Recommendations
Senior Film Conservator

Looking back at the 1933 milestone that is How to Break 90 #1: The Grip, the specific unique vision of this work is a gateway to a broader Short world. Our archive is rich with titles that mirror the unique vision of George Marshall.
As George Marshall's most celebrated work, it defines to create a dialogue between the viewer and the unique vision.
In this entry in the "How to Break 90" series, golf champion Bobby Jones shows why the proper grip on the club is so important.
Based on the unique unique vision of How to Break 90 #1: The Grip, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Frank Moser
The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
Dir: Mason N. Litson
Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.
Dir: George Marshall
Ruth Robin is the daughter of a millionaire, and is attending a seminary for girls at the time the story opens. Her father, Daniel Robin, is a recluse and lives in perpetual fear of death at the hands of a criminal band known as the "Terrible Thirteen." He has been forced Into membership of this band against his will. Daniel Robin is shot from behind by LaFarge, the leader of the "Terrible Thirteen," who is known as the Hound. While on his death bed Mr. Robin has his daughter summoned. He tells her in the presence of his trusted butler, Wayman, that she must recover a Peacock Fan stolen by the band, as it contains a secret affecting her. She must also accept thirteen separate keys as they are handed to her by an unknown hand, and follow the Instructions in each instance. Ruth agrees to these terms, and after her father's death starts out on the first mission. It takes her to the home of the Countess Zitka, where she finds the Peacock Fan. Later, she is forced to invade the headquarters of the "Terrible Thirteen," and still later another key takes her into the heart of Chinatown.
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Dir: Alfred J. Goulding
Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.
Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
View DetailsAnalysis relative to How to Break 90 #1: The Grip
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Down the Mississippi | Gritty | Linear | 92% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
| On Strike | Gothic | Linear | 92% Match |
| Get-Rich-Quick Edgar | Tense | Abstract | 95% Match |
| The Adventures of Ruth | Ethereal | Linear | 85% Match |
This guide was algorithmically generated using the cinematic metadata of George Marshall's archive. Last updated: 8/16/2026.
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