The Definitive Watchlist Seeking the Same Brilliance as Humdrum Brown: Cult Guide

Dir: Rex Ingram

Brothers Nat and Martin Berry have shared the farm at Shore Acres and attended to the lighthouse on the rocky coast for many years until banker Josiah Blake induces Martin to speculate in oil, lending him the money and taking a mortgage on the farm as security. When Martin loses his money, Blake suggests that he would overlook the debt in exchange for the hand of Martin's daughter Helen in marriage. However, Helen is in love with clerk Sam Warren, and with Nat's help, the couple escape Helen's arranged marriage. Boarding a vessel obtained for them by Nat, they sail out to sea when a storm hits. Martin, enraged by their betrayal, refuses to rekindle the lantern in the lighthouse, and the couple's boat crashes into a reef. The next morning Martin, filled with remorse, discovers the couple clinging to the wreckage, and the family is happily reunited.

Dir: Rex Ingram

When millionaire John Saunders threatens to disinherit his son Wallace if he marries circus rider Queen Tina, Wallace elopes with Tina and becomes a trapeze performer. They lead a happy life until Tina dies giving birth to their daughter Alice. Years later, when the circus passes through Wallace's hometown, John, regretting his action, attends and witnesses Wallace's death by trapeze accident. Alice, now a circus rider herself, goes to live with John, who, despite Alice's antics involving her pet pig Rudolph, sliding down the stairs on a tray, and vaulting over the furniture, grows fond of her. When John tries to marry Alice to his sister's sissified son, she uses Rudolph to frighten him and his mother. After Alice and George Reynolds, whom she knew from the circus, fall in love and elope, John, thinking that George is after her fortune, is furious, but George proves his ability as a cartoonist and earns $1,000 a week to win John's admiration.

A visual fragment from the archive: The thematic resonance of The Little Terror perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rex Ingram

Opera goers had never heard such a "Carmen" as Lorelei, the American girl, who had come to Mexico City, almost unheralded, and captivated the town. Francisco De Sarpina, governor of the province, coveted the girl, and with his power was able to sweep aside all opposition. Marion Leslie, an American sculptor, had rejoiced when he secured the commission to supply frescoes for one of the local cathedrals; he could be near Lorelei, his betrothed, during the grand opera season. Rance Clifford is the American consul and his sister, Isable, lives with him at the consulate. When Clifford files a telegram that promises to lead to an investigation of Sarpina's action the American is arrested and thrown into jail. Isable Clifford had at one time relieved the family of Pietro, the jailer. In their distress and thus gained the gratitude of Pietro and his wife. Isable hears of her brother's imprisonment and bribes Pietro to provide Clifford with means of escape. The Cliffords and Leslie are friendly and when Clifford escapes, he goes to the cathedral, to find shelter until he can plan the next move. Isable has consented to pose for a head of the Madonna and Lorelei is needlessly jealous. Lorelei arrives, demands admittance, and during the brief interval Leslie employs to hide Clifford, Lorelei's jealousy is set aflame. Sarpina discovers that his prisoner has escaped. He elicits from the jailer a confession that involves Isable. The cunning Mexican devises a scheme to play upon Lorelei's jealousy by forging a note to the opera singer that implicates Leslie and Isable. The forgery fires Lorelei's jealous passion, and she divulges Clifford's hiding place. Leading the Mexicans to Leslie's home she enters to find Clifford and his sister with Leslie. The situation is explained and Leslie directs Clifford and Isable to a nearby hiding place from whence they ultimately escape to safety. When the Mexicans enter Leslie's home, and find the singer and Leslie the only occupants, Sarpina demands that the whereabouts of his prisoner shall be disclosed. Sarpina's men seize Leslie and torture him when he will not betray the American refugees. Lorelei is a witness to the scene and when she can no longer bear seeing her betrothed punished, she tells where Clifford and Isable may be found. Leslie is ordered to jail, to be shot next morning. When Clifford and Isable cannot be found (because they have fled) Sarpina tells Lorelei that his vengeance will fall upon the head of her sweetheart. Surrendering herself to Sarpina is given as Lorelei's only method of saving Leslie's life. Lorelei dines with the Mexican brute and agrees to render the tribute demanded of her. First, however, Sarpina must deliver to her passports for two and instruct his executioner that only blanks shall be fired at Leslie in his pretended execution at sunrise. Five minutes alone with her betrothed is allowed Lorelei. Returning to Sarpina's apartments Lorelei, during a struggle with the Mexican, stabs him dead. Morning breaks, and Lorelei goes, passports in hand, to the place where her sweetheart lies prostrate upon the ground, cold in death. Shocked beyond human endurance, the singer falls upon the breast of her betrothed.

