Summary
The narrative of "The High Sign" unfurls as a whimsical yet suspense-laden exploration of identity and desire, initially presenting David Bruce, a collegiate neophyte, as he embarks upon a fraternity-mandated masquerade. Tasked with embodying a Balkan dignitary, his journey into this fabricated persona swiftly veers into perilous absurdity. En route to the diminutive principality, Bruce becomes ensnared by a cabal of anarchists, their sinister directive to assassinate the very figure he is meant to personify injecting a visceral threat into his collegiate lark. Following a narrow escape from this revolutionary entanglement, his arrival in the Balkan state precipitates a surprising marital decree. The revelation that his intended bride is none other than Hulda Maroff, the object of his affections from his academic past, transmutes the arranged union into a serendipitous romantic convergence. Yet, this idyllic resolution is abruptly shattered as the anarchists resurface, intent on disrupting the newly forged marital bliss. Their frantic evasion culminates not in a conventional pursuit, but in the jarring dissonance of a telephone's ring, abruptly dismantling the elaborate dreamscape. The subsequent reality, a desperate plea from Hulda, compels Bruce to rally his collegiate compatriots, translating the fantastical dream's urgency into a tangible rescue, ultimately culminating in a real-world matrimonial affirmation. The film thus oscillates between a richly imagined, almost operatic, dream narrative and a grounded, albeit still romantic, reality, probing the porous boundaries between waking life and subconscious fantasy.
Synopsis
In order to be admitted to his school fraternity, David Bruce is told to impersonate a Balkan prince. In that guise, Bruce leaves for the prince's tiny principality. En route, he becomes involved with a gang of anarchists who order him to kill the prince he is supposed to be impersonating. After escaping from the anarchists, Bruce arrives at the Balkan state and learns that he is to marry a princess from a neighboring land. Bruce willingly agrees to the ceremony when he learns that the princess is Hulda Maroff, the college coed with whom he fell in love back home. After the marriage, the anarchists arrive to kill Bruce and his bride, but they escape. At that moment, the telephone rings and awakens Bruce from his dream. On the line is Hulda, calling for help. Bruce rounds up his college chums, goes to Hulda's rescue and the two are married.
