The Definitive Guide Deeply Connected to Further Adventures of a Flag Officer: Cult Guide

Dir: J.P. McGowan

A fascinating piece of cinema that shares thematic elements.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of An Arabian Knight perfectly mirrors the editorial trajectory of our deep dive.

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: Cecil M. Hepworth

A soldier's tunic button, made from Aladdin's lamp, grants his wishes.

Dir: William F. Adler

A visual fragment from the archive: The thematic resonance of Alf's Button perfectly mirrors the editorial trajectory of our deep dive.

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

Dir: George Beranger

A visual fragment from the archive: The thematic resonance of Shipwrecked Among Cannibals perfectly mirrors the editorial trajectory of our deep dive.

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Maurice Tourneur

Having endangered his life by foolishly gambling away funds entrusted to him by the Carbonari, an Italian secret society, London banker Bernard Huddlestone appeals to Northmour, an adventurer, for protection. Northmour takes Huddlestone and his daughter Clara to his castle in Scotland, offering them safety in return for Clara's hand in marriage. There Clara encounters Frank Cassilis, an old adversary of Northmour's, and falls in love. Trouble brews between the two men, but when the Carbonari discovers Huddlestone's hiding place and storms the castle, the fugitives band together to fight the avengers. Coming to the realization that only his sacrifice will appease the attackers, Huddlestone steps out and meets his death. Northmour, deciding that married life would prove too monotonous, gives up his claim on Clara to Cassilis.

Dir: Francis J. Grandon

A visual fragment from the archive: The thematic resonance of The Adventurer perfectly mirrors the editorial trajectory of our deep dive.

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.

Dir: Maurice Elvey

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.