The Global Archive Complementing the Tone of Fearless Dick: Cult Guide

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Park Frame

A visual fragment from the archive: The thematic resonance of The Gray Wolf's Ghost perfectly mirrors the editorial trajectory of our deep dive.

The unscrupulous attempts by speculators Dr. West and Jim Prince to have a railroad pass through lower California are met with opposition by Spanish landowners led by Dona Maria Saltonstall, who tries flirting with West to restore their property. Pereo, a religious fanatic who works for Dona Maria, believes in the curse of the Gray Wolf's Ghost: if a member of Dona Maria's family mates with an alien, fortune and life will be lost. Meanwhile, West's son Harry, whom he deserted years before, comes to avenge the wrong done to his mother. After West refuses to recognize Harry and publicly denounces him as a blackmailer, West is murdered and Prince, who wants the West fortune, accuses Harry. Harry is about to be hanged when the first train the lynchers have ever seen passes by. Pereo, thinking that the train is a god, confesses that he killed West and is dragged to death after lassoing the locomotive. Harry restores compromising letters to Dona Maria and receives her consent to marry her daughter Maruja.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Park Frame

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

In the tiny Latin American country of Altamura, American architect, sculptor, and adventurer Larry Donovan is executing a magnificent palace for the vain, diminutive Governor Romero, who is angered by Larry's lack of respect. After leading his co-workers in a riotous Fourth of July celebration, Larry responds to the insults of Generalissimo Pedro Mendez by knocking him out. Mendez' sweetheart Rosa, plotting for Mendez to be governor, hides him in the mountains and fakes his funeral so that Larry will be executed and Romero thrown out. When Larry is taken to the whitewashed execution wall, however, he appeals to Romero's conceit and gets a one-week reprieve to build a statue of Romero for the palace. Before his time is up, Larry receives a gun in jail from an Irish friend using the name of Patricio Cassidano, who also proves that Larry did not kill the now deceased Mendez. After he uses Romero as a shield to escape, Larry obtains Romero's consent to marry his pretty niece Concha.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.