Visionary Picks Drawn from the Same DNA as Five and Ten: Cult Guide

Dir: Robert Z. Leonard

The cabaret act of husband-and-wife dancing team Peggy and Joe Blondin is broken up when Joe becomes consumptive and is ordered West to recuperate. Peggy remains in New York to maintain the couple's income but gradually becomes desperate when letters sent her by her husband request more and more money. Joe's letters actually are being intercepted and rewritten by millionaire Harlan Quinn, who has designs on Peggy and wishes to portray Joe's situation as hopeless. After receiving a particularly alarming letter, Peggy consents to sell her honor to Harlan, but Joe arrives, fully recovered, just as the villain knocks on her door. The two men fight until Peggy's stepfather, a drug addict who has been acting as Harlan's dupe, shoots Quinn. The police arrive and shoot the old man, after which Peggy and Joe begin a new life together.

Dir: Robert Z. Leonard

A visual fragment from the archive: The thematic resonance of Face Value perfectly mirrors the editorial trajectory of our deep dive.

Joan runs away from home and becomes a cashier at a restaurant, but quits when the manager attempts to make love to her. She meets Louie, with whom she was once friendly, and he forces her to steal for him. She is caught and sentenced to a state reformatory.

Dir: Robert Z. Leonard

Impoverished Molly Hanlon is befriended by crooked gambler Lee Kirk, she marries him in a phony ceremony. While frequenting Kirk's gambling den, Molly meets Miles Rand, the dissolute son of Judge Rand, whose obvious attraction for her encourages Kirk to swindle him out of his money. Penniless, Miles accepts a loan from Molly and returns East to study law. On the day that Molly learns that her marriage is not legal, the gambling den burns down and Kirk is presumed dead. After escaping with Kirk's money, Molly goes East where she encounters Miles, now a district attorney. In spite of the objections of Judge Rand, Molly accepts Miles's proposal, but after Kirk arrives in town, she calls off the engagement. When Kirk enters her apartment through a window, Molly kills him in a panic and is arrested for murder. The still faithful Miles defends her in court, and after her acquittal, she confesses her past and reunites with her old love.

Dir: Robert Z. Leonard

A visual fragment from the archive: The thematic resonance of Judge Not; or the Woman of Mona Diggings perfectly mirrors the editorial trajectory of our deep dive.

In an English mining town during the 1870s, Joan Lowrie falls in love with Fergus Derrick, the new chief engineer who vows to improve working conditions. Joan's father Don, however, runs the mine and likes conditions just as they are. As a result, he quickly learns to detest the crusading Fergus, even to the point of trying to murder him. Joan saves Fergus, after which Don is killed by one of the workers whom he habitually mistreated. Don's death removes the only impediment to Joan's romance as well as to improvements in the mine, so while Joan and Fergus make plans for their marriage, plans also are developed to make the mine safer and more efficient.

Dir: Robert Z. Leonard

Wanting to escape from the drab life of the country, Helen Wayne moves to the big city and becomes a secretary for the Calder family. Just before beginning her new job, however, Helen meets a man who promises to take the hungry girl to dinner. When she goes to the prearranged meeting place, she is arrested and her name is put on the police record. Some time later, Helen and young Rand Calder fall in love. As they are about to announce their engagement, Martin Ingleton, the man who earlier had caused Helen's arrest, attempts to ruin Rand's business ventures. When all of the principals go to court to fight the issue, Ingleton recognizes Helen and tries to label her a woman of unworthy character. Instead of causing Rand to admonish her, however, Ingleton instigates Helen to tell the judge her story and she is exonerated.

Dir: Robert Z. Leonard

A visual fragment from the archive: The thematic resonance of Secret Love perfectly mirrors the editorial trajectory of our deep dive.

In the late fifties John Hogue, his wife and daughter, Dora, are living in a little cabin on the edge of civilization, directly in the path of the great caravans of Mormons as they made their way from the States to their community in Utah. One of these caravans, under the guidance of Elder Darius Burr, a power among the Mormons, passes the Hogue cabin and Tom Rigdon, a youthful convert to the newer religion, is impressed by Dora. His interest in the girl is shared by Burr, but with different motives. The Indians raid the Hogue cabin and the family is forced to join the Mormon party despite the fact that Dora's father and mother have many misgivings. Arrived in Salt Lake City, the Hogues are taken aback by the presence of the Avenging Angels, the peculiar group of masked men who seem to have unlimited power. Hogue is an industrious man and soon becomes quite prominent. Burr, coveting Dora, induces "The Lion," head of the church, to insist that Hogue take a second wife and gains his permission to win Dora if he can. Meanwhile, Tom and Dora have become more and more attached to each other. Four Angels intercept them and separate them, Dora being taken into a room adjoining the council chamber. Hogue is brought in and forced to marry a woman he has never seen and Dora is told by Burr that the only way she can save her father is by marrying him. Ignorant of the fact that he has actually been married, Dora decided to comply in order to save her father. When Hogue's second wife is brought to the house by the Avenging Angels, Dora's mother kills herself. Hogue, Tom and Dora then try to escape, but are caught by the Angels and the girl is taken to Burr's household. Hogue is taken out to the desert to die of thirst, but makes his way back to the settlement, killing one of the Angels and donning his peculiar uniform, in which he is safe from molestation. When Dora is brought before the council to be married, she declares she cannot marry Burr because of her past sins, and she is condemned to die. Tom is spirited away by an Avenging Angel who also unlocks Dora from her prison cell and flees with them, with Burr in pursuit. Getting Burr aside, the Avenging Angel takes him to the spot where the fugitives are hiding, and reveals himself as Hogue. Burr is sent out into the desert to die, just as he has condemned Hogue to do, and the three make their escape from the dread community.

