Curated Recommendations Seeking the Same Brilliance as For Valour: Cult Guide

Dir: Albert Parker

Mild-mannered silk salesman Roland Francis finds himself a target for marriage-minded women who believe him to be good husband material. Pretty young Ann Winton, after being dared by her brother-in-law, invites Roland to dinner and a night on the town in Greenwich Village, and Roland accepts. However, he has no idea what kind of adventure is in store for him.

Dir: Albert Parker

Designated to write an article on the high price of food, reporter June Justice visits the tenement districts where there have been food riots and where the women of the neighborhood have rebelled against the food retailers, thinking that they are to blame for high food prices. June then visits the retailers, the middlemen, and finally interviews Henry Havens, the leader of the ring of food speculators. Havens attempts to bribe June to slant her story, but finds himself falling in love with her instead. Under June's influence, Havens sees the hardship that his policies have wrought, and finally joins her in her push for legislation which would dissolve the food trust.

A visual fragment from the archive: The thematic resonance of The Food Gamblers perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Parker

Sally Carter Rand, married to an elderly senator, is accused of espionage, but she is able to clear herself by proving that her mysterious knitting is actually a baby sweater.

Dir: Albert Parker

Aviator John Leslie meets Diane Du Prez in Canada when she tries to take shelter from a storm, but has to return home after learning of her father's death.

A visual fragment from the archive: The thematic resonance of The Secret Code perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Parker

A woman runs away from an arranged marriage. Her father finds her and plans to send the man to the same rooming house so they might fall in love. Plans go awry when a police reporter accidentally assumes his place while on a case.

Dir: Albert Parker

Marcia Grey is wrongly convicted on trumped-up evidence of a German. After serving her term, she rebuilds her life and marries well. The German then attempts to blackmail her into helping the German cause during WWI.

A visual fragment from the archive: The thematic resonance of The Rejected Woman perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Parker

Young Anne (Winifred Allen) who lives with her stern uncle, is considered strange by the gossips of her village because she spends much of her time in the woods, where she has imaginary conversations with her deceased mother. When Jimmy (Dick Rosson), a crook is wounded after a robbery, he eludes the sheriff by hiding in a deserted mansion, unaware that the mansion is said to be haunted. The spirit haunting the mansion is Anne, who befriends Jimmy and frightens away his pursuers by pretending to be a ghost. Soon, the young couple begin a romance, safe within the walls of the haunted house.

Dir: Albert Parker

On her way to New York City to complete her art education, Eleanor Gates meets Mr. Harrington, a broker, and the two become friends. When her work meets with great success in Greenwich Village, Eleanor consults with Harrington on investments. Bored with his wife, Harrington begins to fall in love with the fascinating young artist, and she returns his affections. After the death of the Harrington's' baby, Mr. Harrington completely neglects his wife, who soon realizes that he is having an affair. Unaware that Eleanor is the other woman, Mrs. Harrington confides in her, and Eleanor experiences a change of heart. After learning that Eleanor is Harrington's mistress, Mrs. Harrington denounces her, whereupon Eleanor castigates the wife for failing to provide her husband with sympathetic companionship. Mrs. Harrington resolves to become a better wife, while Eleanor returns to the sweetheart she left in the country.

A visual fragment from the archive: The thematic resonance of Waifs perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Parker

Phemie Sanders, confronted with the unhappiness of her parents because of the perpetually drunken state of her father, harbors a hatred towards men which even extends to Joe Stull, the village blacksmith who wants to marry her. Upon her mother's death, Phemie takes her younger sister and goes to Joe to accept his proposal while announcing that she will never love him. Joe accepts her conditions, thinking that she will soon change her attitude, but Phemie remains steadfast. Having read in the paper of the power of matrimonial jealousy, Joe decides to write anonymous letters to Phemie, mentioning another woman in his life. These have no perceptible effect on the man-hater until another woman, in reality, looms upon the horizon. She is Lucy Conyer, a former admirer of Joe's who is now a widow. Lucy makes a play for Joe's attentions and this finally has an effect on Phemie, who upbraids her husband for neglecting her and, then forced to a confession, declares her love for him.

Dir: Albert Parker

A young woman at a crossroads is shown what her future would be like for each choice.