Hidden Genre Gems In Alignment with the style of Keith of the Border: Cult Guide

Dir: Clifford Smith

Old-fashioned rancher Joe Warner is suspicious of the modern methods employed by his new neighbor, George Merritt, but when Joe's villainous foreman, Pete Wright, suggests that George is a thief, Joe's dislike turns to hostility. Furious over pretty Ruth Warner's love for George, the jealous Pete joins forces with a bandit named José Mardones to run cattle off of Joe's ranch while blaming George for the thefts. Finally, Pete and José stage a major raid on Joe's ranch, and Joe's cowboys, imagining that they are fighting George's men, are losing the battle until George arrives to help drive off the real bandits. During the shootout, Pete kidnaps Ruth, but George pursues them and rescues her. Joe then happily accepts George as a son-in-law and as his new partner.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Learnin' of Jim Benton perfectly mirrors the editorial trajectory of our deep dive.

Jim Benton has been too busy making money to learn to read and write, but he persuades Evelyn Hastings to open school on his ranch and he is her most devoted pupil. The sheepmen carry out their threat to cut off Benton's water supply and Evelyn makes him promise to shoot only in self-defense. He keeps his promise, but still he has to kill, and a packed jury of sheepmen bring in a death verdict. The cattlemen attempt a rescue, but it is Evelyn who saves the day.

Dir: Clifford Smith

"One Shot" Ross, who has brought law and order to the town of Painted Gulch, decides to hang up his six-shooters when he sees the daughter of one of his victims sobbing over her dead father's body. While traveling East, Ross's stagecoach is held up and Ross, knocked unconscious, is taken to a nearby cabin owned by the Sheridans. After Mr. Sheridan is killed when he inadvertently stumbles upon Jim Butler and his gang dividing up the spoils from the stage robbery, Ross takes pity on Nan, the old man's daughter, and decides to bring the outlaws to justice. Feigning feeble-mindedness, Ross obtains a job on Butler's ranch and uncovers evidence which proves that Butler is the leader of the outlaws. Heading the posse, Ross captures Butler's gang and then rides off to the Sheridan cabin where, in a shootout, he rescues Nan from Butler.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of One Shot Ross perfectly mirrors the editorial trajectory of our deep dive.

Jim Walton, the sheriff of El Dorado, orders Joe Malone to stop working an abandoned mine that he has uncovered. Later, Malone recognizes Edith Strang, the dancing girl who is passing through town with the quack Doc Hamilton, as the rightful heir to the abandoned mine. Malone informs the doctor of the fabulous riches within their grasp, and the doctor departs for the East to interest capital in the property. While he is away, Malone tries to double-cross the doctor by marrying Edith, but Walton discovers his plan and offers the girl protection. Upon his return, the doctor reclaims Edith from the sheriff, and that night, sensing wrongdoing, Walton goes to the doctor's cabin. There he finds that Edith is being forced to sign away her rights to the mine. Walton forces Malone to confess that the mine belonged to Edith's dead parents, and thus restores the girl to her birthright. Edith then prepares to go to school in the East, but at the last minute decides to remain and marry the sheriff.

Dir: Clifford Smith

Charles Easton returns to his ranch to find his property in a shambles and his chances of marrying politician Oscar Davison's daughter Rose extremely slim, after losing the election for sheriff of Pyramid County to Ethan Ransford. However, Rose appears and begs him to find the man who robbed and beat her father. Charles rides into the desert with Ethan but quarrels with his rival and shoots him. With a price on his head, Charles takes refuge at Hawk's Nest, a seemingly invulnerable retreat for bandits, and soon gains the outlaws' respect and confidence. Later he rides into town leading the two guilty men in handcuffs and explains that Ethan's shooting was merely a ploy to gain entrance into the outlaws' stronghold. Ethan appears, confirming the story, and turns his office over to Charles, while Rose gladly accepts the new sheriff's proposal of marriage.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Medicine Man perfectly mirrors the editorial trajectory of our deep dive.

Bosom friends Jeff Flagg and Jim Lee launch a cattle-raising business, but their prospects are so seriously threatened by Ed Crane and his nearby copper mining operations that Jim moves to another town. Crane tries to assault Jeff's sweetheart, Helen Dryer, and in the attempt is shot and killed by her brother Vic. Jeff, accused of the murder, leaves town closely pursued by Sheriff Sol Durkee, who hopes to identify Jeff by the scar on his left arm. In a faraway town, Jeff meets up with his old friend Jim, who, in a poker game brawl, shoots the scar away from Jeff's arm. The two return home, and when Vic finally confesses that he killed Crane to preserve his sister's honor, Jeff is exonerated. Jeff and Jim discover rich copper deposits on their ranch, and Jeff, now a wealthy man, proposes to Helen.

Dir: Clifford Smith

Frank Borden, who is in poor health, goes West penniless. He faints from exhaustion and is found by Pete Morton, who gives him aid. In shaving off his mustache, Morton is startled to discover that he is Borden's double. He decides to use Borden in his plundering expeditions. Morton holds up a stagecoach while Borden, whom the townspeople think is Morton, stays in town. But the undoing of the bandit is brought about when the father of Nan Christy, who befriended Borden upon his arrival in the west, is shot, and Morton confesses. The picture ends with Nan and Borden plighting their troth.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Law's Outlaw perfectly mirrors the editorial trajectory of our deep dive.

Driven to desperation by the cattle rustlers who have nearly ruined him, ranch owner Jim Carson appeals to the Texas Rangers for help, and soon afterward he hires a cowpuncher named Bob Gordon. The handsome young rider quickly develops an attachment to Jim's pretty daughter Jean, which incurs the enmity of ranch foreman Dave Merrill, who is also in love with the girl. Shortly after Bob's arrival, he catches Dave branding a calf and hints to Jean and her father that the foreman may be one of the cattle rustlers. To save himself, Dave tries to cast suspicion on Bob, but the plan backfires. Cornered, Dave abducts Jean into the hills, but Bob, who is actually a Texas Ranger, locates the hideout, kicks in the door and kills the outlaw.

Dir: Clifford Smith

Bob Allers, an unfortunate consumptive, and his wife are traveling to Arizona for medicinal purposes. On the way, a highwayman robs them of horse and money. Destitute, they are befriended by William "Red" Saunders, whose sympathy and innate love for his fellow man lands Allers a job in the local saloon. Soon after, when the same highwayman attempts to rob the saloon, Allers kills him with a hammer thrown in self-defense, unaware that the outlaw is the brother of the sheriff. Convicted for murder by the vengeful sheriff, Allers is defended by "Red." The corrupt jury makes its final decision based on whether a crawling fly reaches the top of a window pane. Allers is acquitted, then reunited with his happy wife and newborn child, and they all leave together.

Dir: Clifford Smith

The story of a circuit-riding, sagebrush parson who flew in the face of providence with both guns blazing.