Underground Favorites Mirroring the Impact of Love in September: Cu...

Dir: Edward F. Cline

A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.

Dir: Edward F. Cline

A visual fragment from the archive: The thematic resonance of The Scarecrow perfectly mirrors the editorial trajectory of our deep dive.

Two inventive farmhands compete for the hand of the same girl.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edward F. Cline

A young couple who live next to each other in tenement apartments do everything they can to be together despite of their feuding families.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Mary's Ankle perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Edward F. Cline

It's all there - the deserted mother with her child in her arms, followed all around by a fiendish wicked snow storm, the heroine lashed to the rails by the scoundrelly villain, the young woman fastened to the buzz saw of a lumber mill and about to be reduced to mincemeat. And hist. The wicked villain with a mustache and cigarette - the noble hero and the persecuted heroine. There are two drunks sitting in one of the boxes of the theater, who get so excited that they insist upon helping out the action of the melodrama. In the middle of the play, the head scene shifter gets jealous of his wife, who is the leading woman of the show, and drags her from the stage. Nothing, if not resourceful, Ben rushes down into the audience and kidnaps a beautiful young woman to play the leading woman's role. Then comes a startling climax, when the snow storm is shut down by a queer accident. And an equally tragic catastrophe jazzes up the ocean when a storm and a submarine play at cross purposes.

Dir: Edward F. Cline

A fascinating piece of cinema that shares thematic elements.