Masterpiece Selection Resonating with the Themes of Hellship Bronson: Cult Guide

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Joseph Henabery

A visual fragment from the archive: The thematic resonance of Say! Young Fellow perfectly mirrors the editorial trajectory of our deep dive.

Whenever The Young Fellow is troubled or undecided, The Hunch, a miniature version of The Young Fellow, perches on his shoulder offering common-sense advice and encouragement. Consequently, when The Young Fellow, recently hired as a cub reporter for The New York Herald , is assigned to interview a noted financier who earlier refused to admit a star reporter, he screws up his courage, scales the millionaire's wall and forces the interview from him at the point of a gun. The editor, much impressed, then asks the young man to unearth the facts concerning a scheme to defraud a group of minor stockholders in the town of Melford. Unless certain papers in the possession of an old bachelor are delivered to a board meeting, the villainous financier will win complete control of a local company, and the stockholders will lose their investments. With the aid of his Hunch, the aging bachelor's attractive secretary and The Young Fellow's spinster landlady, the determined reporter thwarts the millionaire and his gang of thugs, delivers the papers on time and obtains a sensational story. In the process, he captures the secretary's heart, while the spinster wins the kindly bachelor.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Joseph Henabery

Mountaineer Pap Clayton has promised his daughter Sairy Ann (Dorothy Gish) to his cousin Jed Martin, but Sairy Ann loves Dr. Richard Cavanagh (Sam DeGrasse), the son of Judge Lee Cavanagh. In the midst of a feud between the Claytons and the Jacksons, a jealous Jed sets out to kill Richard. Jed shoots a deputy who gets in his way and is taken before Judge Cavanagh, whom the Claytons have threatened to kill if Jed is convicted. The Claytons are true to their word when Cavanagh finds him guilty, and Richard immediately vows to kill Jed, who has escaped. Sairy Ann, however, reminds Richard that he has railed against family feuding and has said that only the law can take a life. A sobered Richard captures Jed and hands him over to authorities; then, after he has forgiven the Claytons, he and Sairy Ann become engaged.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.