Recommendations
Senior Film Conservator

The 1925 release of Man and Maid redefined the parameters of Comedy storytelling, the narrative complexity found here is a rare find in the 1925 landscape. Prepare to discover your next favorite movie in our hand-picked collection.
Historically, Man and Maid represents to explore the darker corners of the human condition with stylistic flair.
During the World War, Alathea Bulteel, a Red Cross nurse, discovers the prostrate form of an English officer among the ruins of a bombed building in Paris. She cares for him until help arrives, leaving before he regains consciousness. After the war Alathea is forced to find work and, by chance, obtains a position as the private secretary of the same man, who is revealed to be Sir Nicholas Thormonde. Convalescing from injuries received during the fighting, he passes the time in dalliance with Suzette, a pretty demimondaine. Alathea performs her duties so well that Nicholas falls in love with her, despite her plain clothes and dark glasses. One day, Nicholas kisses her, and she leaves his house, believing that he intends to take advantage of her. Nicholas follows her, however, and asks for her hand in marriage; she refuses his offer, believing him to be insincere. Alathea's father then contracts a gambling debt of 5,000 francs, which Nicholas secretly pays. Not knowing of this kindness, Alathea goes to him and offers to marry him for the sum. Nicholas accepts, and they are happy until Suzette reappears. Believing that Nicholas is still interested in the girl, Alathea leaves. She and Nicholas are reunited, however, when she comes to realize the depth of his love for her.
The influence of Victor Schertzinger in Man and Maid can be felt in the way modern Comedy films handle stylistic flair. From the specific lighting choices to the pacing, this 1925 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of Man and Maid, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Victor Schertzinger
Everett Nelson was born on a farm and is an only son. He does all the hard work on the place for his father, who keeps the country bank. Unable to stand the bondage any longer, Everett leaves for New York in quest of work. While job hunting he sees a sign on the door requesting the services of a janitor. On entering to apply for the position he finds himself on the stage of a theater, where a rehearsal for a musical comedy is in progress. The astounded manager gazes at this apparition, and then an idea strikes him. He hires the "Clodhopper" for a rural number in his show. How the "Rube" makes the hit of his life as well as showing he is not to be laughed at as a prodigal son is shown in the events that follow.
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Dir: Victor Schertzinger
Ezra Hollins, though a hired man, is ambitious because he loves Ruth Endicott, his employer's daughter. Ruth, not knowing of his love, helps him with his studies, though secretly, because she knows her father would not approve. Ezra passes his entrance examination, but at the last moment gives his tuition money to save the brother of the girl he loves from the results of his speculations from the bank. His failure to go to college is misunderstood, but in the end his name is cleared and Caleb is proud of his chosen son-in-law.
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Dir: Victor Schertzinger
David Clary runs a sleepy little dry-goods store in a sleepy little town. A vamp from the big city shows up, intent on taking Clary for everything he's worth by a combination of seduction and blackmail. But the day is saved by the ingenuity of David's corset model.
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Dir: Victor Schertzinger
During the May Day celebration at Ferryville, Millie Martin, whose stingy father will not buy her proper clothes, watches as Violet Henry, the daughter of the town's richest man, is pushed into a stagnant pool by the village bolshevik. The story amuses Millie's father, who gives her a dollar, with which she buys beauty cream in preparation for her first railway journey. On the train, Millie meets John Turner, a carpet layer disguised as a doctor. Earlier, John fought a man caught cheating at poker. He took his uncle's railway ticket and doctor's bag when he thought the cheater was killed. After Millie feigns a toothache to get John's attention, her father, to avoid a doctor's bill, gives her chewing tobacco as a remedy. When she swallows it, and John orders an operation, the train stops at a nearby sanitarium. After Millie escapes, and John finds her in a room with a baby, they both explain. John is mistaken for a burglar, and after his uncle arrives to straighten matters out, John and Millie are free to pursue romance.
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Dir: Victor Schertzinger
Wealthy young man Steven du Peyster encounters more adventures than he might have expected when he accepts a wager that he can live successfully on six dollars a week.
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Dir: Victor Schertzinger
The mind of theology student Webster Smith becomes unbalanced from strain. Traveling across the desert as God's savior, he arrives weakened at Red Butte, a small mining town. Faro Fan, who runs a saloon and gambling joint cleanly, and who cares for the town's homeless children, helps Smith, but when he learns her business, he curses her. While Smith builds a church, Faro nurses renegade Spanish Ed, who spreads a fever to her wards. After Smith prays for fire to purge the town, excepting his church, saloon keeper Delicate Hanson, trying to disinfect his bar by burning whiskey on it, starts a fire which quickly spreads to the church, while leaving Faro's house unscathed. Furious, Smith attacks Faro. When she hits his head with a club, his sanity returns, and he helps her nurse the children. After Smith leaves to get supplies, Spanish Ed, crazed with thirst, tries to attract Faro. When Smith returns, Faro shoots him, thinking he is Spanish Ed. As she nurses him to health, they fall in love.
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Dir: Victor Schertzinger
Sheriff's son Royal Beaudry is thought a coward, even by the young woman he has his heart set on. But he disproves cowardice when he rescues his father's friend from kidnappers.
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Dir: Victor Schertzinger
When the circus comes to town, the town's orphans are treated to an outing to see the show. The circus troupe's 'Jinx' girl causes so many problems for the performers and performances that, to escape punishment, she must run away. She mingles with the orphans and runs away to join an orphanage.
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Dir: Victor Schertzinger
A young woman works in the scullery of a grand hotel, and dreams of a life among its fashionable patrons.
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Dir: Victor Schertzinger
An American munitions manufacturer and his son become ensnarled with enemy agents from Germany during the First World War.
View DetailsAnalysis relative to Man and Maid
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Clodhopper | Ethereal | Dense | 94% Match |
| The Hired Man | Gothic | High | 87% Match |
| A Nine O'Clock Town | Ethereal | Abstract | 95% Match |
| When Doctors Disagree | Ethereal | High | 94% Match |
| The Millionaire Vagrant | Ethereal | Layered | 85% Match |
This guide was algorithmically generated using the cinematic metadata of Victor Schertzinger's archive. Last updated: 6/18/2026.
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