Cinematic Discoveries Resonating with the Themes of Lochinvar o' th...

Dir: Edgar Jones

The "the girl" can't make up her mind which man she loves, the three men decide to play a trick on her.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

Beth Coventry, society favorite and ward of a wealthy aunt, is beloved by three men: rich broker Philip Murdock; Marquis de Tourville, a polished, brilliant social lion; and poor but promising young banker John Langton. Following an impulse, coupled with the advice of her aunt, Mrs. Gordon, Beth accepts Langton and they are married. Mrs. Connie Beverly, a young widow whose husband was Langton's best friend, mistakes Langton's kind interest in her for a deeper feeling and becomes infatuated with him, but in her determination to win his love she plans to ruin his home. John and Beth are living in a modest little home which they call "Love Cottage." Mrs. Beverly calls on Beth there and finds her reading letters which she had written to the Marquis before her marriage, which he graciously returned. Her eyes fall on the pages of one letter in which Beth had written among other things, "Europe is so far away I must have time to consider your proposal." This letter Mrs. Beverly steals. Murdock, too, is bent on breaking up the Langton home if possible, hoping yet to have Beth for his own. With Mrs. Beverly he makes an appeal to Beth's vanity, her one failing, and they succeed in getting her dissatisfied with her lot. Beth insists on John leaving the "Love Cottage" and moving into a pretentious home, where she proceeds to entertain lavishly and far beyond John's means. Murdock, posing as John's friend, induces him to speculate in stock. John is desperate as Beth tells him he will lose her love if he cannot supply her with an unreasonable allowance. He is finally driven to misappropriate bonds entrusted to his care by Beth's aunt. The couple become estranged. John strives to recover the money he has lost in speculation, while Beth gives herself up entirely to social life. At the height of a great ball, lightning strikes a tree, it crashes through a window and falls upon Beth. She is severely wounded and a cut on her face mars her beauty for life. John is called, but Beth mistakes his look of pity for one of disgust. The next day she leaves to go in seclusion while a specialist attends her. Mrs. Beverly tells John she has gone away with the Marquis, and to prove it shows him part of Beth's letter, written when she was considering De Tourville's proposal before her marriage. Beth's aunt dies several months later, leaving her fortune to her niece. Rather than face the disgrace which will attend the exposure of John's theft of the aunt's bonds, he determines to end his life at the "Love Cottage." Beth's lawyers notify her about the missing bonds. She protects John by saying she knows where they are, then she goes in search of him. Through a strange coincidence, they meet at the "Love Cottage," where they renew their first vows of love.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Woman Pays perfectly mirrors the editorial trajectory of our deep dive.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

