Must-Watch List Comparable to the Style of Going Crooked: Cult Guide

Dir: George Melford

Gambler Harvey Arnold is forced to leave San Francisco and winds up in a small country town that is in the midst of a reform movement. He marries local girl May Fielding, who has no idea of his profession. When she finds out, he promises to quit, but it turns out that his profession wasn't the only secret he was keeping from May.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of The Puppet Crown perfectly mirrors the editorial trajectory of our deep dive.

Ailing King Leopold sends his daughter Princess Alexia of Osia to a exclusive American girls' boarding school as a commoner, so that she can know the meaning of true freedom. When she meets young millionaire Bob Carewe, they fall in love, but Alexia is summoned home because of a conspiracy of the king's advisers threatening to replace him with the Duchess Sylvia. When Bob reads of Osia's financial difficulties, he goes to help with a loan, though he realizes she cannot marry him if she is ever to rule. When the king dies suddenly, it causes a rebellion among the people. Although Bob bravely fights against the conspirators and nobly helps a bleeding rival for Alexia's affections, the duchess is proclaimed queen. She orders Alexia's arrest, but Bob, using one of the conspirators as a shield, escapes with Alexia to the border, now they are happily free to marry.

Dir: George Melford

A fascinating piece of cinema that shares thematic elements.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of The Explorer perfectly mirrors the editorial trajectory of our deep dive.

Lady Jocelyn, a favorite in the court of England's King James, escapes a forced marriage to the hated Lord Carnal by fleeing to American colonies. There she meets and marries Captain Ralph Percy. Pursued by Lord Carnal, Lady Jocelyn and her new husband eventually find themselves shipwrecked on a desert island with Lord Carnal. A band of pirates finds them there, and Captain Percy convinces them that he is himself a notorious pirate chief. But Lord Carnal casts them all into danger by revealing Percy's true identity.

Dir: George Melford

Margery Huntley, an orphan alone in New York employed at a dressmaking establishment, is sent by the forewoman to match a sample of lace for a gown. At the lace counter she stands next to Helen North, a wealthy girl who is a kleptomaniac. Helen steals a piece of very expensive lace that is missed before she can get away; in a panic, she slips it into Margery's open handbag and disappears. The stolen goods are found on Margery and she is sent to prison; meanwhile,, Helen goes abroad with her invalid father. Margery serves her full term in prison, and on her release is befriended by the "Prison Angel," a kind Salvation Army woman who hears her story, believes in her, and gives her a chance to train as a nurse. Margery graduates and is happy in her work, when the detective who arrested her recognizes her while visiting the hospital and tells one of the nurses that she has a prison record. Margery, realizing that her usefulness in that particular field is over, asks the doctor to send her abroad to nurse the wounded in Belgium. Through the war Helen's father loses all his money and dies suddenly in Belgium and Helen is left practically penniless. Her only hope is to hear from her father's old friend, wealthy Mrs. Franklyn of California, to whom her father had written, begging her to help his daughter. Mrs. Franklyn has never seen Helen, but generously sends her money and a steamer ticket and urges her to join her as quickly as possible. Helen starts on her journey, but is compelled to wait, and suffers the delays and hardships common to all the refugees at that time. Margery has reached Belgium and is working in a Red Cross Emergency Hospital. Helen and other refugees are driven from the refugee camp by the appearance of two hostile airships. Helen, panic-stricken, runs so far that she is lost and exhausted, and is brought to the Emergency Hospital. Margery recognizes her, but Helen doesn't recognize Margery. Helen tells Margery her story, displaying her steamer ticket and asking how she may continue on her journey. Margery tells Helen, "I am the girl you sent to prison." A shell strikes the Emergency Hospital and Helen is severely wounded and left for dead The enemy captures the town and Margery is left alone with those wounded who couldn't be moved. While arranging Helen's dress and papers, she is struck by their similarity of age and height, and notes the fact that Mrs. Franklyn has never seen Helen. She yields to the temptation to take this chance Fate has put in her way and determines to go to California as Helen North. She leaves the Emergency Hospital in the company of Dr. Richard Carlton, a young American Red Cross surgeon, serving with the enemy who has been so badly wounded that he is invalided home. After Margery's departure, the German surgeon discovers that Helen is not dead, but suffering from a depressed fracture of the skull. He operates and restores her to health. In the meantime Margery has been successful in establishing herself as Helen North. Mrs. Franklyn has become very fond of her and Dr Carlton is deeply in love with her and wishes to marry her. The real Helen North makes her escape and comes to claim her own. At first Margery only begs to be allowed to go away quietly, but the other woman is so vindictive and so forgetful of the part she played in robbing Margery of her good name, that Margery, angry, determines to deny the truth. She succeeds in this up to the last moment and then overcome by the thought that she is condemning this girl to lifelong imprisonment in an insane asylum, and that she herself has gained Dr. Carlton's love under false pretenses, makes full confession, only to find that the doctor loves her in spite of everything.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of To Have and to Hold perfectly mirrors the editorial trajectory of our deep dive.

