Recommendations
Senior Film Conservator

Delving into the atmospheric depths of I'll Get Him Yet reveals a master at work, the visual language established by Elmer Clifton is something many try to emulate. From hidden underground hits to established classics, these are our top picks.
The enduring power of I'll Get Him Yet lies in to synthesize diverse influences into a singular artistic statement.
A young woman is in love, but the man of her affections wants only her and no part of her vast wealth.
Critics widely regard I'll Get Him Yet as a cult-favorite piece of cult cinema. Its cult status is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique cult status of I'll Get Him Yet, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Elmer Clifton
Dave Marco, a claim jumper, and his boss Earl Foster, a crooked investment broker, hire chemist Ralph Brandon to sign papers proclaiming the wealth of a certain mine. Foster then convinces Ralph's mother to invest all of her money in the mine, which actually is worthless. While she and her pretty daughter Holly are waiting in Foster's San Francisco office, they meet Jack Mason, whose rich mine has not yet earned him any profits, and the two young people fall in love. Inspecting her mine in Keno County, Mrs. Brandon learns that it is worthless, but when she confronts Foster, he threatens to have Ralph arrested for signing false documents unless Holly agrees to marry him. Meanwhile, Marco tries to jump Jack's claim but is prevented from doing so by Jack and a sheriff's posse. Foster weds Holly in an illegal ceremony, but Jack and Ralph overtake their train with the aid of a car and then a motorcycle. Finally, Ralph kills Foster, freeing Holly and her mother from his clutches.
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Dir: Elmer Clifton
Daughter of impoverished vaudeville actor Lew Moore, Sheila ( Dorothy Gish ) works as a waitress in a chocolate manufacturer's candy shop, where she delights the customers with her tomboyish antics. Tom Ballantyne ( Richard Barthelmess ), the proprietor's son realizes that Sheila is excessively fond of dancing, asks her out without the benefit of a proper introduction, and she indignantly refuses. Soon afterwards, however, the two fall in love and secretly marry. Sheila's father insists that Tom's parents be informed, but when the young groom breaks the news, they react with such anger that Tom leaves home. Meanwhile, Sheila remains with the Ballantynes as their ward on the condition that she keep her marriage and her lineage a secret. One evening, Sheila decides to visit her father's theater but is discovered there by the Ballantynes. Infuriated, she vents her anger at the snobbish family and returns home with her father, but Tom follows her, and in the end, all of the parties are reconciled.
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Dir: Elmer Clifton
Two men, one of them a villainous hypnotist, contend for the same woman, unaware that she suffers from dual personality disorder.
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Dir: Elmer Clifton
When his father commits suicide after being ruined by dishonest stockbroker Abner Hinman, Randolph Shorb resolves to gain revenge and rebuild his fortune by whatever means necessary. With the aid of notorious crook Philadelphia Johnson, Randolph becomes the head of a gang of thieves and is thereafter known as The Ferret. Joe Freeman, the brother of Randolph's girlfriend Mary, moves to the city, where he is robbed by Johnson and forced to hold up a bank. Mary learns of Joe's troubles and rushes to the city to help him but is lured to a rooming house and attacked by Johnson. Joe disappears with the intention of committing suicide, after which Randolph, frantic over both Joe and Mary, goes to the power house and flashes a message in Morse code over all of the city's electric lights. Through his message, Joe regains hope and Mary is rescued. After the gang's arrest, Randolph vows to lead an honest life.
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Dir: Elmer Clifton
During the Alaskan gold rush, two unscrupulous fortune-seekers, Amy and her husband Gambler Joe, rob Mathew Smith, who has offered them shelter from a snow storm. Mathew pursues them but loses his way, and by the time Harkness finds him, he is nearly dead from exposure. Mathew, nicknamed "Silent" Smith because the storm has robbed him of his voice, lives in friendship with Harkness until the latter marries Amy, who has found employment in a local dance hall. After the ceremony, Harkness is called away to protect his mining interests, and in his absence, his daughter Mary arrives for a visit. Silent and Mary fall in love, but Mary's suspicions are aroused when Amy gives birth to a child. Shortly afterwards, Harkness returns. Amy insists that Silent is the baby's father, whereupon Harkness shoots his friend, wounding him in the shoulder. Smith regains his voice, and through the help of an Indian who is familiar with Amy and Joe's treachery, reveals that she was a married woman long before she met Harkness. Mary returns to Smith, and the two settle down with Harkness.
