Hidden Genre Gems In Alignment with the style of From Two to Six: Cult Guide

Dir: Albert Parker

In a prologue, Douglas Fairbanks appears in a chef's outfit mixing a cake with action, mystery, adventure, romance and comedy, seasoned with pep and ginger. The finished cake is The Knickerbocker Buckaroo. The story begins as buoyant Teddy Drake, expelled from his exclusive Fifth Avenue club for playing practical jokes and leaping over furniture, decides to reform his selfish impulses. Anxious to do "something for somebody," he boards a train bound for the Southwest. After helping an old woman off the train, Teddy takes the wrong train and meets Manuel Lopez, a Mexican bandit, going to visit his sick mother. To hide Lopez from a crooked sheriff, and because Teddy left his shirt in the first train, Teddy exchanges clothes with him. At the border town of Sonora, the sheriff chases Teddy along the roofs until, seeing a girl in jail, Teddy lets himself be arrested. Learning that the girl, Rita Allison, has money hidden that the sheriff wants to steal, Teddy escapes. After Lopez saves him from a lynching, Teddy finds the money, holds off the sheriff's gang until a U.S. Marshal arrives, and then returns to New York with Rita, now his fiancée.

Dir: Albert Parker

A visual fragment from the archive: The thematic resonance of The Haunted House perfectly mirrors the editorial trajectory of our deep dive.

Young Anne (Winifred Allen) who lives with her stern uncle, is considered strange by the gossips of her village because she spends much of her time in the woods, where she has imaginary conversations with her deceased mother. When Jimmy (Dick Rosson), a crook is wounded after a robbery, he eludes the sheriff by hiding in a deserted mansion, unaware that the mansion is said to be haunted. The spirit haunting the mansion is Anne, who befriends Jimmy and frightens away his pursuers by pretending to be a ghost. Soon, the young couple begin a romance, safe within the walls of the haunted house.

Dir: Albert Parker

A young Sherlock Holmes seeks to bring down the criminal mastermind Moriarty as he solves a crime involving a blackmailed prince.

Dir: Albert Parker

A visual fragment from the archive: The thematic resonance of Sherlock Holmes perfectly mirrors the editorial trajectory of our deep dive.

Ruth Sawyer discovers that her mother has an ill-savory past and decides to withhold this information from the man she loves. But a crooked pal of Ruth's mother shows up with blackmail in his plans.

Dir: Albert Parker

A young woman at a crossroads is shown what her future would be like for each choice.

Dir: Albert Parker

A visual fragment from the archive: The thematic resonance of The Branded Woman perfectly mirrors the editorial trajectory of our deep dive.

James Barclay is elected to the office of governor on the machine ticket. Sylvia Marlowe, a lawyer whom Barclay has loved for years, refuses to marry him because she fears that Barclay's ambition is causing him to disregard ethics and justice. When he is persuaded by the political boss to veto a child labor measure, Sylvia determines to run for the office of lieutenant governor and is elected. After war is declared, the political boss is bought by a German agent to kill an army appropriation bill, even though the money is urgently needed. Barclay lacks the courage to defy the boss, so Sylvia arranges to have him leave the state, and during his absence, she signs the bill. At first Barclay is angered, but soon he is reconciled, and his next proposal to Sylvia is accepted.

Dir: Albert Parker

A woman runs away from an arranged marriage. Her father finds her and plans to send the man to the same rooming house so they might fall in love. Plans go awry when a police reporter accidentally assumes his place while on a case.

Dir: Albert Parker

A visual fragment from the archive: The thematic resonance of Eyes of Youth perfectly mirrors the editorial trajectory of our deep dive.

On her way to New York City to complete her art education, Eleanor Gates meets Mr. Harrington, a broker, and the two become friends. When her work meets with great success in Greenwich Village, Eleanor consults with Harrington on investments. Bored with his wife, Harrington begins to fall in love with the fascinating young artist, and she returns his affections. After the death of the Harrington's' baby, Mr. Harrington completely neglects his wife, who soon realizes that he is having an affair. Unaware that Eleanor is the other woman, Mrs. Harrington confides in her, and Eleanor experiences a change of heart. After learning that Eleanor is Harrington's mistress, Mrs. Harrington denounces her, whereupon Eleanor castigates the wife for failing to provide her husband with sympathetic companionship. Mrs. Harrington resolves to become a better wife, while Eleanor returns to the sweetheart she left in the country.

Dir: Albert Parker

On the island of Jamaica, a young man of promise, Clifford Standish, is slowly sinking into an alcoholic debauchery. He meets a good-hearted woman called Ginger who leads him back to sobriety and society. But when they return to England together, they find society not worth living with.

Dir: Albert Parker

A young woman at life's crossroads is granted mystic visions of how her decisions will affect her future life.