Dir: Robert Z. Leonard

Living with her drunkard father in the North Woods mountains, Betty Yarnell is shunned by the villagers whenever she ventures out to pick up her father from Abner Grimp's saloon, and her only friend is a little lamb. In debt to Abner, John Yarnell signs a note turning over his daughter to Abner in return for unlimited drinks. When Abner goes to the cabin to claim Betty, revenue officer Ralph McGibbon arrives from the city and rescues her. Abner sends his Indian partner Dark Cloud, but Ralph rescues Betty again, although he is badly beaten up. Betty nurses Ralph, and even sacrifices her lamb to prepare broth for him. The sheriff decides to auction off Betty to the highest bidder. Abner demands that she be turned over to him, but Ralph fights him and manages to win Betty.

Dir: Robert Z. Leonard

A visual fragment from the archive: The thematic resonance of On Record perfectly mirrors the editorial trajectory of our deep dive.

Ambrosia is a sweet little girl of tender heart and loving disposition, who lives near to nature in fancy and ideals. Her mother dies, and she is sent to an aunt in the city, whom Ambrosia calls "Aunt Grouchy," to be reared as her own child. The aunt is of dignified and austere disposition, far different from Ambrosia's dead mother, and the atmosphere is a decided change from the freedom of country life and the tenderness of mother love. Ambrosia makes friends with the boy next door, and these two greatly enjoy their romps and play together. Ambrosia's cousin is in love with a poor young man, and her mother objects to his attentions, desiring for her daughter an advantageous marriage, regardless of the girl's wishes or thoughts of love. "Aunt Grouchy" is a disciple of Hindu mystics, and consults the "Swami," seeking his aid. The "Swami" practices hypnotism upon the daughter of "Aunt Grouchy," influences her to send a note breaking off the affair with the young man, and finally kidnaps the girl and holds her for ransom. Ambrosia and the boy next door discover where the girl is being held prisoner and inform the police. While the kidnappers' den is being raided, the "Swami" is at "Aunt Grouchy's" in the act of collecting the ransom money, under guise of a tribute to the Buddhist's god, but when the Secret Service men arrive and arrest him, his true character is exposed. The raid is accomplished at a critical moment, the girl is saved from harm, and when "Aunt Grouchy's" eyes are opened she realizes her past shortcomings. Conquering her proud disposition, she gives her sanction to her daughter's marriage to the poor young man, and Ambrosia lives happily ever after.

Dir: Robert Z. Leonard

Muggsy Mulane, who wears boy's clothing, jumps a freight train to the country after Jimmy "the Eel," the leader of the gang of crooks with whom she works, is arrested. In the village of Cottonville, Muggsy befriends Aunt Sarah, whom she later discovers is Jimmy's mother. When Muggsy learns that the greedy Judge Cotton, who holds the mortgage on Aunt Sarah's property, is planning to foreclose, she threatens to blackmail him, and he relents. Next, Muggsy sells a part of Aunt Sarah's property for far more than it is worth, and finally convinces Jimmy to come home to his mother and live the straight life.

Dir: Robert Z. Leonard

Margaret MacLean, who has been saved from life in a wheelchair by the miracle of medicine, vows to devote her life to caring for crippled children. She becomes a nurse in the children's ward of Dr. MacLean's hospital, but after the beloved doctor's death, his son Bob returns home from abroad and decrees that he is closing the ward and that Margaret's little charges must leave the hospital. Furious, Margaret quits her job and storms out, with Bob in pursuit. As he rushes across the street, Bob is struck by a car and must be hospitalized. During his convalescence, he realizes that he is in love with Margaret and decides to have a home built for her and her patients. Unable to locate Margaret, Bob hires detectives, who find her and bring her to the home. There Margaret finds that all her dreams have come true as she sees her little charges happily living in their new home and gladly accepts Bob's proposal of marriage.