The Definitive Watchlist Seeking the Same Brilliance as Lord Edgwar...

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Henry Edwards

A poor author feigns marriage to please his dying father.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The City of Beautiful Nonsense perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Henry Edwards

A boarding house skivvy helps a poor playwright, becomes an actress and saves him from an insane convict.

Dir: Henry Edwards

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

In the East London tenements lives one Alexandra Vickers, better known as "Viccy." She is rough-tongued, quick-tempered, and generous as far as her slender means allow. Her parents died when the girl was very young and left her to shift for herself. Later she takes up her abode with Mr. and Mrs. Alfred Smith and their nephew, Albert Grummett. In the month of August the family decides to go to the hop fields and earn their living picking the sticky vegetable from which is made the national beverage, beer. About this time in America a wealthy contractor dies and leaves his immense fortune to Victoria Alexandra Vickers, the only daughter of his brother. A search is made for the girl and she is finally located in the hop fields. She is placed under the care of a Mrs. Carrington, to become polished. After "Viccy" leaves, Grummett, with five hundred pounds given him by the girl, sets himself up in business and is soon prosperous. Mrs. Carrington's son asks "Viccy" to marry him, as he needs money to pay his debts, and the girl accepts him. She later sees Grummett, however, and after discovering that Carrington wants only her money she goes back to Grummett, and East returns to East.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Doorsteps perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Henry Edwards

A girl presumed drowned escapes from a lighthouse keeper to find her husband insane and framed for murder.

Dir: Henry Edwards

A Cockney poses as his drowned double, who is saved and poses as a chauffeur.