Deep Archive Finds Movies That Echo the Spirit of Man's Woman: Cult...

Dir: Travers Vale

During a raid on a gambling establishment run by her father, Cosmo Lester, Diana Lester rescues Hugh Carton, a member of the English Parliament and a candidate for the Cabinet. Hugh gratefully offers Diana a position as his sister's companion, and soon, the two fall desperately in love. Diana's happiness is threatened, however, when she learns that Hugh is married to a woman who will neither live with him nor divorce him. Diana becomes Hugh's mistress for a time, but his afternoon visits with her cause him to neglect his work. To save Hugh's career, his sister urges Diana to leave him, whereupon the unhappy girl returns to her father. She eventually accepts the marriage proposal of her old friend, Phil Duran, but before the wedding, she suffers a breakdown. When Hugh visits her with the news that his wife has granted him a divorce, however, she regains her health and good spirits, and is joined to the man she loves.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Darkest Russia perfectly mirrors the editorial trajectory of our deep dive.

Ilda Barosky, a Jewess whose father was killed by Russian soldiers, is a violin student in love with Alexis Nazimoff, a son of the Russian aristocracy. When Alexis' father arranges a marriage of convenience between his son and Olga Karischeff, the daughter of the ambitious minister of police, Ilda, asked to play "God Save the Czar" at the betrothal celebration, refuses, and is whipped before the entire assembly. Alexis rushes in and rescues her from his father's wrath and then writes a letter to the Karischeffs, terminating his engagement to their daughter. In retaliation, the minister of police, who is being forced to resign, sentences both Ilda and Alexis to ten years in Siberia as his last official act. In Siberia, the couple attempt to escape, but are caught and are facing a firing squad when Count Nazimoff, who has assumed Karischeff's position as minister of police, arrives with a pardon. Ilda and Alexis return home, and the count, penitent, finally grants them his blessings.

Dir: Travers Vale

Christine Brent, living with her father in a small Texas town, is wooed by Maurice Maxwell, an unscrupulous New York businessman. Christine rejects Maxwell's advances, befriending instead Carl Randolph, a young man who seeks refuge in her cabin after shooting a Mexican for insulting the American flag. Christine gives Carl money and advises him to go East, which he does. Left helpless after her father is injured in a crippling accident, Christine agrees to marry Maxwell so that her father can live in comfort. Brent, however, demoralized, kills himself and soon after, Maxwell and Christine move to New York. Stung by her husband's constant abuse, Christine learns to hate Maxwell, and when Maxwell hires Carl, now a successful attorney, as his counsel, Christine feels her old love rekindled. Unscrupulous as ever, Maxwell robs the inventor Brinkeroff of a valuable patent, and then murders him. Brinkeroff's wife Metta, suspecting Maxwell of her husband's murder, secures a job in the Maxwell home to obtain evidence against him. Her prudence is rewarded when she overhears Maxwell admit to the crime, and outraged, she kills him but is acquitted by a sympathetic jury. All obstacles now cleared from their path, Christine and Carl begin a new life together.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of The Dormant Power perfectly mirrors the editorial trajectory of our deep dive.

When lawyer Philip Wentworth goes hunting in the woods to escape a broken heart, he meets and later marries Joan Travers. Philip brings Joan to the city, but soon deserts her to resume an affair with his old flame, who is now married. Some months later, Joan dies of grief, leaving her baby daughter, also named Joan, to be raised by a pawnbroker and his wife. Eventually Philip helps his mistress to obtain a divorce and then marries her. Her son, Norman Dicks, flunks out of college, prompting Philip to send him into the Navy. Before he ships out, however, he meets and secretly marries Joan, who has grown to womanhood. Some time later, Joan is accused of murder after their baby dies because she was unable to care for it. She is taken before Judge Wentworth, who recognizes her as his daughter by the cross she wears around her neck. Norman returns home and the family is reunited.

Dir: Travers Vale

When a Southern belle chooses one suitor over another, the loser plots revenge on his rival by causing him to desert the Confederate Army during the Civil War.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Joan of the Woods perfectly mirrors the editorial trajectory of our deep dive.

On the promise of marriage, Sylvia Smith, a simple girl from Lone Meadows, follows her lover to the city only to discover that he already has a wife. While wandering along the docks, Sylvia stumbles onto a suicide note written by Fitzhugh Castleton, a wealthy gentleman who has planted the note to avoid a loveless marriage. Rather than go back to Lone Meadows humiliated, Sylvia pays Crosby, a convicted forger, to impersonate Castleton, forge his name in a marriage ceremony, then disappear. Once Sylvia installs herself in the Castleton mansion, Castleton returns from a sea voyage and, disguised by a long beard, hires on as the gardener. Castleton soon becomes enamored of the impostor widow and she falls in love with him, but neither one will admit his deception to the other. When Crosby shows up and demands blackmail money, Sylvia slips away to the country. Through the jealous interference of Crosby's wife, Castleton discovers the truth about Sylvia and goes to Lone Meadows to marry her.