Dir: Rex Ingram

Hearts are trumps when Lady Winifred secretly marries gamekeeper Michael Wain. The discovery of marriage by her father Lord Altcar, who is bent on trading his daughter to Lord Burford in order to cover his losses at cards, causes Altcar to have Wain horribly beaten and dismissed with a warning never to return. Years later when Wain returns, embittered and bent upon revenge, he buys up the mortgages on Altcar manor and is arranging for foreclosure when he learns an astounding fact: Lady Winifred's convent-raised daughter Dora is engaged to American artist John Gillespie, but her hand is sought by the same Lord Burford who sought that of her mother. Conspiring to destroy Dora's love for John, Burford attempts to disgrace the girl by having a nude body attached to the portrait that Gillespie painted of her. Shamed and brokenhearted, Dora runs away to the convent in the Alps, causing her father to accept his paternal responsibility and reconcile himself with Lady Winifred. Burford, having discovered Dora's destination, attempts to have her abducted, but her lover, father and mother follow in pursuit and, after many tribulations, the four are reunited during a blinding snowstorm.

A visual fragment from the archive: The thematic resonance of The Chalice of Sorrow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rex Ingram

Melodrama of a young Italian lady induced to emigrate to New York where her patron abandons her. Her brother then follows, to avenge her dishonor, using a dagger belonging to an artist, who is incriminated.

Dir: Rex Ingram

After losing his father, a playboy moves in with his miserly uncle, who seeks to cheat him out of his inheritance.

A visual fragment from the archive: The thematic resonance of Hearts Are Trumps perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rex Ingram

Pretty Manhattan model Marion Buckley receives a marriage proposal from Warren Rogers, a wealthy department store owner, but is reluctant to accept it because of her affair with her employer Leon Kessler, who promised to marry her. Kessler agrees to keep quiet about the affair and Marion Buckley. All goes well until one day Kessler visits the couple and proposes marriage to Rogers' teenage daughter Ardath. Knowing that her husband knows nothing of she and Kessler's history together, Marion tells him of her previous affair with Kessler, with disastrous results.

Dir: Rex Ingram

An American diplomat in China is murdered, and a wealthy Chinese friend of the family raises his daughter Mignon. When she grows up, she wants to return to the U.S. and is tricked into accompanying slave trader Foo Shai to New York. Once there, however, Foo Shai keeps her captive and abuses her. Local artist Lawrence falls in love with her, but he cannot free her from Foo Shai's clutches. It is up to her friend Chang to try to help her.

A visual fragment from the archive: The thematic resonance of The Pulse of Life perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rex Ingram

Joe Bascom, only son of a widow, lives in a Connecticut village. He loves Elsie Tillinger, daughter of the deacon, the wealthiest man in town; but the deacon forbids Joe to speak to her. Joe leaves home to make his way in the world, but his employer, Mr. Morgan, a wealthy racehorse owner, accuses him unjustly of stealing. Actually, Morgan's son, Lester, is guilty of the crime, but Joe is sentenced to a prison term; there he becomes acquainted with Mugsy and Gilly, two crooks. Meanwhile, though courted by young Morgan, Elsie remains faithful to Joe. Mrs. Bascom, who makes superlative peach jam from her orchard, is in debt to the Deacon Tillinger, and he intends to buy her orchard and make Lester head of a jam industry. But Joe arrives with his crook friends, outwits the deacon, and takes over the peach orchard. Mugsy and Gilly are reformed by the goodness of Joe's mother and fall in love with Betty and Jessie; and after exposing Lester Morgan's deceit, Joe marries Elsie.

Dir: Rex Ingram

When a nobleman murders his best friend, a lawyer becomes a revolutionary with his heart set on vengeance.