When the body of Col. S.F. Hargraves was found in a room in the rear of Cradelbaughs, a gambling house, with a bullet in his heart, the police found "Big Jim" Pemmican, the manager of the place, coolly pacing the floor when they arrived. Jim demanded that the district attorney be informed. When District Attorney Murgatroyd arrived Pemmican led the way to a lounging room where stretched full length upon a couch was J. Lawrence Challoner, a young clubman, in a drunken stupor. "He is the man who murdered the Colonel," Pemmican told the district attorney, who aroused the clubman and began questioning him. While Murgatroyd was telephoning his office for an assistant, and Pemmican was directing the arrangement of overturned furniture in the main gambling room, Challoner manager to make his escape. A city-wide search for Challoner was ordered by the district attorney, but no trace was found of him. Challoner had intended to go home to his wife, but as he walked through the side streets realized that he would be walking into a trap, so he turned and made for the East Side, finally bringing up in a cheap lodging house off the Bowery The next day he telephoned his wife and asked her to bring his funds and said he intended leaving for Europe on a freight carrying steamship out of Philadelphia. She advised him against this and pleaded with him to give himself up. With her fortune of half a million dollars she could hire the best legal talent in the city for him, she pointed out. Murgatroyd was greatly surprised when he arrived at his office and found both Challoner and his wife waiting for him. She asked to speak with him alone, after Challoner had been turned over to an officer. In his private office Mrs. Challoner made a deal with Murgatroyd to the effect that he would clear her husband's name. For this he was to receive securities that she held valued at half a million dollars. At the trial both Challoner and his wife were amazed when Murgatroyd prosecuted the case in a vigorous manner. And while the trial was in progress he even spent one night with Challoner, giving him the "third degree," and finally obtaining a confession from him. This confession was introduced at the trial the following day, and together with Pemmican's testimony and the testimony of a maid, who had heard Challoner and Hargraves quarreling in Letty Love's apartment, made a case that convinced the jury of Challoner's guilt. Challoner followed Murgatroyd into his office and threatened to expose him tor accepting a bribe. "I promised to save your husband," Murgatroyd said, "but 1 did not say when or how I would save him." A few weeks later Pemmican got into a row with some gamblers in a rival house. One of the men shot Pemmican got into a row with some gamblers in a rival house. One of the men shot Pemmican, and when the physician reached his side, they told him there was no hope for his recovery. Pemmican sent for Murgatroyd, who was told that it was he who had killed the Colonel, who with Challoner was fighting to gain Letty Love his ( Pemmican's) wife. Then the gambler died in the arms of his wife. Murgatroyd went to the prison where he saw Challoner and told him he had obtained a false confession. The district attorney arranged for Challoner's release and advised him to drop out of sight. In a modest little apartment on the East Side Challoner and his wife set up housekeeping. Everything was progressing nicely, until Challoner became discouraged and again took to drinking. One evening when he returned to the apartment after drinking heavily, his insistent demands for money roused his long-suffering wife to action. Instead of handing him the money, as Challoner expected, she drew a revolver from the folds of her gown and threatened to shoot him if he advanced a step toward her. It was a revelation of his wife's character and Challoner fell to his knee and began to cry like a child. It proved the turning point in their lives. Challoner never drank again, after this his wife confided a secret to him. A baby is soon to be born to them. Challoner became melancholy and said: "I cannot bear the thoughts of having a little one come into the world, the child of a murderer." When they arrived home from their little walk they found Shirley Bloodgood, one of the few society girl friends of Mrs. Challoner, who had remained steadfast during her trouble, They insisted on Shirley remaining to dinner, and that night the trio discussed many matters of the past. For Shirley was engaged to marry Murgatroyd, and she had tried to use her good offices on Challoner's behalf on several occasions. What became of Mrs. Challoner's fortune had always been a mystery to her friends, and during the course of the evening Shirley inquired of Mrs. Challoner where it had gone. Against the wishes of Challoner, his wife told Shirley that the money went to obtain her husband's freedom. "Mr. Challoner, I think you have made a mistake," Shirley said at last, "You know that any man who would take the last penny a woman has is capable of doing anything. How do you know that the confession Mr. Murgatroyd obtained was not real? I would never stop until I found out." The very next day Challoner set about on a quite investigation. Within a week he did find out that the confession was genuine, and that Murgatroyd lied to him. It required but little time for Mrs. Challoner, Shirley and Mr. Challoner to arrange a joint call upon the district attorney. Murgatroyd merely smiled when the trio swooped down upon him with their charges. After hearing a recital of their feelings he went to a large safe in the corner, opened it and took out the securities that Mrs. Challoner had given him. He had never touched them from the day he had received them. "There is every penny you gave me, Mrs. Challoner," he said. "I think you will all thank me when I explain. And I'm going to be very frank. It was Mrs. Challoner's money that made a fool and idler of her husband. He needed to be set right, and drastic treatment was necessary. There was plenty of manhood in him, but he had to be put through the fire. I realized that the only way to save Challoner was to reduce him to poverty. There have been times when my heart ached for him, and I wanted to tell you all the truth. I could tell you, but what's the use? I think we all understand now." That night at Sherry's there were covers laid for four, and it was a merry party.

Dir: Edgar Jones

Julie Le Fabrier, a romantic young model in Madame Swan's dress shop, immediately falls in love with Lee Brooks after seeing a photo of the young millionaire in the paper. Soon afterwards, Julie is sent to the Grand Tides Hotel to deliver a dress to Madame Ricardo, an attractive young woman whose bills are paid by Lee's love-struck father, Mason Brooks. Having seen her husband, whom she believed to be in South America, on the grounds, Madame Ricardo deserts the hotel, so Julie dons the gown and masquerades as Mason's mistress. In the dining room, she meets Lee, who, hoping to interrupt his father's expensive affair, ardently woos "Madame Ricardo" and marries her. Mason, furious at Lee for "poaching on his father's preserves," rushes to the hotel. Meanwhile, Lee learns that Madame Ricardo already has a husband and deserts Julie, whom he still thinks is the madame. In the end, the mistaken identities are explained, and while Mason frees himself from the wiles of Madame Ricardo, Julie finds herself the happy wife of a rich man's son.

A visual fragment from the archive: The thematic resonance of A Fitting Gift perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

Mary Lane and her cousin Claiborne want to sell some land left to them by their family. Real-estate agent Roland Manning falls in love with her, and prepares a deal that will make money for both of them. However, shady land speculator Wade Dempster plots to get Claiborne drunk and swindle him out of the land. In order to get the honest Roland out of the way, he has him framed for a murder that Wade himself committed. Things look hopeless for Roland.

Dir: Edgar Jones

Roscoe Tracy, the foreman of a large mining camp, is unjustly sentenced to life in prison for robbery and murder. In his absence, his little daughter Joan is raised by mine superintendent Robert Carter. Many years after her father's conviction, Joan receives an anonymous note advising her to examine the contents of a chest that is stored in a certain warehouse. Carter, alarmed by this development, tries to secure the trunk himself, but not before it is purchased at an auction by Jim Younger and his friends. Joan, who loves Jim, informs the young man of the chest's value, and when Carter and his men steal the box, Jim pursues them and retrieves it. The trunk contains a note revealing that Carter and his accomplice Joe Morgan, the mine's telegrapher, framed Tracy for the crimes that they had committed. Tracy is finally released from prison, and Joan weds Jim.