Editor's Top Picks Following the Footsteps of He Did and He Didn't:...

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of The Foolish Age perfectly mirrors the editorial trajectory of our deep dive.

Margie Carr, the only daughter of wealthy Tom "Old Top" Carr, becomes determined to aid the less fortunate following an inspirational commencement speech at her college graduation. She establishes the Cheer Society and hires a ruffian named Bubbs as her secretary, along with three of his comrades. Her jilted fiancé, Homer Dean Chadwick, retaliates by founding a charity for impoverished chorus girls, and sparks Margie's jealousy when she sees him in the company of a former chorine named Flossy. Following a disastrous social event, which included Bubbs and his friends as guests, Margie realizes the folly of her endeavor and agrees to marry Homer.

Dir: William A. Seiter

Fanchon Browne promises to marry elderly Peter Armitage to extricate Nethercote, her guardian, from financial difficulties. Before meeting him, however, she meets an attractive young man in the woods and persuades her friend Lilah to vamp the old man. Lilah, however, vamps the wrong Armitage, who turns out not only to be the nephew of the elder Armitage but also the young man with whom Fanchon is involved. Meanwhile, Fanchon's aunt falls in love with the elder Armitage, and Tony, a prizefighter, who adores Lilah, presses his suit. Fanchon borrows money from old Peter's safe to aid young Peter in speculation; when the safe is reported robbed, young Armitage is accused, but guilt is fixed on the butler. Thus, Fanchon is free to marry Armitage, Jr., and her aunt accepts Armitage, Sr.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Gay and Devilish perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

When his daughter is trapped underground in a mine explosion, a wealthy minister in a mining town is snapped out of his attitude of "miner's safety" to save her.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Honeymooning perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

Young Betty Baylock is courted by three young men, but doesn't love any of them. However, her father--a wealthy stockbroker--demands that she choose a husband from among the three. Angered, Betty dismisses them all. She soon meets and falls for Jack Grey, a young man who has already made and squandered a fortune, and this infuriates her father even more. When Betty and Jack marry, the father throws them both out of the house, telling them that until Jack earns back all the money he has lost, he'll have nothing to do with them.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Little Church Around the Corner perfectly mirrors the editorial trajectory of our deep dive.

A young couple quarrel and make-up and quarrel again and it is here where they determine to save the scandal of divorce by placing a white tape through the house to divide it into two parts, each section of which will be exclusively sacred to the other. In the meantime, an almost invisible Cupid hovers about trying to placate them and a little Mephisto with a pitchfork tries to prod the couple along to more troubles.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.