Hand-Picked Alternatives for Fans of Fighting Thru; or, California ...

Dir: William Nigh

American ambassador to Germany James W. Gerard warns that Germany will rise again to power and an attempt at world domination unless safeguards are taken, in this documentary-style propaganda drama.

Dir: William Nigh

A visual fragment from the archive: The thematic resonance of The Fighting Roosevelts perfectly mirrors the editorial trajectory of our deep dive.

A dramatization of the life of Theodore Roosevelt leading up to his presidency of the United States. Included are depictions of his youth, his membership in the New York State Assembly, his days as a cowboy, police commissioner, Assistant Secretary of the Navy, and leader of the Rough Riders in the Spanish-American War.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: William Nigh

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

The experiences of the American ambassador to Germany, James Gerard, are recounted in this semi-documentary.

Dir: William Nigh

Mary Bruce is wooed by Lord Haverford but loves Roger Benton, her father's secretary. To finalize his marriage proposal, Lord Haverford offers her father a large sum of money and, being low on funds, Mr. Bruce accepts it, then places it in a safe. Horrified by her father's actions, Mary steals the cash from the safe that night, but on her way out is overcome by another thief whose wrist she bites in the ensuing tussle. When the theft is discovered, Mary, Benton and Mr. Bruce are suspected, but Dr. Steele, a detective, convinces Mary that Haverford, or the man who calls himself Haverford, is the actual thief. Steele tells how the phony Haverford attempted to kill the real one, stole his money, assumed his identity and is now extorting cash from Bruce. With the bitten wrist as proof, Steele exposes the impostor, then reveals himself to be the real Lord Haverford, whose sweetheart has been posing as the Bruces' maid. The mystery resolved, Mary and Benton happily reunite.

Dir: William Nigh

A visual fragment from the archive: The thematic resonance of My Four Years in Germany perfectly mirrors the editorial trajectory of our deep dive.

Marian Delmar's architect father has died without an estate, though she thinks he has left her a settlement of some sort. From the time of his death, a member of his profession, Varcoe, has sent her a monthly remittance with enables her to live decently and study painting. Then Varcoe dies, leaving no instructions regarding the remittance and no reason why his son Olin should continue it. John Hartfield, whose father has been a lawyer of doubtful integrity but unquestionable shrewdness, is now the one Marian turns to when her remittance fails to arrive. He subsequently informs her that the remittance seems to have been a matter of charity on the late Varcoe's part; incidentally, his son Olin is dying from his wild dissipation and morbid excesses. Marian's independent nature revolts at having been an object of charity, and against John's pleading she decides to pay the debt by nursing Olin back to health. She offers her services as nurse, and Olin exhibits a wicked joy at engaging her. All repair to the old Varcoe home on the St. Lawrence, where lives Mrs. Varcoe, whom her supposed son has never seen; she has been an invalid for 40 years, faithfully attended by the old family physician in a house with Indian servants, and strange furnishings that must have been the expression of a morbid brain. When Olin meets Mrs. Varcoe, whose son he is supposed to be, he seems to inspire her with fear and misgiving. She is immediately impressed with Marian, whose attentions are now directed to the old lady's health. The aged doctor's jealousy of Marian in her efforts to relieve Mrs. Varcoe creates frequent friction. Through the finding of certain plans in a secret compartment, John finds that Marian's father was the real brains behind the elder Varcoe's success; hence, the remittance by agreement. Olin's morbid nature drives him to take advantage of an Indian girl in his household, and the consequence is the exposure of the secret that he himself is the offspring of such an affair on his father's part. Meanwhile, John constantly tries to dissuade Marian from continuing in this atmosphere, but a strong affection has developed between Marian and the kind old lady that furnishes the incentive for her to remain. Olin is determined to have one more big fling before he passes away, and invites a number of his dissipated city friends to spend the weekend. Olin traps Marian in a secret passage, but another Indian and John rescue her and wound Olin. Olin crawls to the Indian huts on the estate where the remainder of his mother's tribe dwelt, and dies in the arms of his Indian grandfather. Marian and John determine to travel the road of life together, while the old doctor gives evidence that his devotion to his equally-venerable patient was not purely professional interest.

Dir: William Nigh

The townspeople of Purity despise Martin Bradley because of his heavy drinking, but he still does his best to make life better for the town. He helps to support two women who have been socially ostracized by the townspeople, and during the election campaign for mayor, exposes the corruption and dirty tricks of candidate James Durkel, resulting in the election of his opponent Chester Thorndyke. However, the voters of Purity insist that Thorndyake disavow his ties to Bradley, whom they regard as disreputable.