Foster sister of the Duchess d'Aubeterre, Madeline, marries Jean Renaud, a French soldier, and has a daughter named Adrienne. Five years later, on a battlefield, Renaud is entrusted by the Count de Moray with jewels and papers proving that Adrienne is his heir. After Moray's death, Renaud gives everything to Madeline and then returns to the battle. Lazarre, who had followed Renaud, then goes to Madeline and demands the jewels. Madeline's refusal awakens Adrienne, but Madeline quiets her by saying that her father is home. When Madeline still refuses Lazarre's request, he stabs her. Later, Adrienne tells the neighbors that her father had just been with her mother. Renaud is sentenced to prison for life, after which the Duchess adopts Adrienne. Many years later, Adrienne re-encounters her father and eventually the true murderer is revealed and Renaud is pardoned.

Dir: George Melford

At the opening of the story Daniel Slade is working in a mine and, though not positively in need, he and his wife live in comparative poverty. Slade is a man filled with ambition, but his wife is contented and absorbed in her love for her husband. By a fortunate accident he discovers a gold mine, and with his newly acquired wealth, immediately sets out to make a position of influence for himself in the world. His aggressive personality and ability at once attract attention, these qualities being combined with wealth, and the possibilities of a political career are pointed out to him by Senator Strickland. Slade has no sooner established himself in his new surroundings than he comes to feel that his wife does not know how to take advantage of their altered circumstances. She is still the same simple, home-loving person. In the course of time he becomes attracted to the Senator's daughter, who, like himself, is of ambitious temperament. In fact, though she does not love him, she agrees to marry him if he obtains a divorce from his wife. The concluding episodes of the story show how the wife rescues her husband from his unpardonable folly, and how, much chastened, he finally persuades her to come back to him. He has now become the chief executive of the State and Mary at last takes her place as the Governor's Lady.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of Stolen Goods perfectly mirrors the editorial trajectory of our deep dive.

Despite her love for penniless Dirck Mead, Lorraine marries wealthy Aaron Roth to save her family from financial ruin. Roth is a swindler and when trying to escape the wrath of the law, he jumps from a ship and is declared dead. Mead, now a diamond magnate, finds Lorraine in New York, marries her and takes her to live in South Africa, where, as it happens, Roth, who survived his leap from the ship, is currently conducting his shady business. Roth discovers Lorraine's situation and threatens her with exposure, and Lorraine is about to leave Mead when she learns of Roth's plan to steal a valuable diamond that Mead is escorting to the city. Summoning help, Lorraine reaches Mead in time to thwart the robbery. Roth is killed in the fight, and Lorraine is spared the task of resolving her marital status.

Dir: George Melford

For the first time in her life Katherine Silverton--Kitty to her friends--hesitated about spending carfare to ride six blocks to the law office of her godfather, John Travers. She was not used to walking and she didn't intend to start just because her money supply was short and she faced a future which threatened economy of the strictest sort. Kitty's father had died leaving her practically nothing. She sought the advice of Mr. Travers. At the moment she entered the outer office, Mr. Travers had a perplexing problem on his hands. He was attorney for a large estate, the heir to which, Lord Reginald Belsize, had that morning arrived in New York to claim his inheritance. Lord Reginald was young, good-looking and ambitious to marry Mme. Helen de Semiano. Mme. Helen saw a favored match in Lord Reginald, who was soon to be wealthy, and her young-spendthrift brother Jack Churchill encouraged the match. But certain provisions of the will perplexed Mr. Travers. They also perplexed Lord Reginald. It was stipulated that Lord Reginald was to marry within a year or lose his inheritance; it further was stipulated that he was not to marry an actress. Lord Reginald didn't see how it could be arranged as he had brought Mme. Helen and her brother to New York. Mr. Travers suggested that he marry someone else first, leave her after the wedding and in six months she will obtain a divorce on grounds of desertion, making you free to marry whom you please. Then Kitty entered the office. Kitty assented to the proposition readily. She had the promise of a large sum of money, a quick divorce, and a chance to look around the world. But Kitty was very attractive and pretty, and Lord Reginald said that if Mme. Helen, who had reluctantly agreed to the arrangement, should see such an attractive young woman, she would refuse her consent. But resourceful Kitty rearranged her hair, put on a gingham apron, rolled up her sleeves, and made herself into a most unpromising person. Mme. Helen passed approval, not knowing the hoax. The ceremony was quickly performed and Lord Reginald and his bride left to be gone for several months until Kitty had gained her divorce. Meanwhile the jealousy of Mme. Helen was discouraging Lord Reginald, so one day he went to Long Island where Kitty was living. Realizing her opportunity, Kitty did everything within her power to make him happy. When Mme. Helen arrived, having followed Lord Reginald, the latter told her the time had come for the parting of their ways. Kitty, he said, was the woman he loved, and Kitty admitted that she loved him.

Dir: George Melford

A young New York society man makes a bet that he can rob a house and get away without being caught by the police. Shortly after making this wager, he overpowers a professional burglar in his own house, and instead of giving the man up, decides to use him in winning the bet. However, the house that he attempts to rob is the home of the Deputy Police Commissioner, with whose daughter he is in love. The succeeding complications, which arise out of this altogether original situation, are due to the Commissioner's willingness to accept graft and the professional burglar's inability to restrain himself when tempted to steal a valuable necklace. The final result is a happy conclusion to the very troubled love-story.