The Cult Collection Comparable to the Style of In the Days of the T...

Dir: Colin Campbell

Stephen Brice, a young lawyer in Civil War-era St. Louis, falls in love with Virginia Carvel, the daughter of his benefactor. But she is loyal to the South and Brice is committed to Lincoln's cause. In the course of the war, their convictions separate them, and Virginia becomes engaged to her cousin Clarence Colfax, a Confederate officer. Brice becomes an officer under General Sherman, and eventually finds himself faced with the captured Colfax, facing execution for spying. Brice must decide whether or not to intercede in his rival's behalf.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The Thunderbolt perfectly mirrors the editorial trajectory of our deep dive.

New York broker Bruce Corbin comes to Kentucky to force Allan Pomeroy, whom Bruce can prove is a forger, to give him his daughter Ruth in marriage. Even though she loves Spencer Vail, Ruth agrees, and despite Pomeroy's death, they wed. Ruth soon discovers that Bruce, to avenge his father's death in a feud with the Pomeroys, married her so that she would be childless, thus ending the Pomeroy family. Because Bruce was born during a thunderstorm, he temporarily goes insane whenever he hears a thunderbolt and forgets his actions while affected. Knowing this, Ruth seduces him during a storm, the night before he is to leave for a year. Later, when Bruce sees Ruth's child, he starts to choke it, believing it to be Vail's, but Ruth stops him by telling him of the stormy night. After four years in a distant marriage pass, Bruce loses his fortune because of another thunderbolt. Ruth leaves, but later they are reconciled because of the child.

Dir: Colin Campbell

Surrounded by a group of children, poet James Whitcomb Riley narrates the story of Little Orphant Annie, who loses her mother at an early age and is sent to an orphanage. Annie charms the other children with her stories of goblins and elves until her uncle comes to claim her. He and her aunt force Annie into a life of drudgery, treating her so cruelly that Big Dave, a neighboring farmer, takes her from them and places her in the charge of the kindly Squire Goode and his wife. Big Dave, who intends to marry Annie, is called away to fight in World War I. When Annie hears the news that he has been killed, she pretends to be gravely ill but wakes up to learn that it has all been a dream.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of Little Orphant Annie perfectly mirrors the editorial trajectory of our deep dive.

A man is found guilty of murdering a woman by way of circumstantial evidence, and is executed. Afterwards, it is discovered that his supposed victim is not dead at all, but working as a prostitute in a Western city. Scenario was written for the screen by Maibelle Heikes Justice, who was an outspoken opponent of capital punishment.

Dir: Colin Campbell

U.S. Secret Service agent Truxton Darnley attires himself as a sailor and boards a schooner owned by Gus Olsen, who has been employed by a German spy named Von Linterman to smuggle arms to German raiders in the South Seas. During the voyage, Truxton learns that Gus and his men plan to blow up the National Munitions Plant in San Francisco, but Gus discovers his identity and throws him overboard. Truxton is washed ashore on the island of Moana, where he meets and falls for Lurline, the daughter of beachcomber "Brandy" Cain. Promising to return to her, Truxton boards a steamer bound for San Francisco in the hope of saving the munitions plant, and soon afterwards, Brandy sells Lurline into marriage with Gus. Seeing Truxton's steamer, Lurline dives from Gus's schooner, and her sweetheart rescues her. In San Francisco, Gus abducts Lurline and forces her to dance in his Barbary Coast saloon, but Truxton and his men raid the bar, and Gus is killed. After receiving the happy news that her real father is the owner of the munitions plant, Lurline joins Truxton, the man of her dreams.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of Who Shall Take My Life? perfectly mirrors the editorial trajectory of our deep dive.

The first of many filmed adaptations of Rex Beach's adventure novel of the Alaskan gold-rush.

Dir: Colin Campbell

When her mother elopes with a lover and her father dies cursing the name of God, Domini Enfilden attempts to forget her pain in Beni Mora, an oasis in the Sahara. At the desert hotel, she meets and falls in love with Boris Androvsky, a tormented man of mystery. Abruptly announcing his departure one day, Boris bids farewell to Domini in the Garden of Allah, but passion overwhelms them, and after making love, they are married by Father Roubier. The two are happy until Capt. De Trevignac, a dinner guest, recognizes Boris as the former Father Antoine, a priest whose irrepressible lust forced him to leave the monastery. De Trevignac says nothing, but after his departure, Boris confesses to Domini, who urges him to return to the monastery. The years pass, and Domini rears her son Boris in the Garden of Allah.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The Sea Flower perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Colin Campbell

A jealous dance-hall girl kills her lover. She escapes from the sheriff who is taking her to jail and hides out in the forest with a recluse who lives in a hollowed-out redwood. As the sheriff searches for her, a forest fire breaks out, and they must all band together if they hope to survive.

Dir: Colin Campbell

Living with her cruel and greedy father on their Indiana farm, Pretty Patience Thompson, is a "girl with a singing soul," However, her life of drudgery is brightened by John, the hired hand, but when he asks for her hand in marriage, the old man flies into a rage and discharges him. Soon an aged but wealthy widower courts Patience, and although she still loves John, her father orders her to marry the widower. Aware of her unhappiness, the kindly squire and his wife arrange for John to hide in the Thompson home on the day of the wedding. With all of the guests assembled, Patience runs from the room and pretends to escape on a horse, and while the two old men search the fields for her, she quietly marries John.