The Definitive Watchlist For Devotees of Her Purchase Price: Cult G...

Dir: Howard Hickman

Nancy is a scrub girl in a fashionable residence, remains honest and law-abiding despite being raised by Mother Hawkins, the fence for many of the city's criminals. She befriends wealthy John Lewis, who argues with his neighbor, Southern gentleman Andrew Calvert, that a lady is made, not born. After Mother Hawkins takes $100 from visiting crook, Gentleman Chi, for Nancy's help in robbing a safe, Nancy leaves her look-out post and Chi, arrested, vows revenge. For protection, Nancy goes to Lewis who sees an opportunity to prove his theory. Five years of wealth and education turn Nancy, now introduced as Lewis' niece, into a woman of refinement and grace. After she befriends Calvert's daughter Virginia, Chi returns. He pursues Virginia, planning to elope with her after she has stolen the family jewels, but Nancy, drawing on her upbringing, steals them back. When Nancy is caught, Virginia confesses, and Lewis, in love with Nancy, proposes to her.

Dir: Howard Hickman

Bob Lang, the superintendent at the Western mining town of Fracas, convenes a meeting to procure a doctor for the community. After a letter is sent to a leading university, Kitty Kelly, a recent medical school graduate, accepts their offer. When the town learns that a woman doctor is coming, they plan to send her right back, but after they see pretty Kitty, all the miners fill her waiting room with ailments linked to mysterious epidemics. Although Kitty is attracted to Bob, she castigates him for drinking. After he seizes her and threatens to hold her in his arms until she forgives him, Kitty, not displeased, makes Bob promise to stop drinking for ninety days. Jerry Williams, a saloon keeper who lives with Lola, a squaw, and their child, lures Kitty to a secluded shack and assaults her. Lola tells Bob, who rescues Kitty and thrashes Williams. When Williams is found dead the next day, Bob is arrested. After Kitty investigates and gets Lola to confess, Kitty and Bob resume their romance.

A visual fragment from the archive: The thematic resonance of Kitty Kelly, M.D. perfectly mirrors the editorial trajectory of our deep dive.

Dir: Howard Hickman

When Marquita Shay, the adopted daughter of Canadian farmer John Grayson, reaches womanhood, Grayson enrolls her in a St. Louis boarding school where she meets and marries Humphrey Wells, the son of a wealthy financier. Treated like a servant by her in-laws, Marquita leaves the Humphrey's home to return to Grayson. She discovers that Grayson has committed suicide after falling victim to a phony stock deal perpetrated by Wells senior. Time passes and Marquita travels to New York where she becomes secretary to Baron Brinker who, with Wells, swindled Grayson. She brings Wells and Brinker to their financial ruin and reunites with her husband who renounces his father.

Dir: Howard Hickman

After her father dies and a banker, to whom he owed $5,000, insults the family's honor, dancing instructor Mary Lee, the last of a long line of Southern aristocrats, goes to New York vowing to repay the debt. In Paris, Raoul Garson, an American theatrical manager, signs dancing sensation Anna Gerard, who resembles Mary, to appear on Broadway against the wishes of her Apache lover Pierre La Rouge. When Anna, performing as "Zura," quits, Garson discovers Mary wandering the streets and gives her $5,000 to appear as Zura, while she promises secrecy. After La Rouge comes and murders Anna, Garson makes it look as if Mary died. Mary's fiancé, Richard Crane, returning from an engineering project in South America, finds Mary, but she will not admit her identity. When Anna's fiancé, John Wentworth, realizes the ruse and informs the police, Richard confesses to protect Mary. Mary goes to Paris and dances before Pierre as Anna's ghost. After he confesses, she and Richard find happiness in South America.

A visual fragment from the archive: The thematic resonance of Beckoning Roads perfectly mirrors the editorial trajectory of our deep dive.

Dir: Howard Hickman

Gordon Kingsley lives happily with his wife Dorothy and little daughter Mary Jane. However, when he visits the home of San Francisco architect Frank Mason, he is stunned to find a portrait of his own wife and daughter. Suspecting the worst of Dorothy, he hires a private detective. Soon after, Gordon asks Frank to design his new house, and Dorothy, fearing that he knows of her association with Frank, slips the latter a note arranging a private visit in his apartment. Frank, a reformed thief, refuses to stage a robbery with his old accomplices, and when they are arrested, one of the gang accuses Frank of informing the police and kills him. Arriving at his apartment, Dorothy assumes that Gordon killed him and is hiding the body when a detective enters. Unaware that Gordon is in the next room, Dorothy confesses that, unable to have a child, she had secretly adopted Frank's baby in Gordon's absence. Relieved, Gordon forgives his wife, while the real murderer is caught and arrested.

