Masterpiece Selection Resonating with the Themes of Heartsease: Cult Guide

Dir: Harry Beaumont

DR. John Lancaster lives in dread of a family secret from his past being exposed, and makes him act in irrational ways, even with his fiancée Joan Wentworth.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Thirty a Week perfectly mirrors the editorial trajectory of our deep dive.

Engaged to the wealthy Freddy Ruyter, Barbara Wright favors her father's handsome Irish chauffeur, Dan Murray, and marries him. The newlyweds struggle to survive on Dan's meager income, but Barbara's father, furious with them both, nearly destroys their happiness by securing Dan's dismissal from several jobs. Dan wins $300 in an auto race but immediately gives it to Minnie Molloy, whose ailing husband has been ordered West for his health. Unaware of the reason for Dan's actions, Barbara sadly returns to her triumphant father. Mr. Wright's lawyer offers Dan a large sum of money to have the marriage annulled, and when Dan refuses, the lawyer discovers the truth about his "other woman." Touched by Dan's generosity, Mr. Wright accepts him into the family, and Barbara happily returns to her husband.

Dir: Harry Beaumont

Beneath the moonlight of the southern skies Molly Carrington, daughter of the south, pledges her heart and hand to "Jimmie" Maxwell on the eve of the young man's departure to New York, where his knowledge or cotton has won him a good position in a cotton broker's office. They are married and depart for the metropolis. Due to Maxwell's transition from his calm and uneventful home life to the maelstrom of worldly battle, he succumbs to liquor's lure, and from a stalwart husband is dragged to the depths or Demon Rum's depravity. He loses his position and Molly leaves him, returning to her southern home. As a "down-and-outer" Maxwell sees in a Mobile paper a rumor that his wife plans to divorce him and marry his former rival. Alfred Lewis. His smoldering love for Molly flares up to expose vividly the curse which drink has placed upon him. Maxwell throws off his alcoholic yoke, becomes a man again, and wins back his position. He finds Molly waiting for him the first day he enters the office.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Burning the Candle perfectly mirrors the editorial trajectory of our deep dive.

Wealthy Easterner Dick Latham, determined to disprove his father Amos' accusation that he is an idler, rides the rails West to the mining town of Twin Bridges. Hugh Godson, the town's corrupt political boss, appoints Dick sheriff, supposing him an easily manipulated tenderfoot. To Godson's dismay, Dick proceeds to clean up Twin Bridges, closing the saloons and gambling dens, and forcing even the most hardened miners to attend church. Godson schemes to cheat Rosa Crimmins and her ailing father out of their ranch, which is rich in gold deposits, but Dick foils the plot and makes Rosa his deputy. When Dick learns that some rich Easterners are gambling in the hotel, he arrests them all, despite the fact that his father is among them. Amos, proud of his son's newfound manliness, buys the Crimmins ranch and gives his hearty approval to Dick and Rosa's romance.

Dir: Harry Beaumont

Skinner is afraid to strike his employer for a raise for fear he will be discharged. Mrs. Skinner scoffs at his fears, however, and finally induces him to demand an increase. Her humble spouse gets the proverbial "cold feet" at the final moment; so to "cover up" before his wife, he fibs a little and tells her he got the raise, taking the money from his private bank account. She forthwith makes him purchase a dress suit and "spruce up." Although it almost wipes Skinner's bank account out, he buys the clothes. Skinner is frantic; he sees the wolf at the door. But, by virtue of his dress suit and good appearance, he gets acquainted with some wealthy people and is enabled to put over a big business deal for his firm. Rushing into his company's office with the order, he demands a raise and a partnership in the firm. He gets both.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Go West, Young Man perfectly mirrors the editorial trajectory of our deep dive.

Margaret Sherwood's fiancé has disappeared in the Arctic and she hasn't heard from him in two years. Yet she does not believe he died. Price Latham, in love with Margaret, offers to organize a new expedition to prove otherwise. In return, she promises to marry Latham, come what may. Latham sneakily tries to sabotage the trip but Providence, in the form of an Eskimo hunter with a spike, dispenses Margaret from keeping her word. The fiancé, found at last, takes the young girl back to friendlier skies under the northern lights.

Dir: Harry Beaumont

Inheriting a fortune allows Harry Lathrop to indulge in extravagant spending and wild wine parties with chorus girls, decides to change his ways after his childhood sweetheart, Betty Dalrymple, gives back her engagement ring because he arrives drunk for dinner. Disgusted with himself on a "morning after," Harry persuades his attorney to give him no money for the next year. In another city, Harry answers an ad for a handy man and becomes the manager of a kennel on the estate of Mrs. Johnston DeLong, Betty's aunt. Betty, visiting her aunt, scorns Harry, but he remains when he sees Walter Randall, whose chauffeur brags that "every dame falls for him," show an interest in Betty. When Betty does not succumb to Randall's advances, he takes her to a deserted cabin. Harry follows, fights Randall and the chauffeur, and rescues Betty, who embraces him in a downpour.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Skinner's Dress Suit perfectly mirrors the editorial trajectory of our deep dive.

When the wild Bohemian life style of Greenwich Village has destroyed successful novelist Tom Blake's ability to write, his publisher refuses to advance him more money until he forsakes that environment. A friend of Tom's arranges for him to become the boarder of her Southern friend Eugenia, a fledgling writer inspired by Tom's first novel, so he can find the quiet he needs for work. Using an assumed name, Tom is introduced to Eugenia's proud, aristocratic grandmother as a guest, since she would never condescend to taking in boarders. Toby, the Black servant, defers to Tom, but does not give him the elaborate, courtly bow he reserves for family members. After Tom helps turn Eugenia's poor manuscript into a novel by virtually rewriting it himself, the book's success allows Eugenia to pay the estate's mortgage, but, when she learns Tom's identity, she furiously declares that she wants no charity. After experiencing Greenwich Village however, Eugenia returns, forgives Tom, and they marry. Tom then receives his long-awaited bow from Toby.

Dir: Harry Beaumont

William Manning Skinner, having attained a junior partnership in the firm of McLaughlin and Perkins, aspires to higher things. He figures that by working for himself he can become the Napoleon of the industrial world. He resigns his position and sets up in business for himself on a big scale. Skinner runs onto the verge of bankruptcy. He neglected to note that the prestige of the old-established firm he left had been largely responsible for his past success. Does he confess his failure to Honey, his adoring little wife? No. He informs her casually he is making money so fast he cannot count it. Honey confides to Mrs. McLaughlin, who in turn tells her husband. McLaughlin and Perkins decide they have made a tremendous mistake in letting Skinner get out of the firm. So it happens that just as Skinner is preparing to go into bankruptcy, a miserable failure, the partners make him a staggering offer to become again a member of their firm. It was Skinner's bluff that did it, coupled with Honey's unfailing belief in her husband's Napoleonic might.

Dir: Harry Beaumont

Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a professor's daughter.