Cinematic Discoveries Resonating with the Themes of Jack and Jill: Cult Guide

Dir: William Desmond Taylor

Constance, the beautiful wife of Mark Barr, is in fear of her husband's jealousy. Among the guests at their reception are Myrtle Gale and her fiancé, Billy Craig, to whom Constance was at one time engaged. Mark misinterprets a friendly chat between the two and forbids Billy to visit his house. Myrtle goes to the city, and is to return on an early evening train, on which Constance also expects her husband. Both are delayed and Constance persuades Billy, who has come to meet Myrtle, to take her for a ride in his new car. They lose their way and are out nearly all night. Constance is beset with fear at her husband's anger. Billy takes Constance to an inn for a bite to eat and they discover it is a notorious roadhouse. On their way out of the grounds, lightning strikes a tree which falls in the road as another automobile, driven by Fletcher, cashier of the bank, approaches. Monck, watchman at the bank, learning that Fletcher has gone out, breaks open the safe and takes a large sum of money. As an alibi he takes a watch charm which belongs to Fletcher, to the police, and tells them Fletcher overpowered him and robbed the bank. Fletcher is placed in jail and sends for Billy. Mrs. Fletcher also seeks his aid. Constance goes to Billy's office and hides behind a screen as her husband enters. She sneezes but Billy will not allow Mark to look behind the screen. Constance pictures the difference in size between the watchman and the cashier. Billy places his stenographer behind the screen, sends for Monck and secures his confession. Mark comes in and finds the stenographer behind the screen and Constance's happiness is assured. Fletcher is released and Mrs. Fletcher is made happy, while Billy goes to his sweetheart who is doubly happy in the knowledge that Billy has caused justice to be done.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of The American Beauty perfectly mirrors the editorial trajectory of our deep dive.

The infant daughter of a wealthy couple is thought to be lost at sea, but she survives and is raised by a poor family.

Dir: William Desmond Taylor

Tom, the rambunctious member of the Sawyer clan, takes it upon himself to teach the goody-goody boy of Hannibal, Missouri a lesson and, as Huckleberry Finn, his free-spirited best friend watches, pummels his foe to defeat. At school clever Tom makes mischief a regular practice, but as long as the punishment lands him next to his beloved Becky Thatcher, he remains carefree. After he is unfairly accused of his brother Sid's misdeed, Tom runs away with Huck and Joe Harper. Disguised as pirates, the trio builds a raft and sails down the Mississippi to a deserted island. Back at home, Tom's frantic Aunt Polly calls for a search, and cannons are fired into the river. When the search yields nothing, the boys are declared dead and a funeral is planned. At first tempted to reveal himself, Tom decides later to partake in his own memorial service, and as the townspeople mourn, he and his friends appear in the back of the church. Overcome with relief, Becky and Aunt Polly embrace Tom, forgetting to scold him for his mischief.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Tom Sawyer perfectly mirrors the editorial trajectory of our deep dive.

Stella Benton, a young society girl who has lost her beautiful voice through the death of her father, goes to live with her brother Charles, in the lumber camp. Charles Benton is having a struggle to make both ends meet, and when his cook quits, he makes his sister do the work for the hundred men in the lumber camp. Jack Fyfe, a neighboring lumber man, meets Stella and gradually falls in love with her, but love is not reciprocated. Seeing that she is being overworked, Fyfe offers to marry her, in spite of the fact that she does not love him. A child is born of this loveless marriage, and the couple are reasonably happy, until Walter Monahan, a wealthy lumberman, begins to make love to Stella. She gradually becomes tired of her husband, and when the child dies, decides to leave him. Her voice returns, and she makes a substantial success as a concert singer. Monahan, who has professed love for her, becomes indifferent, but she will not return to Fyfe, in spite of his pleadings. Monahan, jealous of Fyfe's success, sets fire to his holdings and is caught in the act. Friends telephone this fact to Stella, and she immediately returns to the lumber camp, and there, at their home she finds Jack, heartbroken, as his holdings are on fire and there is nothing but a heavy rain which could save them. She comes to him and offers to use her own money to retrieve his lost fortune, and as she goes into his arms, the heavy downpour of rain comes and they are safe.

