Editor's Top Picks Following the Footsteps of Gold Diggers of 1935:...

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Victor Heerman

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Henry Edwards

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.