Top-Tier Alternatives Exploring the Legacy of Little Old New York: ...

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Sidney Olcott

A visual fragment from the archive: The thematic resonance of Marriage for Convenience perfectly mirrors the editorial trajectory of our deep dive.

Barbara Rand, the daughter of a poor but proud Southern widow, loses her sight after leaping through the window of a notorious roadhouse to escape an assailant. Her sister, Natalie, reluctantly abandons her fiancé, Ned Gardiner, and marries Oliver Landis, who can provide the money needed for Barbara's operation. Unaware that Oliver was Barbara's attacker, Natalie places the blame on his business partner, Howard Pollard, who was with Barbara on the night she was injured. As Natalie holds Howard at gunpoint, her husband arrives and promises to deal with the supposed villain. A struggle ensues between the two men, and Howard falls from a cliff to his death. After Barbara is released from the hospital, Oliver tries to blind her once again by removing her bandages prematurely. Natalie threatens him with a pistol, but Oliver wrests it away from her. He then realizes that he can no longer hide his guilt from Natalie or the police and shoots himself. Barbara has been avenged, and Natalie is free to marry Ned.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Sidney Olcott

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Nora O'Brien leaves Ireland to visit her brother in America. On the trip she suffers a concussion, and soon is mistaken for another Irish girl named Nora who is on her way to visit her aunt in the US, Mrs. Watson, who has not seen her niece in many years. Nora, still somewhat dazed from her injury, is taken to the Watsons' home, and when Mrs. Watson's son Jack returns from college, he falls in love with her but cannot express it to her because he believes she is his cousin. Complications ensue.

Dir: Sidney Olcott

Financial troubles force Nell Carroll, a thoroughbred, to seek employment in a detective agency which has just taken up the trail of a very baffling jewelry robbery in an exclusive summer colony. In order to work from the inside, she is sent to the place as the Baroness Du Vassey. Suspicion promptly fastens upon Teddy De Veaux, the son of the woman who first invites Nell to her home. Every evidence points to him until the leader of the crooks, suspecting the real identity of the "baroness." decides to present himself as the Baron Du Vassey, her husband. The arrival of the "baron" causes consternation in the heart of Nell, who does not know whether she is facing an impostor or has chanced upon the name of a real nobleman. Trusting to chance to give her some hint as to the truth, she decides to face the man and attempt to outwit him. But more than wits are necessary to defeat the crook, with whom the butler is allied. It comes to a question of a steady hand and quick trigger finger when the thieves are caught red-handed and spring upon the innocent young Teddy.

Dir: Sidney Olcott

A visual fragment from the archive: The thematic resonance of The Innocent Lie perfectly mirrors the editorial trajectory of our deep dive.

Mici is the middle of seven sisters who all believe if a younger sister marries first, the older sisters are all doomed to be old maids. The older sisters conspire to have the younger, pretty Mici sent away to a convent school. Mici manages to slip away and attend a fancy party, where she meets Count Horkoy. They fall in love and to the delight of Mici's sisters, the Count also finds suitable husbands for all of them.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Sidney Olcott

A visual fragment from the archive: The thematic resonance of My Lady Incog. perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.