Recommendations
Senior Film Conservator

Navigating the complex narrative architecture of I Want to Forget is a stylistic flair experience, the legacy of I Want to Forget is a beacon for those seeking the unconventional. Unlock a new level of cinematic understanding with these cult alternatives.
The artistic audacity of I Want to Forget ensures it to sustain a sense of mystery that persists after the credits roll.
Prior to the declaration of World War I, dancer Varda Deering was a member of the Austrian secret service, but she later became a loyal United States citizen. In America, she captivates many men but cares for none until she meets Lieutenant John Long. At first, he regards Varda as little more than a social butterfly, but gradually recognizes her goodness and falls in love with her. While John is away on a war-related diplomatic mission, Varda agrees to aid the U.S. Secret Service in procuring classified documents from August Von Grossman, an agent whom she had known in Austria. Von Grossman threatens to reveal Varda's past unless she accepts his lecherous attentions, and she pretends to accept his terms as she secures information for her adopted country. When John finds Varda in the German's arms, he dismisses her as unfaithful, but she later helps him to penetrate the German spy headquarters. As they escape with the secret papers, the car carrying their pursuers is hit by an express train. Varda explains everything to John, who proves most understanding.
Critics widely regard I Want to Forget as a cult-favorite piece of cult cinema. Its stylistic flair is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique stylistic flair of I Want to Forget, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: James Kirkwood
Mary Pickford plays "Rags," a pretty but wild girl who defends her alcoholic father a disgraced bank cashier, no matter how he mistreats her.
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Dir: James Kirkwood
During a jewelry-store holdup, 6-year-old Millicent Hawthorne, the neglected daughter of a wealthy socialite, falls on her head and is carried home to be reared by Mother Gumpf, the leader of the thieves. The fall cost Millicent her memory, but at night she dreams of her former high-society existence, while during the day she works for Gumpf as a pickpocket and later becomes a cabaret dancer. A friend of the Hawthornes sees Millicent perform, recognizes her, and reports back to Mrs. Hawthorne, who has vowed to be a devoted mother should she ever find her daughter. Finally, after the Hawthornes rescue Millicent from Kraft, the lecherous cabaret manager, an operation restores her memory, and she delights in the love of her long-lost mother.
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Dir: James Kirkwood
A young girl who lives in the London slums is in love with a cunning thief and persuades him to give up his life of crime. Meanwhile, an eccentric millionaire who has been diagnosed with an incurable dementia becomes so despondent that he decides to commit suicide. He disguises himself as a vagrant and wanders into the slums. As he tries to find the courage to kill himself, the young girl encounters him and rationalizes him out of his cowardly act. Her genuine sweetness and strong faith affect him to such an extent, that he begins to believe recovery is possible. Now the girl's sweetheart has been falsely accused of murder, and only the millionaire's licentious nephew can give him an alibi. The girl pleads with the nephew to help prove her sweetheart's innocence. He refuses and tries to take advantage of her. The millionaire arrives in time and shames his nephew to testify correctly. The millionaire now pledges himself to a life of service and charity, and the girl and her sweetheart are happily reunited.
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Dir: James Kirkwood
A young girl, Anemone (Mary Pickford), who lives with her Aunt (Ida Waterman) is abducted by a crude family of Virginia mountain moonshiners. A fight between two of the young male relatives decides who will marry the girl. Lancer (James Kirkwood) is the winner and marries Anemone against her will. She is reunited some time later with her Aunt, but when she learns Lancer is in dire trouble she returns and stays by his side, realizing she had always been in love with him.
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Dir: James Kirkwood
When a young girl who has grown up as a music hall entertainer is brought to live in a stodgy New England town, the quiet town life is changed forever.
