Recommendations
Senior Film Conservator

If you found yourself captivated by the artistic bravery of For Valour (1917), the profound questions raised in 1917 still require cinematic answers today. Experience the United States influence in these recommendations that echo For Valour.
For Valour remains a monumental achievement to provide a definitive example of Albert Parker's stylistic genius.
Melia Nobbs, a young Canadian woman, supports both her invalid father Ambrose and brother Henry. When Henry faces arrest for helping himself to his employer's cash, Melia steals the amount from the star of the theater where she has been dancing, and offers it to her brother provided that he will enlist in the army. Henry agrees and goes off to war, making Ambrose proud of his son, but when Ambrose learns that his daughter has been arrested for theft, he disowns her. Melia does not reveal the reason for taking the money and is sent to prison. Meanwhile, Henry fights bravely in France and returns home minus an arm but wearing the Victoria Cross. He finds his sister, weak and worn from overwork, in the prison hospital. Seeing her brother with his medals, Melia realizes that her sacrifices for him and her country have not been in vain, and that in her own way, she has served her country.
Based on the unique artistic bravery of For Valour, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Albert Parker
Marcia Grey is wrongly convicted on trumped-up evidence of a German. After serving her term, she rebuilds her life and marries well. The German then attempts to blackmail her into helping the German cause during WWI.
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Dir: Albert Parker
A young Sherlock Holmes seeks to bring down the criminal mastermind Moriarty as he solves a crime involving a blackmailed prince.
Dir: Albert Parker
Phemie Sanders, confronted with the unhappiness of her parents because of the perpetually drunken state of her father, harbors a hatred towards men which even extends to Joe Stull, the village blacksmith who wants to marry her. Upon her mother's death, Phemie takes her younger sister and goes to Joe to accept his proposal while announcing that she will never love him. Joe accepts her conditions, thinking that she will soon change her attitude, but Phemie remains steadfast. Having read in the paper of the power of matrimonial jealousy, Joe decides to write anonymous letters to Phemie, mentioning another woman in his life. These have no perceptible effect on the man-hater until another woman, in reality, looms upon the horizon. She is Lucy Conyer, a former admirer of Joe's who is now a widow. Lucy makes a play for Joe's attentions and this finally has an effect on Phemie, who upbraids her husband for neglecting her and, then forced to a confession, declares her love for him.
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Dir: Albert Parker
Ruth Sawyer discovers that her mother has an ill-savory past and decides to withhold this information from the man she loves. But a crooked pal of Ruth's mother shows up with blackmail in his plans.
Dir: Albert Parker
James Barclay is elected to the office of governor on the machine ticket. Sylvia Marlowe, a lawyer whom Barclay has loved for years, refuses to marry him because she fears that Barclay's ambition is causing him to disregard ethics and justice. When he is persuaded by the political boss to veto a child labor measure, Sylvia determines to run for the office of lieutenant governor and is elected. After war is declared, the political boss is bought by a German agent to kill an army appropriation bill, even though the money is urgently needed. Barclay lacks the courage to defy the boss, so Sylvia arranges to have him leave the state, and during his absence, she signs the bill. At first Barclay is angered, but soon he is reconciled, and his next proposal to Sylvia is accepted.
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Dir: Albert Parker
Mild-mannered silk salesman Roland Francis finds himself a target for marriage-minded women who believe him to be good husband material. Pretty young Ann Winton, after being dared by her brother-in-law, invites Roland to dinner and a night on the town in Greenwich Village, and Roland accepts. However, he has no idea what kind of adventure is in store for him.
Dir: Albert Parker
Aviator John Leslie meets Diane Du Prez in Canada when she tries to take shelter from a storm, but has to return home after learning of her father's death.
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Dir: Albert Parker
Designated to write an article on the high price of food, reporter June Justice visits the tenement districts where there have been food riots and where the women of the neighborhood have rebelled against the food retailers, thinking that they are to blame for high food prices. June then visits the retailers, the middlemen, and finally interviews Henry Havens, the leader of the ring of food speculators. Havens attempts to bribe June to slant her story, but finds himself falling in love with her instead. Under June's influence, Havens sees the hardship that his policies have wrought, and finally joins her in her push for legislation which would dissolve the food trust.
Dir: Albert Parker
Sally Carter Rand, married to an elderly senator, is accused of espionage, but she is able to clear herself by proving that her mysterious knitting is actually a baby sweater.
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Dir: Albert Parker
Young Anne (Winifred Allen) who lives with her stern uncle, is considered strange by the gossips of her village because she spends much of her time in the woods, where she has imaginary conversations with her deceased mother. When Jimmy (Dick Rosson), a crook is wounded after a robbery, he eludes the sheriff by hiding in a deserted mansion, unaware that the mansion is said to be haunted. The spirit haunting the mansion is Anne, who befriends Jimmy and frightens away his pursuers by pretending to be a ghost. Soon, the young couple begin a romance, safe within the walls of the haunted house.
View DetailsAnalysis relative to For Valour
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Shifting Sands | Ethereal | Layered | 92% Match |
| Sherlock Holmes | Gritty | Abstract | 93% Match |
| The Man Hater | Ethereal | Layered | 95% Match |
| The Branded Woman | Gothic | Abstract | 87% Match |
| Her Excellency, the Governor | Gritty | Dense | 95% Match |
This guide was algorithmically generated using the cinematic metadata of Albert Parker's archive. Last updated: 8/17/2026.
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