Dir: William Desmond Taylor

Naomi Sterling and John Bancroft are lovers. The girl loves frivolous things and Bancroft, a divinity student, finally estranges himself from her by his continual efforts to preach to her. Attracted by Hugh Wiley, a gambler, from a nearby city, Naomi finally elopes with him and eventually becomes known as the gambling queen. The girl's one ambition in life is to hoard up her wealth against the day when she shall lose her beauty and her popularity. Bancroft has plunged into religious work. He has become famous as an evangelist and has been trusted with the combination to the vault of the great tabernacle over which he presides. Learning this fact, Wiley inflames the mind of Naomi against Bancroft on the false ground that he has spurned her because of her life. He plans to have Naomi lure Bancroft to her gambling palace on a pretense, to overpower the minister while he is in there, steal the combination and loot the tabernacle. Furthermore, Wiley arranges to have the executive board of the tabernacle informed when the minister is in the gambling den, and to have the place raided by the police while he and his pal, McCarthy, rob the tabernacle. But the minister is too strong to succumb to the temptations of Naomi when he reaches her apartment, and his spiritual power wins the repentance of his temptress. Wiley, realizing that he is losing, springs upon Bancroft from behind and gets the combination away from him while his confederate alarms the police and the executive board according to the plan. But Naomi spirits the minister away through a secret passage, rushes to the tabernacle too late to prevent the robbery, and makes the great sacrifice of replacing the stolen money by her own ill-gotten hoard before the bewildered police and board officials arrive at the vault. In the final great moment of spiritual exaltation, Naomi has realized the greatness of Bancroft's love and of his power. Meanwhile Wiley, in an attempt to steal the loot from McCarthy, has wrecked the automobile in which they are fleeing and is killed.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Big Timber perfectly mirrors the editorial trajectory of our deep dive.

James Aldrich is a cinch to win the election as United States Senator until his opponent, Tom Ryan offers a big reward to anyone who can find a scandal in Aldrich's past. Newspaper editor Howard Duncan and his star reporter Ruby Sheldon accept the challenge and, after deciding that Aldrich is straight, decide to investigate his wife Agnes. Going back through the files, they discover that Agnes has been accused of murder and threaten the Aldrichs with exposure. Agnes explains her tragic story, and how she escaped from the drunken savage Steve O'Brien, whose life she had to take in order to save her own. The reporters are so moved that they decide to bury Agnes' past and the heart-breaking story only increases the love of Aldrich for his wife.

Dir: William Desmond Taylor

A Union officer exposes the several deceptions his sweetheart has been engaging in, which include spying for the Confederacy and posing as a boy to comfort her aging, wealthy, heirless uncle.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Redeeming Love perfectly mirrors the editorial trajectory of our deep dive.

The story of the famous Tennessee frontiersman, soldier, scout, and Congressman who fought and died at the Alamo.

Dir: William Desmond Taylor

Up through the din and murk of the steel works, up by brawn and brain until he took his place behind the superintendent's desk came Jim Warren, but his heart was still with the strugglers in the glare of the furnaces. Here he had time to think and here he conceived the "big idea." The "big idea" required an established political position and he started out to get it. Francques, the henchman of Lewis, the political boss, saw in the young reformer a tool through which he could treacherously ruin his superior. Warren was running for the legislature as well as Lewis, and fortified with incriminating evidence against his opponent supplied by Francques, Warren entered the field as an independent candidate and was elected. Lewis took his defeat calmly and made friendly overtures to the newly elected member. Through the influence of Lewis, Warren was invited to visit the speaker of the House, Mr. Tillinghast. Here he was introduced to the girl of his life; the girl he had first seen, as a curious child visitor at the steel works. Several other times fate brought them together. It had been a secret love and he was astounded when he learned from her own lips that she was engaged to marry Lewis. Lewis's wedding to Edna was to occur as soon as Tillinghast was elected governor of the state. Edna admired Lewis and thought she loved him until one day after a talk with Jim Warren she realized the sordid contrast to which she, her father, and Lewis were parties. She told her father that she would not marry Lewis and remained firm in her decision against every argument that her ambitious parent offered. From that moment Warren battled for two loves, the love of a woman and the love of truth. Lewis, behind a smiling face, plotted Warren's undoing. Bribes came from every source. Marked bills, stocks and bonds were lavished by the clique upon the supposed unsuspecting assemblyman. At last they thought the trap ready to spring. He was arrested. He trembled not but unafraid played the last card of his high hand. He calmly led his captors to the vaults of the National Bank and there neatly docketed each in its separate envelope under seal of the bank were the bribes untouched together with the names of the givers and evidence that sent many of them to prison cells. The newspapers went wild. Jim Warren played the game and he was the man of the hour. Weeks later when the state convention had just gone wild over the nomination of Warren for governor, he and Edna were talking. "I think," said Edna, "that as long as I can't be the daughter of the governor, that I will be far happier as the governor's wife."

Dir: William Desmond Taylor

When a young woman deserts her rancher husband and, with her son Ben, goes to live with the drunken Tom Blair. Blair raises Ben as his son, but kills Ben's mother, causing the boy to return to his natural father. There, Ben falls in love with Florence Winthrop. Later, Ben gains revenge for his mother's death by killing Tom, but he loses Florence, who decides to live in the East. When Ben learns that Florence has become engaged, he goes after her and issues an ultimatum: if she does not take him back, he will kill her fiancé. After first resenting Ben for his demand, Florence realizes that she loves him and returns West with him.