Recommendations
Senior Film Conservator

Delving into the atmospheric depths of I Do Not Want to Know Who You Are reveals a master at work, the artistic provocations of I Do Not Want to Know Who You Are demand a follow-up of equal intensity. These hand-selected movies are designed to satiate your craving for Comedy quality.
The enduring power of I Do Not Want to Know Who You Are lies in to transcend the limitations of its 1932 budget and technology.
An impoverished count has to work as a chauffeur but because of his good looks attracts women, one of them wealthy enough to solve his problem.
The influence of Géza von Bolváry in I Do Not Want to Know Who You Are can be felt in the way modern Comedy films handle stylistic flair. From the specific lighting choices to the pacing, this 1932 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of I Do Not Want to Know Who You Are, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Mason N. Litson
Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.
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Dir: Bud Fisher
Mutt and Jeff go on strike and make their own film.
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Dir: Frank Moser
The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Alfred J. Goulding
Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
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Dir: Sidney Franklin
A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.
View DetailsAnalysis relative to I Do Not Want to Know Who You Are
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Get-Rich-Quick Edgar | Tense | Abstract | 95% Match |
| On Strike | Gothic | Linear | 92% Match |
| Down the Mississippi | Gritty | Linear | 92% Match |
| Don't Weaken! | Tense | Dense | 89% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
This guide was algorithmically generated using the cinematic metadata of Géza von Bolváry's archive. Last updated: 5/27/2026.
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