Recommendations
Senior Film Conservator

The 1936 release of How to Behave redefined the parameters of Comedy storytelling, the visual language established by Arthur Ripley is something many try to emulate. Explore the following titles to broaden your appreciation for Comedy excellence.
Historically, How to Behave represents to synthesize diverse influences into a singular artistic statement.
Two workers in a manhole call etiquette columnist Benchley for advice. Two of the topics he advises them about are what to do when a lady enters the room and the proper way to behave when one is an overnight guest.
Critics widely regard How to Behave as a cult-favorite piece of Comedy cinema. Its stylistic flair is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique stylistic flair of How to Behave, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Ralph Ince
A fascinating piece of cinema that shares thematic elements.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
View DetailsAnalysis relative to How to Behave
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Homer Comes Home | Ethereal | Linear | 93% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
| The Land of Opportunity | Gritty | Layered | 87% Match |
| An Amateur Devil | Tense | Linear | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Arthur Ripley's archive. Last updated: 6/27/2026.
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