The Cult Collection Inspired by the Vision of Lorelei of the Sea: Cult Guide

Dir: Henry Otto

Happy O'Brien, called "The Microbe," or "Mike" for short, a female street urchin who sells newspapers dressed as a boy to avoid harassment, is saved from arrest for fighting other newsboys in Chinatown by wealthy author DeWitt Spense. DeWitt, there to purchase drugs, is so moved by Mike's pugnacity, that he takes her to his mansion for literary inspiration. When DeWitt learns that Mike is a girl, he resolves to educate her. As Mike blossoms, DeWitt's attentions turn to love, to the dismay of Judith Winthrope, who wants to marry him, and his friend Robert Breton, who, with Judith, convinces Mike that DeWitt's writing is suffering because of her. After Mike leaves and gets a job making artificial flowers, she writes DeWitt daily letters, signing them "Bianca," which inspire him to write a best selling novel of replies. Although DeWitt nearly marries Judith when she claims authorship of the letters, he weds Mike when he learns that she penned them.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of Mister 44 perfectly mirrors the editorial trajectory of our deep dive.

In the sordid shirt factory in which she works, Sadie Hicks dreams of the great outdoors. Surrounded by men of puny minds and flabby bodies, her fancy goes out to great manhood that is strong of mind and muscle. Translated in the language of the shirt factory life she knows best, she finds that she admires a man with a 44 chest. She sees a shipment of 44s all ready to be sent to Arizona, and she writes a little note and tucks it into one of the shirts. On account of a rush order, the box is sent to Canada and the shirt with Sadie's note reaches John Stoddard, a wealthy civil engineer, who prefers the life of the woods to the polite society enjoyed by his family and friends. Good-naturedly, he answers Sadie's note, telling her to let him know if he can help her at any time. Sadie receives the letter on the same day she is discharged from the factory for repulsing the advances of Ferguson, the foreman. She at once telegraphs Stoddard that she is on the way, and takes the next train for his Canadian Camp. He receives the message too late to wire her not to come. Stoddard goes to the station to meet her, intending to put her on a southbound train immediately, but he misses her, as she has left the train at a station nearer his camp than the post-office station. Stoddard finds her, and they start in a canoe for an island hotel where he expects to place her until he can send her away again. But a storm comes up, the canoe is swamped and Stoddard and Sadie are obliged to swim to the nearest stretch of shore. It is a small deserted island, and the two have to spend a day and a night there. The noblest qualities of both are shown, and they fall in love with each other. They construct a raft on which they embark, but it has been flimsily put together on account of lack of materials, and Sadie and Stoddard are capsized again. This time they are rescued by Stoddard's Indian guide, Eagle Eye, who takes them to the camp. They find Larry Livingston at the camp. He is the brother of Estelle Livingston, the society girl whom Mrs. Stoddard wishes her son to marry. He tells them that Mrs. Stoddard and Estelle, who are stopping at the hotel, will be at the camp presently. Sadie feels diffident about meeting these fashionable women, and hides in the woods. Here Larry Livingston finds her. He tells her that if she really loves John Stoddard, it is her duty to give him up to a woman of his own station in life, that it would be only degradation for him to marry beneath him. Sadie persuades Eagle Eye to show her the way to the railroad station. Leaving a note of farewell for Stoddard, she goes to the city and finds work in a restaurant, studying hard in her leisure hours to make herself worthy of the man she loves, and capable of meeting his mother. Stoddard is tireless in his search for her, and at last discovers her. He convinces her that Larry was mistaken, and the two clasp hands in mutual understanding.

Dir: Henry Otto

John spies his girlfriend embracing his brother. Stunned, John deposits the family's money and leaves the country. Years later he returns to find his brother dead, the plantation in ruins, and that he is suspected of stealing the money.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of Big Tremaine perfectly mirrors the editorial trajectory of our deep dive.

Rosalind Chalmers, a New York society girl, goes on an unannounced visit to her friends, the Witherbees, at the Thousand Islands, primarily for the purpose of escaping the unwelcome attention of Reginald Williams. She misses the last boat to their island, and is taken over in the decrepit motorboat of an interesting young man known as Sam. Sam is really William Kellogg, heir to the Davidson millions. During the absence of his uncle, Henry Davidson, Kellogg has broken a handsome vase, and decides to earn the money himself to pay for it. So as One-Cylinder Sam he begins to carry passengers between the islands. On the way to the Witherbee island Kellogg's motor goes dead. Rosalind's hobby is motors, and she puts the engine in working order in no time. When they reach the island the family has retired for the night. Rosalind tries to climb in a window, but sets off a burglar alarm, and runs to escape the people who come to investigate. Startled by shots, she takes a small boat, and goes out into the river. She hears more shots, this time for Davidson Island. From angry voices she learns that the supposed burglars are there, too. Two motorboats set out. Soon the engine of one goes dead, and Rosalind goes to help. Kellogg, whom she knows as Sam, and whom she things is a burglar, is in the boat. But in spite of this she starts his engine for him, on account of the strange attraction he has for her, and aids his escape from the pursuing boat. Rosalind and Kellogg thereafter see a great deal of each other in the simple life of the islands. At a hotel dance he appears in his evening clothes, and after getting Rosalind to dance with him, induces her to go for a short walk in the moonlight. He tells her he is madly in love with her, and that he is going to marry her, with her consent or without it. She still thinks he is a burglar, and is frightened. He picks her up and carries her to his boat, but in mid-stream the boat strikes a submerged rock and sinks. Kellogg swims ashore with Rosalind to his uncle's island. He offers to break into the house and get some dry clothes for her and though still thinking he is a burglar she consents. Kellogg arrays himself in fresh clothes, and is greeted joyfully by his uncle. Kellogg hands him a purse containing the money for the vase, earned by his efforts as "One-Cylinder Sam," and introduces him to Rosalind, who is relieved to know that the man she is going to marry is not a burglar.

