The Cult Collection Inspired by the Vision of Frenzied Film: Cult G...

Dir: Eddie Lyons

John Smith learns in order to inherit two million dollars from his wealthy aunt, he divorce his wife Lucille, a former vaudeville performer. In order to qualify for his inheritance, John devises the idea of divorcing his wife and then remarrying her. To establish grounds for the divorce, John registers at a hotel with Fannie, the janitor's wife. Their neighbors in the adjoining room are Britton Hughes and his bride Peggy, who are being pursued by the bride's father. The arrival of Fannie's husband precipitates a panic in the two apartments, during which time, John and Peggy are thrown together. At that moment, Lucille arrives and believes that John is guilty of a real affair. Several complications arise until John's aunt appears and tells her nephew that the will was all a test of his love for Lucille, and when the runaway bride and groom are forgiven, all ends happily.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of In the Good Old Days perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Eddie Lyons

Rushville is excited over the football game to be played that day between its rival teams, the Bearcats and the Carnations. Word reaches the latter team that Spike Hennessey, a famous quarterback, is to be a ringer on the "Bearcats" team.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of A Pigskin Hero perfectly mirrors the editorial trajectory of our deep dive.

Eddie is about to be married, and while he is facing the altar with his prospective bride, Charlotte, Lee, the rejected suitor, bursts into a fit of weeping. He is ejected, but returns and time and time again attempts to break up the ceremony so that he can make the girl his wife. After being tossed out for attempting in different ways to put an end to the wedding, Eddie, Lee, Charlotte and the preacher are escorted to jail. Lee has to look on while the matrimonial knot is tied.

Dir: Eddie Lyons

A fascinating piece of cinema that shares thematic elements.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Stop That Wedding perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Eddie Lyons

Mr. Ups likes the gay life and Mr. Downs is a "stay-at-home." One night when Ups is out sporting and Downs is home in bed, Ups arrives at the entrance of the apartment house at the same time with Downs' wife. Ups' wife, who is at home, hears the cat ransacking the milk cans in the kitchen and thinks a burglar is in the house. Then Mr. Ups and Mrs. Downs arrive and the chase starts. Up and down the dumbwaiter goes Downs and Mrs. Ups, looking for the burglar, one in his bathrobe the other in her pajamas. The mystery is solved and the two couples become the best of friends.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Ain't Nature Wonderful? perfectly mirrors the editorial trajectory of our deep dive.

Lee and his family take Eddie and his wife riding in their new car.

Dir: Eddie Lyons

Bernie and Sidney are a buyer and a salesman who smash each other's hats before becoming acquainted. Their wives afterward mix in at a hat sale and later all meet at dinner, when the riot begins again.

Dir: Eddie Lyons

A fascinating piece of cinema that shares thematic elements.