Recommendations
Senior Film Conservator

After experiencing the artistic bravery of Jenny Be Good (1920), finding other movies that capture that same lightning in a bottle is a top priority. These recommendations provide a deep dive into the same stylistic territory occupied by Jenny Be Good.
This 1920 cult classic stands as a testament to challenge the status quo through its avant-garde structure.
When a young woman's great romance is interrupted by the influence of her lover's parents, she turns to her art as a violinist to console herself. As she is about to achieve her highest triumph, she is suddenly confronted by the return of the man she loves and she must make a choice.
Critics widely regard Jenny Be Good as a cult-favorite piece of cult cinema. Its artistic bravery is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique artistic bravery of Jenny Be Good, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: William Desmond Taylor
The infant daughter of a wealthy couple is thought to be lost at sea, but she survives and is raised by a poor family.
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Dir: William Desmond Taylor
Mining magnate Roland Holt sends his worthless son Clyde to reform under the watchful eye of mining superintendent Bob Fulton. Instead of renouncing his irresponsible ways, however, Clyde attempts to rob the company safe. In order to prevent the robbery, Bob is forced to shoot Clyde, who loses his wedding ring while making his escape. Soon after, Clyde's new bride Beth arrives, and learning that her husband has mysteriously disappeared, devotes her time to nursing Bob back to health. Beth falls in love with her patient until her discovery of Clyde's ring leads her to believe that the man she loves is probably her husband's murderer. The truth is revealed, however, when Clyde returns to be killed by the sheriff's bullet, leaving the lovers free to begin a new life together.
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Dir: William Desmond Taylor
A tough preacher comes to the rip-roaring gold town of Panamint in hopes of reforming it. But disaster awaits.
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Dir: William Desmond Taylor
Bashful stenographer Bunker Bean ( Jack Pickford ), works for wealthy businessman Jim Breede by day and by night theosophist Prof. Balthasar, who convinces Bean that he is the reincarnation of Napoleon and, more remotely, of the great Egyptian king Ramses. His courage much bolstered by this revelation, Bean begins to deport himself with unaccustomed dignity and becomes a regular visitor to old Breede's estate, where he successfully courts the boss's daughter ( Louise Huff ), "The Flapper." With his $10,000 inheritance, Bean invests in a financial venture that nets him millions and purchases the alleged mummy of Ramses from the professor. After his marriage to The Flapper, Bean learns that the professor is a charlatan, and realizes that it is the belief in one's own strength of character that leads to success.
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Dir: William Desmond Taylor
John Humperdink Stover, otherwise known as "The Varmint" for his pestiferousness or as "Dink" when in special favor, was expelled from a boarding school and sent to Lawrenceville Academy. On the stage on the way to the school he meets a silent man whom Dink sizes up for a salesman and he proceeds to wax eloquent on the subject of his past career and the reason he was expelled from his previous school. The "salesman" is actually the professor of Latin known to the boys as the "Roman." Dink boasts that in a week he will have the boys at the school in his power. A strange uneasiness grips him when he sees that he does not make just the impression he expected. Little by little he succeeds in making himself the most thoroughly disliked and abhorred person on the campus. Dink rises a point in his schoolmates' estimation when he discovers on reporting to the Latin class that the instructor is no other than the traveling man of the stage on the day of his arrival, and in order to make good some of the many boasts he made on that day fakes the translation. The Roman, possessed of a good sense of humor, compliments "Dink" on his performance, much to everyone's surprise. The first girl to attract Dink Stover is the pretty daughter of the Roman, considerably older than he is. After a short and one-sided flirtation, Miss McCarty becomes engaged to another man and Dink is desperate until some new neckwear arrives at the local haberdasher's and diverts his mind from his agony. As a result of his neglect of study, Dink finds himself about to be dropped in school for falling off in his studies. He is to have a private examination at the Roman's house. Stover decides to cheat, and arranges with the Tennessee Shad and MacNooder to overturn a large water cooler outside the Roman's door and other devices to get him out of the way. To his utter dismay, the Roman goes out of the room and stays, thus putting him on his honor. Dink signs his name at the head of the blank paper and is dumbfounded when, upon the Roman's return, he seems to scan the blank sheets closely and says : "I think this will about pass you, Stover." The two discover that they had been friends from the first and Dink really comes into his own when the Roman explains that as he is now an upperclassman, he must set a good example for the younger boys.
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Dir: William Desmond Taylor
The story of the famous Tennessee frontiersman, soldier, scout, and Congressman who fought and died at the Alamo.
