Recommendations
Senior Film Conservator

Since its 1917 debut, Fighting Back has maintained a stylistic flair status, you are likely searching for more films that share its specific artistic vision. We have meticulously scanned our vault to find hidden gems that resonate with this work.
The 1917 landscape was forever altered by the arrival of to push the boundaries of conventional storytelling.
Cashiered out of the army by what he believes was an unjust court-martial, the man known as The Weakling wanders aimlessly in the desert and is found by cowboys from the Lazy Y Ranch. They clean him up and give him a job on the ranch as a cowboy. He soon finds love with a local dance-hall girl, and discovers that his luck may be changing in more ways than one.
The influence of Raymond Wells in Fighting Back can be felt in the way modern cult films handle stylistic flair. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of Fighting Back, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Raymond Wells
In adjoining kingdoms rule Sylvia, beloved of her people, and Ferdinand, who is forced to exact homage from his subjects. He spends his life in riotous living. One day the two meet, and straightway Ferdinand decides that he will marry the queen, sending his prime minister with the proposal. But she refuses it. He delivers the ultimatum that unless she consents to his proposal within a certain space of time, he will declare war. In America two cowboys, Jim and Johnny Little Bear, discover a rich mine and decide to spend some of the money traveling. The two start out. It happens that during their travels they stop near the kingdom of Sylvia, and Jim, wishing to see a real queen, makes bold to climb the wall. He sees a beautiful lady, who is none other than Sylvia herself, but he thinks her one of the court ladies. She finally confides the predicament of the queen, and he tells her that he will come to the assistance of the great lady. He wires to Bill, one of the cowboys, and tells him to come on with the whole gang. When he rides to the palace to tell the lady, he finds that she is the queen. Meantime, Ferdinand's favorite, seeing that her reign is coming to an end, tries to hold him, but he refuses to have more to do with her. Both sides prepare for battle. Ferdinand, with his army, attacks Sylvia's force before the cowboys arrive, and they are being forced to retreat when Bill arrives and saves the day. The favorite is killed when she tries to slay Sylvia. Jim explains to the boys that he is in love with Sylvia, and they finally persuade him to ask her hand in marriage. But Sylvia kindly explains that though she loves him, the dictates of custom compel her to marry royalty. Bill and the boys, seeing that Jim is taking this keenly, leave him in the palace and after a time return, telling him that they have captured the whole of Sylvia's forces, and that now he is the king. Sylvia is informed of this and with queenly dignity places her crown upon Jim's head, and so accepts his proposal of marriage.
View Details
Dir: Raymond Wells
Hal Sinclair, the chief agent at the Fort Roscher trading post in the Canadian Northwest, controls the town and cheats the trappers, until a group of independent fur traders arrives. After nearly all of the traders are killed by Sinclair's brutal henchman, Mont Brennan, Officer Jamison of the North West Mounted Police is sent to investigate. Charles Morin, a wealthy French Canadian businessman, also arrives at Fort Roscher that week with the intention of entering the fur trade, and soon falls in love with Petain Monest's pretty daughter Marie. Sinclair, who also loves Marie, commissions Brennan to kill the young trader, but Marie overhears their plans. As Brennan is taking aim, Marie shoots and kills him and subsequently is accused of murder. Jamison has also fallen in love with Marie, but realizing that she prefers Morin, he decides to stand by the young couple. With Jamison's help, Marie is exonerated and finally joined to the man whose life she saved.
View Details
Dir: Raymond Wells
Having been unlucky in love, Duke Chalmers renounces civilization and moves to New Mexico, where he establishes himself as an illicit whiskey trader. Although he does not really love her, Duke marries Natchah, a Navaho Indian, who bears him a daughter, Tonah. When Esther Brown arrives from the East and opens a school in the small New Mexican settlement, Duke denies Tonah permission to attend, but Esther refuses to abandon her interest in the child and soon grows to love her. Duke rescues Esther from a pair of drunken Mexicans, after which he falls in love with her. Esther, however, reminds him of his duty toward his wife and daughter, whereupon Duke closes his shop and takes his family to a new life in the Far West.
View Details
Dir: Raymond Wells
During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame. Eventually, however, Jeanette's employer, Frederick Armstrong, confesses that it is he who is guilty of espionage. Jeanette reveals her true age to Harry, who joyfully proposes to her.
View Details
Dir: Raymond Wells
Jane Lee, the daughter of a stockbroker, comes under the attention of John Brock, a villain, who covets the girl, and starts to ruin her father. In the end Lee finds himself penniless, and commits suicide. Brock assuming the role of Jane's protector, gives her work in his office. He arranged for her to remain late one night and then attacks her. She defends herself, and her outcries bring assistance. Brock accuses the girl of attempting to rob his safe and she is sent to prison. Governor Barnes, interested in welfare work, employs Mrs. Carrington in uplifting unfortunate girls. The Governor's son has gained his father's displeasure and is turned away from home. Mrs. Carrington has become interested in Jane Lee and when the girl's prison term expires takes her into her home. Jane later loses her position, because her prison record becomes known to Mrs. Carrington's friends and they compel her dismissal. She meets Richard White who has met financial reverses through John Brock. With mutual impulses for revenge, White and Jane combine to work against Brock. The girl has found a friend in Bess Murphy. White covets Bess and tricks her into coming to his apartment, telling her Jane is ill. White attacks her and her cries attract Jane, who lives in the same apartment house. In protecting Bess Jane stabs White to death. Her trial results in sentence of death. George Barnes, the Governor's son, has been an attendant at Mrs. Carrington's mission and has met Jane and Bess. Meanwhile he has reformed and becomes a lawyer. He is in the west when he hears of Jane's misfortune and hurries home, to urge his father to pardon Jane. There is great rejoicing when the prodigal returns, the Governor consents to the pardon and Jane marries the Governor's son.
