Masterpiece Selection that Capture the Essence of La femme en homme...

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Augusto Genina

A visual fragment from the archive: The thematic resonance of Lucrezia Borgia perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Augusto Genina

Mario, student at the University of Turin, has a romantic relationship with the milliner Dorina, daughter of the lady who rents him the room. However, the boy is fascinated by a rich lady, Elena, who courts him, inducing him to betray her.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Addio giovinezza! perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Augusto Genina

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

The cruise ship Oceania is crossing the Atlantic toward Europe when it sinks, torpedoed by a submarine. A wealthy man then entrusts the captain with the secret of his family treasure to pass on to his daughter.

Dir: Augusto Genina

At the outbreak of the great war in Europe, Marion Duval, a mischievous schoolgirl, is infected with the patriotic fervor that swept over the European State in which she lives. She runs away from school disguises herself in boy's clothing, and joins the Boy Scouts. In this disguise she shares with a dashing cavalry lieutenant several thrilling adventures. In later years she makes a determined effort to renew her acquaintance with this hero of her dreams, who is still unaware of her sex. When she finally meets him once more, she finds him, now a member of his government's secret service, enmeshed in the toils of an adventuress. Taking a hand in the game, she is able to save the lieutenant from disgrace, but only after a series of stirring episodes culminating in a scene when she and the adventuress, locked together in a room, engage in a struggle for the possession of plans of importance. Naturally, her heroism is rewarded with the heart of the handsome lieutenant.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Augusto Genina

A fascinating piece of cinema that shares thematic elements.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.