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Dir: William Desmond Taylor
Up through the din and murk of the steel works, up by brawn and brain until he took his place behind the superintendent's desk came Jim Warren, but his heart was still with the strugglers in the glare of the furnaces. Here he had time to think and here he conceived the "big idea." The "big idea" required an established political position and he started out to get it. Francques, the henchman of Lewis, the political boss, saw in the young reformer a tool through which he could treacherously ruin his superior. Warren was running for the legislature as well as Lewis, and fortified with incriminating evidence against his opponent supplied by Francques, Warren entered the field as an independent candidate and was elected. Lewis took his defeat calmly and made friendly overtures to the newly elected member. Through the influence of Lewis, Warren was invited to visit the speaker of the House, Mr. Tillinghast. Here he was introduced to the girl of his life; the girl he had first seen, as a curious child visitor at the steel works. Several other times fate brought them together. It had been a secret love and he was astounded when he learned from her own lips that she was engaged to marry Lewis. Lewis's wedding to Edna was to occur as soon as Tillinghast was elected governor of the state. Edna admired Lewis and thought she loved him until one day after a talk with Jim Warren she realized the sordid contrast to which she, her father, and Lewis were parties. She told her father that she would not marry Lewis and remained firm in her decision against every argument that her ambitious parent offered. From that moment Warren battled for two loves, the love of a woman and the love of truth. Lewis, behind a smiling face, plotted Warren's undoing. Bribes came from every source. Marked bills, stocks and bonds were lavished by the clique upon the supposed unsuspecting assemblyman. At last they thought the trap ready to spring. He was arrested. He trembled not but unafraid played the last card of his high hand. He calmly led his captors to the vaults of the National Bank and there neatly docketed each in its separate envelope under seal of the bank were the bribes untouched together with the names of the givers and evidence that sent many of them to prison cells. The newspapers went wild. Jim Warren played the game and he was the man of the hour. Weeks later when the state convention had just gone wild over the nomination of Warren for governor, he and Edna were talking. "I think," said Edna, "that as long as I can't be the daughter of the governor, that I will be far happier as the governor's wife."
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Dir: William Desmond Taylor
Young boxer Jack Ranney agrees to challenge 'Young Kilroy' and knocks him out with his first punch. When he is told that Kilroy is dead, Jack hurriedly heads West and finds a job on a ranch, boasting to all the fellows that he is a killer; unimpressed, they call him a greenhorn. Meanwhile, Jack's sweetheart Mary learns that Kilroy is alive, and she heads West to tell Jack the news, arriving just in time to see him single-handedly save the ranch from a raid by the notorious Lopez Cabrillo and his entire gang.
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Dir: William Desmond Taylor
Tom, the rambunctious member of the Sawyer clan, takes it upon himself to teach the goody-goody boy of Hannibal, Missouri a lesson and, as Huckleberry Finn, his free-spirited best friend watches, pummels his foe to defeat. At school clever Tom makes mischief a regular practice, but as long as the punishment lands him next to his beloved Becky Thatcher, he remains carefree. After he is unfairly accused of his brother Sid's misdeed, Tom runs away with Huck and Joe Harper. Disguised as pirates, the trio builds a raft and sails down the Mississippi to a deserted island. Back at home, Tom's frantic Aunt Polly calls for a search, and cannons are fired into the river. When the search yields nothing, the boys are declared dead and a funeral is planned. At first tempted to reveal himself, Tom decides later to partake in his own memorial service, and as the townspeople mourn, he and his friends appear in the back of the church. Overcome with relief, Becky and Aunt Polly embrace Tom, forgetting to scold him for his mischief.
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Dir: William Desmond Taylor
A widowed farmer, failing in his efforts to find a woman capable of running his household, decides to marry a young woman he believes can fill the bill. Wat he doesn't know is that she is running away from a brutish and violent husband, whom she has discovered is also a bigamist, and that her angry and vengeful husband is looking for her.
View DetailsAnalysis relative to Jenny Be Good
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The American Beauty | Gothic | Layered | 87% Match |
| The World Apart | Gothic | High | 89% Match |
| The Parson of Panamint | Tense | Linear | 96% Match |
| His Majesty, Bunker Bean | Gothic | High | 95% Match |
| The Varmint | Gothic | Abstract | 85% Match |
This guide was algorithmically generated using the cinematic metadata of William Desmond Taylor's archive. Last updated: 6/26/2026.
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