View Details
Dir: Raymond Wells
It is about the Civil War. Dismayed it was made in Norfork Arkansas in 1928
View Details
Dir: Raymond Wells
Jimmy Dolan has just been defeated in a fight with "Spider" Flynn. Jones, Dolan's trainer, had bet their whole bank role on the battle. Twenty-four hours from Paris, in the little principality of Konigstadt, lived a king and his ward. Countess Alicia, a beautiful girl, was courted by Count Conrad, the King's nephew. Prince Frederick was to pay the King a visit, and the old King planned to wed him to Alicia. Count Conrad gets a message from the Prince asking him to come to a certain café. Conrad finds Frederick in company with a Mlle. D'Orsay. He begs Conrad to say he is stricken with scarlet fever. The Count consents, but plans to be revenged on Alicia. Jones and Jimmy enter the café. The Count calls Jimmy to his table, offers him twenty thousand francs to impersonate Prince Frederick, gain Alicia's consent to marriage and thus humiliate her. Urged by Jones, Jimmy accepts, and Conrad begins to teach him courtly manners. Jones is to play the role of an Arabian bodyguard. Jimmy and Jones are presented to the King and to Alicia.. Jimmy and Alicia are promptly interested in each other. Some days later, Jones and Jimmy read in the newspaper about "Spider" Flynn's being the champion of all Europe and are indignant. He sends Flynn an insulting message, challenging him to another battle, and Flynn immediately accepts. The King decides to call on Jimmy informally, and finds Jones and his friend boxing. The King takes up boxing and has a gymnasium built. Prince Frederick and Mlle. D'Orsay quarrel. He arrives at Konigstadt the evening of a dance given in honor of Jimmy. Jones sees him at the hotel, and with Jimmy's help ties him in a chair. The Prince escapes and tells the King of the outrage. The big fight is on between Jimmy and "Spider" Flynn. A great crowd has gathered, and among them the King, Alicia and the Prince. Jimmy defeats Flynn and the King is one of the first to congratulate him. The King looks from Alicia to Jimmy, saying there is a Count's title vacant in Konigstadt and that he hasn't had a good boxing match since Jimmy left.
View Details
Dir: Raymond Wells
Failing to get a loan from Nicholas Eyre, the Steel King and friend of his wife's father, Robert Lathrop induces his wife to beg for the money he plans to spend upon his mistress. He is given a check. Hurrying to Lola's apartments, he finds her in the arms of her lover, Haskell. In the fight that follows, Lathrop is killed and left in the park. Believing her husband to be a suicide because Eyre refused to advance him funds, the wife plans to revenge what she considers his murder, but enlightenment comes after terrible damage has been done.
View Details
Dir: Raymond Wells
George Arnold, head of the Paradise Valley Land Company, has been robbed of $10,000 by Jim Kinkaid, who has fled the country. Arnold secures the services of the Burton Detective Agency to get Kinkaid. Nellie is put on the case. She goes to the gambling house. Her ignorance of gambling nearly betrays her. Romero Valdez, Kinkaid's right-hand man, feels that everything is not on the square in regard to this woman. But Kinkaid has become strongly attached to Nellie and will listen to nothing against her. Nellie becomes aware of the goodness of Kinkaid's heart and finds the job of betraying him distasteful. She forces herself to the work and has succeeded in getting Kinkaid accustomed to cross the border with her. She then wires to New York for them to send the men to make the arrest. Letty Frank, a convict with a grudge against Nellie, manages to escape and goes to Mexico. He reaches Kinkaid's gambling house and recognizes Nellie as a New York detective. Kinkaid is told. Nevertheless, he takes his usual walk with her that evening. Seated on their accustomed bench, he tells her how he had discovered a number of foreigners on the desert absolutely destitute; they told him of how they were robbed of their life's savings by Arnold, through a crooked real estate deal. Kinkaid took care of the people and went to New York to see what he could do to get their money back. Upon asking Arnold to refund the money, he was laughed at, for the transaction was perfectly legal. Kinkaid, by force, took the money from Arnold, escaped into Mexico and returned it to the immigrants. Detectives arrive from New York. Nellie asks Kinkaid to go for a walk. Romero, not trusting her, has followed with two Mexicans, to be there in case of need. Kinkaid is arrested by Arnold and the detectives and Romero coming up with assistance, is deserted by his followers at a critical moment, and he is also arrested. In the jail, Kinkaid and Romero again become friends and Kinkaid wagers his entire possessions that Nellie will "run true to form." In her room, Nellie sees a way out of her difficulty. She steals the keys of the jail from the sheriff and opens the door. At dawn, Kinkaid, Nellie and Romero enter the town from the desert and are met by an ovation from their friends. Kinkaid gives to Romero the gambling house and everything connected with it, finding that his future and his happiness lie with Nellie, away from everything pertaining to his former life.
View Details
Dir: Raymond Wells
A ranch foreman wins a series of events at a frontier day rodeo.
View DetailsAnalysis relative to Fighting Back
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Fighting for Love | Ethereal | Layered | 89% Match |
| The Law of the Great Northwest | Tense | Layered | 89% Match |
| The Man Above the Law | Gothic | High | 89% Match |
| The Flames of Chance | Tense | High | 97% Match |
| The Saintly Sinner | Gritty | High | 90% Match |
This guide was algorithmically generated using the cinematic metadata of Raymond Wells's archive. Last updated: 6/18/2026.
Back to Fighting Back Details →