Visionary Picks In Alignment with the style of Hungry Heart: Cult G...

Dir: Edward José

Leonora is the daughter of a poor lace-maker. She possesses a beautiful voice, but is not aware of the opportunity it offers her. Wealthy Americans Mr. and Mrs. Stuart discover its powers, and after her mother's death they adopt Leonora and her younger sister Nina. Shortly afterwards she blossoms forth in Paris as its idol. She is now "La Vecci," a much-admired and sought-after prima donna. One of her most ardent suitors is Count Nerval of Spain, whom she refuses to marry because of his unusually jealous disposition--although she does love him. His American cousin Phillip also becomes infatuated with the singer. Jealous of this new rival, Nerval almost forces Leonora to marry him. They depart for America for their honeymoon. Nina, accompanying them, meets young doctor Paul Spencer aboard ship and they fall in love. Leonora goes on tour in the States and when in the South receives an invitation to visit Phillip and his parents. He again makes love to her, but she remains faithful to her marriage vows, so fickle Phillip turns his attention on Nina. Jealous Nerval breaks with Leonora for the time being because of her presence in his cousin's home. Nina receives a letter from Paul saying that he is coming to visit. Leonora shows the letter to Phillip, asking her to discontinue favoring Nina with his attention. That night Phillip attempts to kiss the charmer; afraid, she tries to stab him with a dagger. He easily defends himself and seizes her in his arms and she faints, but when she recovers, she discovers Phillip dead. When Paul arrives, he conducts an investigation and proves that Leonora could not have inflicted the wound. Soon after, a Creole girl confesses to the deed. She had loved Phillip. Later Leonora and her husband are reunited. Motion Picture News, September 28, 1918

Dir: Edward José

A visual fragment from the archive: The thematic resonance of Her Silent Sacrifice perfectly mirrors the editorial trajectory of our deep dive.

In the French town of Savenay live Arlette and her grandfather Chaupin, the proprietor of the inn. Richard Vale, an impoverished young American artist, comes to Savenay to sketch and lodges at the inn where he meets Arlette and induces her to pose for him. During this period, Arlette falls deeply in love with Richard, who is on the brink of starvation. When wealthy libertine and art connoisseur Prince Boissard arrives in Savenay and lusts after Arlette, he proposes to help Richard in return for the girl's consent to become his mistress. Arlette agrees, and Boissard, feigning an interest in Richard's work, sends the young artist to Italy to continue his education. A year passes and Richard returns, now a celebrated artist. Boissard then demands payment of Arlette, who reluctantly agrees to honor her debt. Before she can be dishonored, however, Boissard's servant Sarthe, who is devoted to Arlette, stabs his master, thus freeing the girl to marry her artist.

Dir: Edward José

Laura Ward a selfish girl steals a large sum of money, her twin sister Agnes is mistakenly accused of the crime and sent to prison. Meanwhile, Laura abandons her sweetheart, alcoholic architect Richard Leigh, to marry an elderly millionaire named William Benedict, but she soon renews her affair. When a detective catches the lovers together, Agnes, just released from prison, agrees to pose as Richard's mistress, thereby saving Laura's marriage. Through Agnes's influence, Richard is regenerated, and the two eventually marry. Later, however, Laura reappears, and Agnes finds Richard drinking and embracing her. In a rage, William shoots and kills Laura, but Agnes forgives her erring husband and takes him home.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of Ashes of Embers perfectly mirrors the editorial trajectory of our deep dive.

Fedora, a beautiful and elegant woman of Russian society, travels to Paris in search of her fiance's murderer.

Dir: Edward José

After many years, Dick Hedlar, a staff artist, stationed in the Soudan, returns to England to find his pictures have made him famous. He has always cherished memories of his childhood sweetheart, Maizie, and at an exhibition of his pictures he meets her again and the old romance is revived. She, still struggling to make a name for herself in the world of Art, refuses his offer of marriage, fearing that her acceptance would mean a hindrance to their careers. Dick tries to comfort himself with his painting. Bessie, a model, comes into his life and makes love to him. In the meanwhile love overcomes Maizie's decision and in a sudden resolve she goes to Dick's studio to tell him that she will marry him. She finds Dick repulsing the advances of Bessie and mistakes the situation as being Dick's overtures to the demi-monde. She leaves in disgust and refuses to hear his explanations the next day. An accident affects his eyesight, and gradually going blind, he completes his master picture. His bosom friend, Torpenhow, brings some of his friends to Dick's studio to admire the picture, only to find that Bessie has ruined the masterpiece. They keep the fact from the now totally blind Dick, and he as a last gift to Maizie sends the picture to her unknowing what has happened to it. Torpenhow, horrified at what has happened, goes to see Maizie, and she learns of the injustice she has done Dick. She and Torpenhow make haste to Dick's studio only to find him gone. Cursed with the blindness and with a deep ache in his heart, Dick has heard the call of the East. They follow the trail of the "mad Englishman," as he is called, for many hundreds of miles and reach him just as a horde of Dervishes are about to make an attack, in the skirmish both Maizie and Dick are wounded and die in each other's arms. In Dick's clenched hand Torpenhow finds the verse of their childhood dreams, cherished through all the years.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of Fedora perfectly mirrors the editorial trajectory of our deep dive.

