Top-Tier Alternatives Exploring the Legacy of Fra Diavolo: Cult Guide

Dir: Donatien

A fascinating piece of cinema that shares thematic elements.

Dir: William F. Adler

A visual fragment from the archive: The thematic resonance of Shipwrecked Among Cannibals perfectly mirrors the editorial trajectory of our deep dive.

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

Dir: Cecil M. Hepworth

A soldier's tunic button, made from Aladdin's lamp, grants his wishes.

Dir: J.P. McGowan

A visual fragment from the archive: The thematic resonance of Alf's Button perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George Beranger

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Perry N. Vekroff

A visual fragment from the archive: The thematic resonance of Elmo the Fearless perfectly mirrors the editorial trajectory of our deep dive.

While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.

Dir: George B. Seitz

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of Number 17 perfectly mirrors the editorial trajectory of our deep dive.

Returning to England a hero after saving a British garrison in India, Leigh Dering marries Jean Desmond, the daughter of a wealthy merchant. Humiliated by the patronage of his wealthy father-in-law, Leigh turns to drink, estranging him from Jean. Returning home one night he finds the body of his wife's father. When Jean accuses her husband of the crime, Leigh disappears, making it seem as if he has been killed in a railway accident. Five years pass and Leigh has become a victim of drink and drugs, barely existing in India. Jean marries Willoughby, an unscrupulous officer who was forced to leave India when his betrayal of the Rajah's sister earned the enmity of the ruler, thus endangering the garrison that Leigh had rescued. When Willoughby returns to India with his new wife, the Rajah seizes upon the opportunity for revenge. Planning to blow up the palace during a reception, the Rajah is thwarted by Leigh. In a rage, the Rajah kills Willoughby in hand-to-hand combat, thereby permitting the reconciliation between Jean and Leigh, who have already paid the price of redemption.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Josef Stein

Bela Lugosi plays a lascivious Arab sheikh confronting European travelers in the desert in an adventure story set in the Sahara.