the same conclusion: War does not pay.
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Dir: Holger-Madsen
A peace-loving prince and his followers dream of eternal peace. So far, they have been successful only within the realm. Is the vision of global peace just a naive dream, or will his followers be able to see it through?
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Dir: Holger-Madsen
Mrs. Walken is in deep grief after her husbands sudden death. In the paper she reads about a medium Dr. Kinley. Widow Walken decides to have a seance, hoping she will make contact with her dead husband.
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Dir: Holger-Madsen
The princess is presiding at a reception being given in the old castle during the absence of her venerable father. The prime minister announces that the old soldier has again overcome his warring neighbors. The princess does not appear to be over elated, because she recalls that a young captain, whom she had once met in times of peace, might be among the dead or the wounded. Sure enough he is brought to a hospital, a wounded prisoner, and Elena volunteers to act as his nurse despite the protests of the prime minister. As he regains some of his normal strength he chafes under the restraint imposed upon him, and in her efforts to ease his lot, the princess issues orders that he may have use of the castle grounds. In his walks he frequently comes in contact with the princess, and while their intimacy ripens, the prime minister arrows more jealous. At length he clearly indicates his aversion to her companionship with an avowed enemy of her country, and in the name of the king seeks to restrict the captain from exercising in the grounds of the castle. The princess dismisses him and continues to secure an occasional tete-a-tete with the captain. He persistently pleads to her to help him escape from the confinement that is so galling to him and at length she accedes. She forwards to his apartments a rope ladder and a revolver hidden beneath a consignment of books. In the silence of the night he lowers his rope and makes his perilous descent to the foot of the walls. A sentry spies him, fires a warning shot, and engages the captain in a stern struggle. The captain manages, however, to break away; but soon he has a troop of cavalry on his track. He swims a river and rushes pell-mell through woodland country, but his mounted pursuers gradually gain upon him and, still weak from his wounds, he falls panting to the ground as they reach him. A court-martial quickly follows his recapture, and the dread verdict is summarily issued. Princess Elena sends for the prime minister, who has already signed the death warrant, and pleads to him to revoke it. He says he is ready to do so, but imposes, as a condition, that she should become his (the prime minister's) wife. She returns abruptly to her apartments and determines on a course which seems to her to offer the only possible way out for her and the man she loves. Under the cover of the night and closely veiled she steals to the prison and then gains admission to the cell in which the condemned man is crouched in an attitude of hopelessness. At first he thinks she is but a vision of his disordered mind, but when he folds her in his arms he understands the depth of love which has prompted her to come to him. She tells him that the chances of escape are too forlorn to attempt, and knowing that she cannot save him, she has decreed there is only one thing to do, to die together. She takes a paper knife, from her dress and hands it to him, but he recoils, and in an outburst declares that he will not die, but must go back to his country. His country comes first, and recognizing the inevitable, and the futility of their love, the princess rushes from the cell and secures a uniform of a prison warder. The captain kisses her and makes his escape. Later she is found on the floor of the cell, a victim of her own stiletto.
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Dir: Holger-Madsen
A group of researchers from Earth travel in a spaceship to Mars, where, to big surprise, they find a peaceful vegetarian and pacifist civilization.
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Dir: Holger-Madsen
A man has to choose between two women. One that is bad for him and one that is quite the opposite. Fate says that one tends to choose the wrong one.
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Dir: Holger-Madsen
The social storm after World War I divides the people. In the eye of the storm are three brothers fighting for the lower classes, each in his own way.
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Dir: Holger-Madsen
Family father Poul Berg is tempted by a dubious investment offer and retaliates so deeply that he takes his own life. His widow Ketty struggles to keep the family afloat.
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Analysis relative to Fange no. 113
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Down with Weapons | Ethereal | High | 91% Match |
| Peace on Earth | Gothic | Dense | 95% Match |
| Spiritisten | Gritty | Linear | 98% Match |
| The Princess's Dilemma | Tense | Layered | 88% Match |
| A Trip to Mars | Surreal | Linear | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Holger-Madsen's archive. Last updated: 6/27/2026.
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