Dir: Henry Otto

A Japanese girl falls in love with an Englishman who soon afterward departs for the war against Germany in Europe. She endures for four years, awaiting his return.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of The River of Romance perfectly mirrors the editorial trajectory of our deep dive.

When oil magnate Thomas Waring receives a letter from his old friend, Mrs. Juliet Smith, suggesting that his beloved daughter Maida spend her vacation at Mrs. Smith's island home, Waring encourages Maida to accept as he has to go East on business. After Mrs. Smith supposedly gets Maida, Waring receives a call from the real Mrs. Smith, who says that Maida has left with an impostor. On the island, Maida lives luxuriously, unaware that her hosts are sending her father ransom notes. She meets Gilbert Spear, camping out, and they fall in love. After receiving no response from Waring, the kidnappers reveal their scheme to Maida and demand that she write to her father. They lock her in when she refuses, but she escapes and leaves the island with Gilbert. Although they are overtaken by the criminals, Waring and the police pull up and the gang is taken into custody, leaving Gilbert and Maida free to pursue their romance.

Dir: Henry Otto

Bess Belwyn, daughter of a criminal who reforms in prison, becomes engaged to District Attorney John Mobley. To save her father from being denounced by his erstwhile accomplice, Bess, unaware of the consequences, becomes involved in a jewelry theft. She then tries in vain to confess and break the engagement. After she marries Mobley, the crook attempts to blackmail Bess, but she confesses everything to Mobley and in the subsequent fracas the crook is killed.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of The Willow Tree perfectly mirrors the editorial trajectory of our deep dive.

After her mother dies, a young girl is sent with her little sister to live with their aunt and uncle, who treat her terribly. The aunt and uncle run a show at the Panama exposition and turn her into a human butterfly.

Dir: Henry Otto

Glory Moore, a mischievous girl who is the despair of her mother but the "angel child" of her father, is sent away to boarding school, where she continues her devilish pranks. Soon after her departure, her father discovers that he is missing an important letter containing evidence that will send a business rival to jail. Glory, who has wrapped candy in the letter, throws it on the floor, and it is picked up by the daughter of the accused man. Glory learns of her mistake, and with the help of Richard Grant, a young lawyer whom she met at school, she retrieves the letter from the businessman's home. When Richard proposes to Glory, she decides to forego the dubious pleasures of finishing school to become his wife.

Dir: Henry Otto

The story begins in the realm of Queen Unda, mistress of the under-seas, surrounded by her nymphs, sylphs and mermaids, who disport themselves on the sands and in the waters of the deep. Berthelda, daughter of a fisherman and his devoted wife, has been stolen by the mermaids one day when the child is playing on the sands. Queen Unda rules that little Berthelda shall be left to roam in the Enchanted Forest, because her parents have taken fishes from the ocean, greatly to the annoyance of Unda and Neptune. Undine's mother has committed sin with a mortal and to atone for this her little baby, Undine, is taken to the shore near the fisherman's cottage, to be discovered by the fisherman and his wife. It is Undine's mission on earth to marry a mortal, and thus atone for the sins committed by her mother in loving a handsome young huntsman, whose untimely death likewise robs Undine's mother of her own life. Undine is welcomed by the fisherman and his wife, who consider she has been sent by the gods to take the place of their little Berthelda. Fifteen years pass. Berthelda has been adopted by the Duke and Duchess and among those who pay her court at the Castle is Huldbrand, the bravest of knights. To test his love, Berthelda sends Huldbrand into the Enchanted Forest and bids him return with proof that he had explored its wonders. Coming to the fisherman's cottage, Huldbrand meets Undine, immediately falls in love with her and they are married by a shipwrecked priest, whom Undine has rescued from the sea. Going with his bride to the Castle, there is great rejoicing. At the celebration in honor of Huldbrand's marriage there appears a messenger from Queen Unda who tells Undine her earthly mission is fulfilled and she returns to the waters under the sea. Huldbrand is reconciled to Lady Berthelda and the story ends.