Top-Tier Alternatives Exploring the Legacy of Justice of the Far No...

Dir: Norman Dawn

Fiery, impulsive yet pure-hearted Lasca lives in a Mexican settlement near the Rio Grande with her twin brother, Ricardo, and their aunt. She falls in love with cattle rancher Anthony Moreland, who is fond of Lasca, but thinks of her as a child. When the flirtatious Clara Vane falls in love with Anthony, Lasca stabs him in a fit of rage, then binds his wound and begs forgiveness. Clara's fiancé, John Davis, also seeks revenge against Anthony and bribes one of the rancher's men to stampede his cattle during an impending storm. Anthony falls from his horse in the path of the approaching herd, and Lasca is killed using her body to shield his. Ricardo avenges his sister by leaving John to die in quicksand. Anthony buries Lasca, builds a shrine, and remains faithful to her the rest of his life.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

A visual fragment from the archive: The thematic resonance of The Devil's Riddle perfectly mirrors the editorial trajectory of our deep dive.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Dir: Norman Dawn

Convent-reared Aline Ann Belame receives a letter from her grandfather General Belame, whom she had never previously met. The letter summons Aline to the old man's plantation to meet the husband he has chosen for her. Elated at the prospect of having a home and a husband, Aline arrives at the plantation only to learn that her fiancé, Monsieur Cayetane, is a withered old man. Aline refuses the match and soon falls in love with Burton Striker, who is installing a vault door on the General's wine cellar. When their plans for elopement are discovered, Cayetane challenges Burton to a duel. Cayetane's bullet goes astray and breaks the General's prized pipe, prompting him to break his granddaughter's engagement. However, the General still withholds his blessings, so Burton retaliates by withholding the combination to the vault. The General graciously concedes defeat.

Dir: Norman Dawn

Marama Thurston leaves her fashionable boarding school in America when her ailing father Jim Thurston, a plantation owner on Fiji, begs her to protect the rubber crop from his thieving son-in-law. Upon arriving on the island, Marama learns that she is a half-caste. Traumatized, she assumes native customs and agrees to marry Ratu Madri, the island's ruler. Templeton, an American fugitive living on Fiji, falls in love with her, but Marama rejects him, having pledged herself already to the Fiji chief. As Marama dances the prenuptial rite, Templeton attempts to rescue her. The natives seize the American, and Marama threatens suicide if they harm him. The couple escape during a hurricane, and soon after a yacht arrives with the news that Templeton has been exonerated of murder charges. Their problems thus resolved, they return to America to wed.

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.