The Essential Watchlist that Capture the Essence of Kvarnen: Cult G...

Dir: John W. Brunius

Young Jörgen Steenfeld is the heir of the estate Steensgaard and unable to clear up its finances. He is being looked after by his old friend, "Mästerkatten".

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: John W. Brunius

Synnöve lives with her parents at the farm Solbakken on a sunny hill. Thorbjörn, who lives at Granliden in the shadow of a big mountain, often looks wistfully up to Solbakken. As teenagers they meet and fall in love. Another boy, Knud Nordhaug, is also yearning for Synnöve. Together with some companions he bullies Thorbjörn, who knocks them down. When Knud meets Synnöve's father, he gets him to believe that it is Thorbjörn who is the bully. Synnöve's parents forbid her to meet Thorbjörn henceforth. Some years later Knud proposes to Synnöve, but is turned down. At Midsummer Eve Thorbjörn and Synnöve meet secretly. They renew their love-vows, and Thorbjörn promises to develop a better reputation in the village. When Thorbjörn is driving a loaded cart to the town, the wagon breaks down. As the Nordhaug farm is nearby, he goes there to lend a new wagon. Knud sees Thorbjörn and starts a fight. When Thorbjörn turns away, Knud stabs a knife in his back. For many weeks Thorbjörn hovers between life and death. Ultimately he rises from the bed, but as a changed man, open for reconciliation.

Dir: Harry Southwell

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Fairy of Solbakken perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.