The Definitive Watchlist For Devotees of Gigolettes: Cult Guide

Dir: Roscoe 'Fatty' Arbuckle

Working their fingers to the bone to prepare the set for an upcoming performance, the enthusiastic stagehands, Roscoe and Buster, find themselves on stage when the cast quits. However, is will alone enough to earn a big round of applause?

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

A visual fragment from the archive: The thematic resonance of Mary's Ankle perfectly mirrors the editorial trajectory of our deep dive.

Dir: Roscoe 'Fatty' Arbuckle

The Sheriff is a "desert hero," so lucky as never to get a scratch amid all the shooting, such a remarkable shot himself that he hits the cuckoo in a clock and causes it to drop into a glass of beer below, converting it to a cocktail. He thwarts all the villains, foils all the plots, rescues the persecuted maiden, destroys the bar, closes the dance hall, and is instrumental in converting a long line of hardened gunmen to lives of usefulness as members of the Salvation Army.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of A Desert Hero perfectly mirrors the editorial trajectory of our deep dive.

Dir: Roscoe 'Fatty' Arbuckle

A farm boy must rescue his sweetheart from being married off to someone she does not love.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Dir: Roscoe 'Fatty' Arbuckle

A fascinating piece of cinema that shares thematic elements.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

A visual fragment from the archive: The thematic resonance of Love perfectly mirrors the editorial trajectory of our deep dive.

Dir: Roscoe 'Fatty' Arbuckle

Buster manages the store while Roscoe delivers the mail, taking time out for hide-and-seek with Molly. The constable, also interested in Molly, steals $300 while being observed by Buster.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.