Recommendations
Senior Film Conservator

Ever since It's No Laughing Matter hit screens in 1915, fans have sought that same artistic bravery, it's essential to look at the contemporaries that shared this artistic bravery. Prepare to discover your next favorite movie in our hand-picked collection.
Whether it's the artistic bravery or the thematic depth, this film to leave an indelible mark on the history of United States film.
Hi Judd, poet, postmaster and philosopher, is the sunshine of the village, a veritable doctor of happiness. His right arm the little world of the village leans on, the kind words he scatters broadcast reap their harvest of love for the old postmaster and the verses he writes (sometimes when he should be working) proclaims him the wit of the village. And because of the verse writing Mrs. Judd is often discouraged. Hi confides in his daughter, Bess, that he often stands in awe of Mrs. Judd when she catches him pencil in hand, with the woodpile untouched and the chores not done. But Bess is consoling and when Hi is not around she makes a collection of the verses and sends them on to a great newspaper. Theirs is a peaceful life that must have its dramatic climax and it all descends upon them at once. Jim Skinner, an unscrupulous, grasping old miser, holds the mortgage on the house and also has designs upon Hi's position as postmaster. Then the bank fails and shadows hang low. In the meantime drama is stirring within their home. Bess who had thought she cared for Hal, the station master is under the spell of Sam who has come from the city to be the new ticket agent. Hi, dubious of his character and regretting his daughter's change of heart, before it is too late, finds a picture of Sam, his wife and their baby. Hi recognizes in the wife, Belle, the long-missing daughter of Mother Wilkins, a widow of the village whose home has burned and who would have suffered privation had it not been for the generosity of Hi. He sends for Belle, making her believe the money and message come from Sam and when Sam is confronted with the wife and baby he sees there is nothing to be done but face the unexpected situation. The mortgage is due. Heartbroken, they are preparing to leave the little home when word comes from the newspaper: "Verses accepted, send them as fast as you can write them." Thus ends the story. Hi, with his $500 check from the newspaper pays off the mortgage, the future holds its promise; Mother Wilkins is happy with her daughter and the little baby, and Hal and Bess are engaged to be married.
Critics widely regard It's No Laughing Matter as a cult-favorite piece of cult cinema. Its artistic bravery is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique artistic bravery of It's No Laughing Matter, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Lois Weber
Plantation owner William Hawkes (David Newell) doesn't approve of the fact that most of the white men on the island have married, or are living with native girls. He doesn't approve of mixed marriages and is equally opposed to accepting the "gifts of love" offered to him by the native girls. One night, after several hours of hard drinking, he sees Leilani (Mona Maris) bathing on the beach, and he watches her until he can resist his craving no longer. He catches her in his arms and she willingly accepts his embraces. She comes to live with him and waits on him hand and foot. Hawkes goes to San Francisco for a planter's convention and, when he returns, brings back society girl Lucille Cheney (Virginia Cherrill) as his wife. Leilana is heart-broken, while Lucille becomes quickly bored with her husband and Hawaii. Her boredom ends when Chandler Morris (Hardie Albright) sails into port on his yacht and he and Lucille begin an affair. Hawks drinks to forget. He catches Lucille and Chandler together and a fight ensues, Lucille, in an effort, to save her lover throws a kerosene lamp into the ripe sugar cane and fire spreads in all directions.
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Dir: Lois Weber
The parallel stories of a modern preacher and a medieval monk, Gabriel the Ascetic, who is killed by an ignorant mob for making a nude statue representing Truth, which is also represented by a ghostly naked girl who flits throughout the film.
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Dir: Lois Weber
Babe Scott, a cabaret dancer who is constantly searching for sensational material to shock her customers, thinks up burlesquing a Salvation Army girl and attends mission meetings on the East Side for atmosphere. There she meets Jerry Wilson, an honest truck driver and friend of the Army captain. Although the act is a success, Babe is disillusioned to find Lonnie, a fellow worker who has been romancing her, stealing her money and making overtures to Big Bertha, the hard-boiled club hostess.
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Dir: Lois Weber
Jewel stays with her grizzled, angry grandfather while her parents are overseas on business. Family squabbling is brought to heel through love and understanding from Jewel's pure love for others and trust in Divine Love
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Dir: Lois Weber
A fictionalized composite of several celebrated murder cases, particularly the Stielow case, in which an innocent man is convicted and sentenced to death on purely speculative evidence.
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Dir: Lois Weber
A young woman grows tired of providing for her family.
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Dir: Lois Weber
A young man, told by a psychic that he will die soon, puts his affairs in order and begins to enjoy and treasure life. However, the appointed hour of death passes without his demise, and he begins to suspect something is awry.
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Dir: Lois Weber
A Broadway actress becomes a star due to the guidance of her director. The two fall in love, but are prevented from marrying due to a clause put into her contract by her producer.
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Dir: Lois Weber
Phoebe Morrison, a wealthy young lady, is shown a photograph of handsome Squire Elton by her father. Since Elton is a partner in her father's oil business, the girl goes west to meet him. The two fall in love, but Phoebe decides her prospective husband needs more polish comparable to the men she knew in the east. So Elton goes on a tour of Europe, returns a refined gentleman, and marries Phoebe. But now Phoebe feels he has lost some of his charm. Then she thinks he is having a fling with her cousin Sophia. So she decides the best solution is for Elton to return to his original environment out west. She feigns ill health, and persuades him to move, and gradually he becomes the man she fell in love with. Then Elton confesses that he had been acting the part of an Eastern gentleman to teach Phoebe a lesson.
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Dir: Lois Weber
Mary Regan, the child of an heiress who married a handsome thief hoping to reform him, then died when he went to prison, refuses to marry New York District Attorney Robert Clifford because she fears that the family's past will hurt his career. After refusing to cooperate with her father's gang members, Jim Bradley and Peter Loveman, Mary goes to the mountains. Bradley and Loveman get Jack Morton, a dissolute youth from a wealthy family, involved with Nina Cordova, an adventuress. After winning the trust of Morton's father, Loveman takes Morton to the mountains, supposedly to get him away from Nina, but really to involve him with Mary. Morton falls in love with Mary, and she marries him hoping to effect his reform. After Morton tries to hide the marriage from his father, the gang tries to blackmail Morton, Sr., but Mary contacts Robert, and after Morton is killed in a fight, the gang is arrested. Robert then convinces Mary to be true to her heart and marry him.
View DetailsAnalysis relative to It's No Laughing Matter
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| White Heat | Tense | High | 86% Match |
| Hypocrites | Gritty | High | 92% Match |
| The Angel of Broadway | Ethereal | Linear | 91% Match |
| A Chapter in Her Life | Gritty | High | 88% Match |
| The People vs. John Doe | Gothic | High | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Lois Weber's archive. Last updated: 6/20/2026.
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