The Cult Collection Comparable to the Style of Fightin' Mad: Cult G...

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Joseph Franz

A visual fragment from the archive: The thematic resonance of The Blue Bandanna perfectly mirrors the editorial trajectory of our deep dive.

Jerry Jerome, a rich young Wall Street broker, follows doctor's orders and goes West to relieve strain. He stops at the ranch of Jim Yancy, then agrees to be the maid of the farmhouse to earn his keep, because he is attracted to Yancy's daughter Ruth. After a series of stagecoach robberies by a masked man wearing a blue bandanna, Jerry, the new man in town, is suspect. When he finds a blue bandanna in Yancy's barn, he decides to investigate, and discovers that Yancy is an ex-convict being blackmailed into helping with the robberies. Jerry dresses up like the bandit to stop the stage and warn the driver of an intended robbery, but he is arrested himself. He convinces the sheriff to let him out so he can bring in the real thief. Yancy accidentally shoots his former partner Ben Cowan, who confesses to being the stagecoach robber. Jerry and Ruth marry and go to New York.

Dir: Joseph Franz

Larry Lang has carried the memory of his father's killing by Claude Dutton since his youth and is determined to avenge the crime. The townspeople of the small western border town believe Larry is "plumb locoed" because he employs a rowdy gang of cow punchers for only a few head of cattle. Dutton is ensconced in Bottle Canyon, the neck of which is constantly guarded by his men. When Dutton's henchman Two-Gun Dan fails to capture Larry, Dutton attempts the job himself. Meanwhile, Larry's cousin Dora Lawrence arrives to make her home with Larry who is to be her guardian. Larry's men are absent, and while Mexican bandit Pedro holds Dora, Dutton searches for a large sum of money hidden in Larry's bed. Larry returns and kills Dutton, then a romance develops between Larry and Dora.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of A Sagebrush Hamlet perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Harris Gordon

A man named Chandler, claiming to be a novelist in search of local color, arrives at a town near the Mexican border, where he makes advances toward Jo, a girl living a solitary life on a desert ranch. Manning, a cowboy, suspects Chandler's motives, and his suspicions are strengthened when Chandler is caught cheating at cards. Following a gang of Mexicans to their mountain retreat, Manning learns that Chandler and the Mexicans are smuggling opium across the border. Two gang members are killed in the ensuing fight, but Chandler, wounded by Manning after a chase on the cliffs, escapes to Jo's home, where he denounces Manning as a smuggler. Manning arrives and dispels Jo's misgivings about him by revealing that he is a Texas Ranger, sworn to secrecy. Chandler is allowed to escape, and Manning and Joe are united.