The Essential Watchlist that Capture the Essence of Free Air: Cult ...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Edward H. Griffith

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Ruth Hoagland grows up on an island off the Massachusetts coast with no companion other than her father, a half-witted fisherman who spends most of his time hunting for buried treasure. Vacationing yachtsman Bob Winthrop and Ruth fall in love, but Winthrop returns to New York, and after a year, has forgotten Ruth. After finding two chests in a cave, Ruth locates her father unconscious from a fall. She goes to the mainland for help, but returns with the Reverend Josiah Arbuthnot and Dr. William Strong, to find her father dead. Strong, out of kindness, offers to marry her, but Ruth declines, sure that Winthrop will return. She offers to divide the chests with Strong and Arbuthnot, but after Strong discovers they are worthless, he withdraws his savings, and gives Ruth money to develop her voice in New York, saying that it came from selling the chests' contents. After Ruth learns of Winthrop's affair with a musical comedy star, she returns to the island to prepare for her Broadway debut, where she discovers Strong's sacrifice.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Awakening of Ruth perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edward H. Griffith

Childhood friends Mary Lee and Vera receive two different versions of the 'birds and the bees' from their mothers: Mary Lee gets the facts; Vera gets a prudish fairytale version. Their lives separate after graduation, Mary Lee becomes a nurse who falls in proper love with a Doctor, whereas Vera follows her mother's advice and seeks to marry a rich man, but falls for the unlawful, syphilitic charms of a wealthy cad. Mary Lee and her Doctor rescue Vera and help her get proper care after a series of revelations showing actual patients of the loathsome disease. Finally, Mary Lee and her new husband volunteer to help our boys fighting the Huns in France.