Visionary Picks Drawn from the Same DNA as Is Divorce a Failure?: C...

Dir: Wallace Worsley

Jane Cabot, a working girl whose mother Marion sings in a cabaret and whose father Jim simply loafs, dreams of leaving the slums for a new life. After Jane's mother is discharged, however, Jane is forced to take her place in McGann's saloon, where she attracts the attention of political boss Thomas Dolan and his young assistant, Lee Stevens, who has recently come to New York from the mountains of the West. When Dolan insults Jane, she throws wine in his face, which infuriates Dolan but deeply impresses the idealistic Westerner. Dolan's systematic harassment causes Jane to lose every position she secures, but Lee, believing her unfaithful, returns to the mountains. Meanwhile, Jane's father is convicted of killing a policeman, and on the day he is imprisoned, her mother commits suicide. Lee learns that Jane still loves him and returns to New York just as Dolan is taking the dazed girl to his apartment. The two men engage in a fierce struggle until the police, who have discovered the politician's corruption, enter and arrest Dolan.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Wallace Worsley

Neysa von Igel, who is living with her supposed grandfather Adolph Schmidt, loves America, although she believes herself to be German-born. Unknown to Neysa, when she was three years old, her American-born parents were killed in Germany by Emil Koenig, whose punishment was to be sent to the United States to work in the interest of the government of the Fatherland, and who is now associated with Schmidt in his manufacturing enterprise. Koenig demands that Neysa work in behalf of Germany. She revolts and escapes to the home of David Hale, who had been her grandfather's attorney but who is now in the service of the United States Government. Hale and Neysa are married and depart for France, where the girl again encounters Koenig, and, after many thrilling adventures, she kills him in self-defense.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Wallace Worsley

Adele Bleneau is a young nurse who assists her father, a renowned surgeon/. While in Washington, DC, she meets and falls in love with a British army officer, Capt. Fraser. While traveling by ship to France with her father, she meets Count von Schulling, a German diplomat who is an acquaintance of her father. Von Schulling falls for the pretty young Adele. While in France, Adele organizes a rescue party to save Capt. Fraser, who has been on a secret mission behind enemy lines and has been wounded. In a twist of fate, Adele finds the wounded Fraser and takes him to a hospital, but Count von Schuling, who has also been wounded, is placed in the same room as Fraser. When the hospital is overrun by German forces, Adele is placed in a delicate position by von Sculling: either spy for the Germans or Fraser will be shot.

Dir: Wallace Worsley

After Alice Dane, a poor English schoolteacher, witnesses Sir John Turnbull throw an adversary over a cliff, Turnbull offers her money and marriage, because a wife cannot testify against her husband. To support her invalid father and for desired luxuries, Alice accepts, but she finds her husband humiliating and insulting. When Bobby Ralston, the superintendent of Turnbull's South African mines, reports that Turnbull's interests are endangered by a Zulu uprising, Turnbull takes Alice to Africa. After Turnbull shoots an emissary of Zulu chief Cetygoola carrying a flag of truce, Alice is taken hostage, to be burned at the stake unless the messenger's killer is offered. Knowing that Ralston loves Alice, Turnbull dares him to offer himself, which he does, but the Zulus realize he is not the guilty party. During the Zulus' subsequent attack, Ralston and Alice escape to an observation balloon. Reinforcements defeat the Zulus, but Cetygoola hides and kills Turnbull. Ralston and Alice are then free to marry.