Dir: William Nigh

A visual fragment from the archive: The thematic resonance of Thou Shalt Not Steal perfectly mirrors the editorial trajectory of our deep dive.

"Buttsy" Gallagher is a harmless young product of the slums. In all his life he has never been of the slightest importance. His spirit is so submerged that he has almost forgotten how to get angry. One night the gaiety going on in Judge Winters' home attracts him, and he crouches on the fire-escape to watch it. He becomes interested in the Judge, in his pretty daughter Peggy, in her cousin Flo, in Flo's admirer, the Count, and in Bob Ewing, a struggling young lawyer. Then he falls asleep on the fire-escape. Peggy is fascinated with the Count and decides to cut Flo out, if she can. She consents to meet him in the drawing-room after the household is asleep. Scarcely are they concealed in the window niche when the house is burglarized. "Frank the Mex" and "Lefty Jake," securing their booty, pass through Flo's room when Flo awakens and screams. A servant who runs to see what is wrong is killed, and the crooks escape through the window, where "Buttsy" is lying asleep. They roll him over into the room. "Buttsy" is arrested as the murderer. "Buttsy" finds himself suddenly famous. Women send him flowers. Great men argue about his case. The people in his home alley decide that he has more in him than they thought. Peggy, who was hidden in the other window and who knows that he is not the murderer, does not dare speak for fear of injuring her reputation. Bob Ewing takes up the case. He is sure "Buttsy" is not guilty, and finally makes Peggy tell what she knows. Her father, Judge Winters, makes her marry the Count. "Buttsy" is given a new trial and is released under a five-year probationary sentence for having committed perjury. He has "confessed" to the murder, delighted at having so much attention. Brought into prominence by "Buttsy's" trial, Bob is engaged by a firm of unprincipled men to condemn and take over for a reservoir some land belonging to Judge Winters and some farmers in his old home town. The two crooks, "The Mex" and "Lefty," are hired, and bind and gag the Judge when he tries to fight the matter in the town council. Peggy and the Count, who follow, are about to meet the same fate, when "Buttsy" intervenes. He has left the city because it is not interested in him except as a criminal. The Judge accuses him of being mixed up in the conspiracy and his long-buried spark of anger flames forth. He puts up the fight of his life. He and the Count turn on the hobos, and "The Mex," the slayer of the servant, is mortally wounded, confessing just before he dies. Flo gives Bob a piece of her mind. She tells him exactly what she thinks of him for having turned traitor to her uncle's interests in such a cowardly fashion. She rouses the sleeping manhood within him. He goes to the council meeting and argues, not against the Judge, but for him, winning the case. Flo forgives him, and they are married. Peggy cannot help admiring the Count's valor when she sees him fighting the crooks, and thereafter the marriage is a real one, as for "Buttsy" he sees again the girl known in his tenement home as "The Pest." Now she is a lovely young woman. She has become a trained nurse and he asks her to be his own private nurse as long as he lives.

Dir: William Nigh

The story tells of the reformation of a millionaire's son, who later develops such consistent speed on the "draw" and on a horse that it wins for him the title of "The Blue Streak." Driven from home, the "Streak" changes his mode of living entirely. News of his adventurous spirit penetrates even into the town of Sterling, beyond the Rockies, where he one day finds himself. He strolls into the common meeting-place there, the saloon, and proceeds to prevent a forced marriage between the proprietor's daughter, "The Fledgling," and a gambler by the simple expedient of covering all with his revolver while preparing to make her captive himself. A short time after they reach his retreat in the hills, the "Streak' is almost overcome by what occurs to him. The gambler must have wronged the girl, and he, the "Streak," has interfered with retribution. He leaves "The Fledgling" in his partner's care and rides furiously back to the town for the "miscreant." He makes him prisoner, after a hard fight, and with a parson, brings him to the hut. The girl protests that the gambler has not harmed her, but the "Streak" will not listen. In desperation, "The Fledgling" goes through with a fake marriage ceremony. Miles away on the horizon the "Streak" sees a posse approaching to arrest him for his escapades. He bids "The Fledgling" good-bye and prepares for surrender. She begs him to flee. When he refuses she rushes to his arms, crying out her explanation. He mounts his horse, lifts her behind him, and dashes off, to begin life anew in his old home.

Dir: William Nigh

Caroline works at a hair dressing parlor. A wealthy man falls in love with her, takes her home and proposes to her. Caroline has a dream where she marries the man, who turns vicious and keeps her locked up in his mansion. He finally dies, and Caroline starts out having a good time with his money, but she sees the folly of her ways. She wakes up from the dream.