Dir: Travers Vale

After John Cuddlestone, an officer in the Queen's regiment, is accused by his brother Andrew of cheating at cards, he leaves England in humiliation. In India, he marries a Hindu woman, but shortly after their son is born, John is killed in a tiger hunt. Young Lorin is placed in the care of Buddhist priests, and on his twenty-first birthday, he is released from the temple and given his father's papers. Learning of John's disgrace, Lorin is filled with the desire for revenge and immediately sets out for England. Nan, a girl whom he saved from slavery, resolves to follow the man she loves and steals the sacred eye of Buddha, a precious gem, to pay for her passage. In England, Lorin earns renown in society circles as a swami. One of his clients is Andrew's ward, Lady Elsie Drillingcourt, whose fortune Andrew is rapidly squandering. Lorin catches his uncle cheating at cards, and when the old man realizes the swami's identity, he dies of shock. Lady Elsie recovers her money, while Nan, who has been pursued by angry Buddhist priests, returns the sacred gem and then journeys back to India as Lorin's wife.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of The Girl of the Sunny South perfectly mirrors the editorial trajectory of our deep dive.

Twin sisters Fanny and Evelyn Craig are unaware that their stepfather, Micah Parrish, is a fake spiritualist until his lack of money forces them to return home from boarding school. Evelyn eagerly assists Parrish and his even more unscrupulous partner, Esau Brand, while Fanny, disgusted, leaves home to become lawyer Bruce Taunton's secretary. Following the death of his mother at a séance, Bruce vows to place the city's fake clairvoyants behind bars, but when Fanny is killed on the day she was to marry Bruce, he becomes unbalanced. Seeing an opportunity to stop the lawyer's crusade, Brand forces the reluctant Evelyn to appear to Bruce each evening as Fanny's spirit, but his threat of shooting himself so that he might join her causes her to reveal the deception. Brand finally is released, while Bruce finds consolation in Evelyn's love.

Dir: Travers Vale

Vesta Wheatley and Dick Mortimer have been friends from childhood, but when he declared his love and asks her to marry him, she tells him their friendship is too pleasant to spoil it by love-making. John Randolph, a wealthy city man, is attracted to Vesta and a romance develops which culminates in a quiet wedding. Although Vesta is happy she enjoys tasting of worldly pleasures unknown to her. However, after a short fling she returns to her husband with increased love and respect. Unable to stand village life, after Vesta's marriage, Dick comes to the city. He and Vesta meet by chance and he avails himself of her invitation to call. John, returning home unexpectedly, is surprised to find Dick talking to his wife; he recalls a scene in the country before his marriage, when he saw Dick making love to Vesta. However, he hides his suspicions and he and his wife go to their country lodge. Beset by thoughts of Vesta, Dick follows and during her husband's absence, enters the lodge. Vesta resents his declaration of love, and hearing a noise on the outside, begs him to leave before her husband returns. The door is burst open and Skinny, a gangster, enters. In the struggle that ensues Dick is killed by Skinny. Vesta grabs the pistol and holding Skinny at bay, prepares to call the police, but Skinny tells her that she bad better think before phoning, as the news will create a scandal. Cowed by his threats, Vesta is compelled to watch in silence as he drags Dick's lifeless body away. Although her husband suspects nothing, Vesta is haunted with memories of Dick's murder, and Skinny, by frequent blackmail, helps keep alive the memory. At last she feels that she can bear it no longer and when Skinny comes with a demand for an enormous sum, she seizes a pistol and kills him. She then phones to the police, telling them she is alone in the house and hears a burglar entering; there is a pistol in her husband's room. The burglar is approaching, what shall she do? The officer tells her to hold the burglar off until help comes. With the receiver down, she fires a shot into the air. When the officers arrive they pronounce the killing is self-defense, and Vesta is happy with her husband, knowing that her tormentor is out of the way.

Dir: Travers Vale

Jane Lawson takes the blame for her younger sister Ruth's minor romantic indiscretion, and is thrown out of the house by her straight-laced parents. She finds work as a department store model, and then marries Will Rogers, her boss's dissolute son, even though George Blake, another store employee, is a far more wealthy and sensible suitor. Will starts embezzling store funds, and when George finds out, to protect Jane, he gives Will some money and sends him to Alaska to make good. His habits fail to improve, however, and when Jane goes to Alaska to meet him she arrives just in time to watch him hang for murder. Suddenly, Jane realizes George's true worth, and so marries him as soon as she returns.