Dir: Howard Hickman

Ellen Latimer meets artist Gibbs Josselyn at a party where she is snubbed. After they fall in love and marry, they move to Europe, where Gibbs finishes his art studies, because he resents the young, frivolous wife of his father Thomas, an architect. Five years later, after Gibbs has made a name for himself, they return, responding to Thomas' plea to see his grandson Tommy. At their Long Island home, Thomas and Tommy become fast friends, while Gibbs falls prey to his flirting stepmother Lillian, to Ellen's dismay. When Ellen and Thomas find Lillian in a negligee at Gibb's studio one morning after Gibbs supposedly was working and Lillian visiting a friend, Gibbs, innocent of any wrong-doing, leaves after quarreling with Thomas and threatening to kill him. The next day, when Thomas is found dead, Gibbs is imprisoned. After Tommy calmly confesses to shooting Thomas while playing soldier, Gibbs is released and reunited with the faithful Ellen.

A visual fragment from the archive: The thematic resonance of A Trick of Fate perfectly mirrors the editorial trajectory of our deep dive.

Dir: Howard Hickman

In the small town of Sycamore Ridge live youthful sweethearts Bob Hendricks and Molly Culpepper; Bob's banker father, General Hendricks; and John Barclay, head of the Golden Belt Wheat Co. When Adrian Brownwell comes to town to publish a newspaper, his cash deposits in Hendricks' bank relieve the banker's worry that an expected bank examiner will discover the shortage in bank funds resulting from Hendricks' support of Barclay. Adrian falls in love with Molly and decides to leave Sycamore Ridge when she refuses to marry him. Barclay threatens Molly with the financial ruin of many whom she holds dear unless she marries Adrian, and Bob returns from the East to find Molly the new Mrs. Brownwell. Twenty years later, Barclay has become a financial power, Adrian has fallen into drunkenness, and Molly supports herself by working on the newspaper, which Bob now controls. In a rage Adrian shoots Bob and flees, and happiness comes to Bob and Molly when word comes of Adrian's death in a railroad accident. Barclay's wife's death leads the financier to believe that he is being punished for ruthlessly crushing his rivals, and he distributes his fortune to those whose businesses he has ruined.

Dir: Howard Hickman

Following her parents' deaths, Mary Cary is placed in an orphanage, as her grandfather rejects her because of the circumstances of her parents' marriage. At the orphanage Mary is mistreated and humiliated, and when a matron catches her outside the grounds playing ball with a youthful admirer, she gets flogged. Later she learns that her grandfather is a well-known judge and that her father was a British aristocrat. A letter to her uncle brings prompt aid, and after she's rescued from the orphanage, she remains faithful to a young admirer.

A visual fragment from the archive: The thematic resonance of The White Lie perfectly mirrors the editorial trajectory of our deep dive.

Dir: Howard Hickman

Margaret Wayne is devoted to her husband John Rutherford Wayne and their small son "Sonny Boy." Her husband forsakes her for pleasure-loving Rita Kosloff. Family friend Philip Northrop tells Margaret of her husband's unfaithfulness. To make her husband jealous, Margaret pretends to be interested romantically in Philip, not knowing that he actually is in love with her. After Philip implicates Margaret in a compromising situation, her husband is eager to divorce her. He gains custody of their son and marries Rita. "Sonny Boy" becomes ill, and Margaret, who has become a nurse, is summoned to care for him. Margaret's devotion saves the boy's life and makes John realize that he has made a mistake. Philip then decides the only way out is to kill himself and Rita, which he does on a joyride. Margaret and John are finally reconciled.

Dir: Howard Hickman

Rachael marries Clarence Breckenridge, whose daughter Billy is only a few years younger than she. Clarence, an alcoholic, is devoted to Billy, but because both father and daughter are indifferent to Rachael, she finally divorces Clarence to wed her old friend, Dr. Warren Gregory. Soon afterward, Rachael learns to her distress that Warren is no longer the home-loving man she had befriended but a social "high-stepper," much like her first husband. Several years pass, during which Billy elopes with worthless pleasure-seeker Joe Pickering, which leads Clarence to kill himself. Meanwhile, Warren develops an attachment to actress Magsie Clay. Magsie admits to Rachael that she loves Warren, and the young wife agrees to a divorce, but Warren, unwilling to leave Rachael and his children permanently, departs for Europe. When their little son Jim is severely injured, Rachael begs Warren to save him, and through this ordeal the couple's love is renewed.