After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house, to care for his young daughter.

Dir: Edward José

Frank Clamart, abandoned illegitimate son of a wealthy merchant, flees to Paris and joins a gang of "society crooks" led by Chu-Chu and Leontine Petrovsky, his sometime-lover. To prove his prowess to the gang and to Leontine, with whom he has fallen in love, Frank attempts to rob the house of a well-to-do family but is shot by the owner. As Leontine escapes unharmed, Frank is inspected by the owner's wife, who, recognizing a birthmark on Frank's wrist, identifies him as her husband's missing half-brother. Nursed back to health by his sister-in-law, Frank agrees to renounce his life of crime, but when a jealous Chu-Chu breaks into the house and steals the family jewels, Frank is suspected. To exonerate himself, Frank tricks Chu-Chu and retrieves the gems. Determined to have revenge, Chu-Chu tries once more to rob the house and, when caught by Frank, shoots him in the shoulder. Frank pursues Chu-Chu in a taxicab, forces him over a cliff, then leaves with his new love, the cab driver, who fires a shot that kills Chu-Chu.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of The Light That Failed perfectly mirrors the editorial trajectory of our deep dive.

Floria Tosca, a famous Italian opera singer, suspects that her lover, Mario Cavaradossi, is unfaithful and secretly follows him to his villa on the outskirts of Rome. La Tosca is relieved to discover that Mario is harboring not another woman but Cesare Angelotti, a political prisoner. Her relief turns to despair, however, when Baron Scarpia, Rome's tyrannical chief of police, arrives and demands that Mario turn Cesare over to the authorities under penalty of torture. He refuses, but La Tosca, unable to endure Mario's screams, confesses. All three are arrested, and the baron threatens to have Mario shot unless La Tosca gives herself to him. She consents, but when Scarpia approaches her, she stabs him. Finding that Mario has been shot despite the baron's promise, she leaps from a high tower to her death.

Dir: Edward José

The elderly Italian sculptor Donata di Marchesi has his beautiful daughter Diana pose for his last masterpiece, "The Island Goddess." When Donata's profligate nephew Count Gabrielle realizes the sculpture's value, he courts Diana and she falls in love with him. Prince Marko visits to view the statue and he falls in love with Diana. Because he earlier had discovered that Gabrielle forged his name on checks, when Marko learns that Gabrielle and Diana are about to elope, he agrees not to denounce Gabrielle and to tear up the checks if he leaves. After Diana's father dies, she marries Marko. Later, in Rome, Gabrielle comes to extort money from Marko. Diana overhears them and learns about their deal. Thinking that Marko only wanted the statue, she breaks it and returns to the island. Marko and Gabrielle follow and fight on a cliff, then, after Gabrielle knifes Marko, Marko pushes him to his death. Marko lies critically ill for days with his brain affected, until Diana, enwrapped in silk, poses as the statue. Marko revives and embraces her.

Dir: Edward José

When two love-sick young people run off to be married, and aren't caught, they usually get married. It was different with Grace Vernon and Hugh Ridgway, though. Worn out by the social affairs given in honor of their approaching marriage, they elope in the wee small hours of a certain summer morning, and being mistaken for housebreakers by the gardener and other members of the household, are pursued. A couple of cops as added starters make the chase even more interesting, and they don't breathe easily until, a couple of hours after climbing a rope ladder up the side of an ocean liner, they come out from their hiding place and find themselves at sea. Not nearly so much "at sea" then, however, as later, when Hugh finds that Grace is much smitten with Henry Veath, an old-time friend of his. Hugh cares nothing about the fact that Lady Tenny, another passenger, seems to care more for his society than for anyone else. Comes a typhoon, the ship is dashed on the rocks, and in the ensuing darkness and panic Hugh makes a brave attempt to save one who clings closely to him, one he thinks to be Grace. Then blackness, and with returning consciousness and the light, the realization that he is cast away on a strange tropical isle, the isle of Nedra, with Lady Tenny. Add to this that they are found and worshiped as two gods by the savage natives of the isle; that their enforced wedding is interrupted by the landing of a U.S. ship; that Hugh goes home only to find Grace married to Veath; that he finds that he doesn't care a particle; that he rushes back to Lady Tenny, and you have just a bare conception of this romantic love story.