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Dir: Elmer Clifton
While relaxing in his cabin one stormy night, John Winton, a rising young businessman who has successfully resisted the institution of marriage, is interrupted by cries for help. Opening his door, he finds a soaking wet, pretty girl, who pleads with him to come to her aid. She guides him to a swamp where a man is lying insensible. John carries the man to his bungalow and goes for a doctor. On his return, both have disappeared. John, his curiosity thoroughly aroused, follows the only clue that has been left to him, a glove that is lying on the cabin floor. After a series of mysterious encounters in which the girl is involved, John marries her without knowing who or what she is. Then it is revealed that the whole mystery has been a scheme contrived by John's father to marry his son off by employing the romance of mystery.
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Dir: Elmer Clifton
When young inventor Bob Moore fails in his efforts to provide his father, a safe manufacturer, with a lock that is burglar proof, he contacts The "Eel," the most talented safecracker in the city, to offer him a job in his factory. The Eel, deciding to go straight, accepts the offer, but when he later learns that Irene Hardin has been given a valuable necklace by her father, The Eel plans one last job to secure Irene's pearls. Meanwhile, Irene's father, also a safe manufacturer, places the pearls in his own safe and tells Bob that if he can open it, Irene will be his. Bob, in love with Irene, opens the safe and places the pearls on the handle. After he departs, The Eel enters the house and steals the pearls. Bob is accused of the crime, and to exonerate himself, pursues The Eel. After a lively fight, Bob recovers the necklace and returns home to claim his bride.
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Dir: Elmer Clifton
Colonel Court, an agent in the Secret Service, is distressed by the occasional lapses of courage in his son Henry, a college athlete. Unknown to him, Henry's sweetheart Ellen is also an agent working on a case involving a radium smuggler, "National" Jim. To build his son's character, Court puts him on the same case that Ellen has been assigned to, but his courage again fails him. Henry decides to turn to the powers of the psyche and hires three men to communicate power and courage to him through intense concentration. The scheme works: Henry enters Jim's house in time to defeat him in a fight, locate the hidden radium and save Ellen.
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Dir: Elmer Clifton
In order to be admitted to his school fraternity, David Bruce is told to impersonate a Balkan prince. In that guise, Bruce leaves for the prince's tiny principality. En route, he becomes involved with a gang of anarchists who order him to kill the prince he is supposed to be impersonating. After escaping from the anarchists, Bruce arrives at the Balkan state and learns that he is to marry a princess from a neighboring land. Bruce willingly agrees to the ceremony when he learns that the princess is Hulda Maroff, the college coed with whom he fell in love back home. After the marriage, the anarchists arrive to kill Bruce and his bride, but they escape. At that moment, the telephone rings and awakens Bruce from his dream. On the line is Hulda, calling for help. Bruce rounds up his college chums, goes to Hulda's rescue and the two are married.
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Dir: Elmer Clifton
When Janice Webster's (Dorothy Gish) father dies and leaves her guardianship to Ethan Dexter and Henry Jarvis, the vice presidents of the Webster Trust Co., which holds her fortune until she reaches 18, her official fathers become alarmed by her quirky shenanigans. Deciding that marriage is the way to tame her, Dexter proposes and is accepted. Then Winfield Jarvis, Henry's son, proposes and is also accepted. In a muddle as to which to marry, Janice confides in bank teller Steven Peabody, who loves her himself. Later, Steven overhears Dexter boasting of his future control of the Webster millions, but before he can warn Janice, the banker locks Steven in the closet and goes to meet his bride-to-be. Steven escapes and arrives in time to find Dexter and Jarvis arguing over Janice who then reads aloud a letter written by her late father denouncing both vice presidents and announces that she will marry Steven.
View DetailsAnalysis relative to I'll Get Him Yet
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Smashing Through | Surreal | Layered | 90% Match |
| The Hope Chest | Tense | High | 88% Match |
| The Two-Soul Woman | Tense | Abstract | 95% Match |
| The Flash of Fate | Gritty | Layered | 95% Match |
| The Guilt of Silence | Gothic | Linear | 95% Match |
This guide was algorithmically generated using the cinematic metadata of Elmer Clifton's archive. Last updated: 5/14/2026.
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