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Dir: James Kirkwood
Ashby Leene, once a famous actor, but now poverty stricken, dies, leaving his grandchild, Lizette, in the care of Granny Page, his landlady. Lizette's new home is one of kindliness and she becomes a friend of Paul, Granny's young nephew, who runs a newsstand. Remembering her promise, Granny spends a good deal of time at the newsstand when Paul is away on deliveries. She resents Dan Nye's attention to Lizette. One day Lizette sells a paper to Henry Faure, an elderly millionaire, who is attracted to the bright-faced girl. Faure has been mentally depressed since the death of his wife and little girl. Longing for someone to love, Faure offers to adopt Lizette as his own daughter. Though Paul and Granny are heartbroken, they consent. For a time Lizette is happy in her new home. While Faure is away on business, Lizette visits her old friends. Faure unexpectedly returns. To his dismay Lizette begs that he let her stay a while longer with Granny. He reluctantly consents. His old depression returns. The housekeeper finally writes Lizette, begging her to return for Faure's sake. Lizette finds an abandoned infant on the doorstep upon her return. She is overjoyed. She is admitted by the butler, who is aghast to see that she has returned with a baby. When questioned, she tells them that she is the baby's mother, etc. Faure asks her about the child's father. Lizette innocently answers that she don't know. She realizes in a vague way that babies have fathers and, seeing that everyone is greatly upset, she decides that if the baby must have a father she will give Dan Nye the honor of naming him. Faure loves her so much that he cannot find it in his heart to denounce her. Nor can the kind old housekeeper, who is highly amused at Lizette's lack of knowledge about babies. Dan Nye is amazed when Faure calls to see him and charges him with being the father of Lizette's baby. He conceals his astonishment, quick to realize that he has an unusual opportunity for blackmail in the affair. When Faure declares he must marry Lizette for the sake of her good name, Nye admits he is the baby's father, but refuses to marry the girl unless Faure pays him an exorbitant sum. Faure agrees to this, upon the condition that he accompany him and marry Lizette at once. The young woman who abandoned the child calls to reclaim it, but Lizette is unwilling to give it up. But she is finally induced to give it back to the rightful mother. Nye is thrown out of the house, and Paul, who has long cherished a love for Lizette, is made happy by her acceptance of him.
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Dir: James Kirkwood
"Little Pal" is the daughter of a saloon keeper in a rough Alaskan gold rush town. During a game of dice, he loses his daughter to the brutal "Black Brand". A fight ensues and her father is killed, Little Pal flees and seeks refuge with John, an Easterner who has come to Alaska to mine. When he falls ill, the lovestruck Little Pal nurses him back to health with the help of her loyal friend, Cultus. Little Pal is heartbroken with the arrival of John's wife, and when she learns he will die if he remains in the harsh climate, Little Pal and Cultus steal gold dust from a rival claim in order to provide John with money. Meanwhile, Black Brand who is suspected of the crime is shot. As John and his wife leave Alaska, a despondent Little Pal finds comfort in Cultus' love.
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Dir: James Kirkwood
Nell Gwynne ( Mary Pickford ) and King Charles II ( Owen Moore ) fall in love after meeting at a fox hunt. Nell soon learns the jealous Duchess of Portsmouth ( Ruby Hoffman ) is a spy and conspiring with the Duke of Buckingham to place Charles at the mercy of the King of France. Nell boldly disguises herself as a fashionable young blade and wins the confidence of the Duchess. Now entrusted with the delivery of important documents, she makes sure they go to the King of England rather than the King of France. Now, Nell has the last laugh on the traitorous Duchess.
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Dir: James Kirkwood
Suffering from aphasia after being conked on the head, a man is coerced into robbing his fiancée's home.
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Analysis relative to I Want to Forget
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Rags | Gritty | Dense | 95% Match |
| A Dream or Two Ago | Tense | Dense | 92% Match |
| The Dawn of a Tomorrow | Gothic | Linear | 86% Match |
| The Eagle's Mate | Gritty | High | 85% Match |
| Susie Snowflake | Gritty | Linear | 98% Match |
This guide was algorithmically generated using the cinematic metadata of James Kirkwood's archive. Last updated: 5/20/2026.
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