The Recommended Vault Deeply Connected to Mary Lawson's Secret: Cul...

Dir: John B. O'Brien

Owen and Ernest Wharton, sons of sweatshop owner James Wharton, become interested in two of their father's employees. Owen, a settlement worker, falls in love with Mary, while Ernest, a full time womanizer, makes her sister Amy his mistress. Another sister, Jane, grows increasingly consumptive, but when Mary asks James for some money for Jane's treatment, he refuses. Hearing of the trouble, Ernest offers money to Mary, but only if she too agrees to be his mistress. Enraged, Mary forces him at gunpoint, to marry Amy. Then Owen, knocked unconscious in an accident, calls out for Mary. James begs her to see Owen, but before agreeing to go, Mary makes him promise to improve sweatshop conditions. Finally, Owen recovers and he and Mary plan their marriage. Meanwhile, marriage has turned Ernest into a devoted husband, and James keeps his word about shop conditions.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of The Inn of the Blue Moon perfectly mirrors the editorial trajectory of our deep dive.

When the marriage of Justus and Dorothy Druce fails, their daughter Dorothy goes with her mother to the Catskills, while her twin sister Justine settles in New York with Justus. Years later, Justine becomes engaged to Charlton Sloane, who offers to help Justus out of his financial difficulties by pawning the Druce family jewels. Justus' niece Adelaide, bitterly disappointed in her love for Charlton, convinces her uncle that the young man stole the jewels, prompting Justine to seek the services of Warde MacMahon, a young lawyer vacationing in the Catskills. When Warde's car overturns, Dorothy tends to his injuries in her childhood hideaway, "The Inn of the Blue Moon," and the two fall in love. Dorothy and Justine finally meet, and following several adventures involving their identities, Charlton's name is cleared, the daughters are married to their prospective suitors, and the long separated parents are reunited.

Dir: John B. O'Brien

A woman overcomes her fear of childbirth and embraces motherhood.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Maternity perfectly mirrors the editorial trajectory of our deep dive.

Mae Carter is the ward of Col. Aitken and the fiancée of his nephew Robert. They plight their troth and after much teasing from Mae, Bob succeeds in giving her an engagement ring. While Mae and Bobby are out riding one day the shoe of Mae's horse becomes loosened. She calls for Bob to exert his masculine strength and jerk the shoe from the horse's foot to save the horse further pain. After several unsuccessful pretenses to release the shoe they go to a blacksmith. Mae discovers in the blacksmith a man of extraordinary strength. He jerks the shoe from the horse with one pull, and thereby wins the admiration of Mae. That night Mae dreams that she is the cave woman of Robert, a cave man. While eating shrubs she is attacked by another giant cave man and about to be carried off when a rescuer appears, and he proves to be none other than the blacksmith. In the morning she pays a visit to his shop and takes a snapshot of him, much to the distress of Robert. She breaks off her engagement with Robert and is about to elope with the blacksmith when her uncle, having dealt with many women in his time, and knowing feminine ways better than Bob, concocts a scheme whereby he will induce the two to live at his house for a month to find out if they still love each other, at the end of which time he promises to consent to the marriage. The girl gives an engagement party and his conduct makes her see how impossible a match would be between the two. Thoroughly disgusted, she breaks off her engagement and returns to Robert. A marriage between her and Robert is arranged by the Colonel for the following day, and the blacksmith learning of it becomes jealous. When the ceremony is about to take place, the blacksmith comes to the house and steals the bride and plans to take her to a neighboring town and marry her himself. He gets away with her and after many hair-breadth escapades he finally gets caught in the quicksand with the girl but Robert releases him and the wedding takes place.

Dir: John B. O'Brien

Raised in a small town by a maiden aunt, Constance Bennett leaves her home and sweetheart John Clavering, the local grande dame's son, to go to New York, where she models at a suit and cloak house. Her employer, Edmund Berste, attempts to force his attentions on her, which provokes Berste's wife to become wildly jealous. Constance returns home and establishes her own store, but Berste follows. After Mrs. Berste arrives and denounces Constance before a crowd of customers, Constance is turned out of church and ostracized by her community. Back in New York, Constance lures Berste to her apartment where she has arranged for Mrs. Berste to overhear his avowal of love. In retaliation, Berste hires a woman detective to lure Constance to his hotel room. Clavering, who has been in Mexico, returns and after searching for Constance, bursts into Berste's room as he and Constance struggle. A pistol shot kills Berste and Constance is arrested, but after a jury acquits her, she marries Clavering and returns home.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Her Shattered Idol perfectly mirrors the editorial trajectory of our deep dive.

Beth Treadway, a high-spirited young Southern woman, lives with her father, Major Treadway, and her Aunt Sarah on the Treadway estate, Headland Hall, in Maryland. Beth is being courted by Rippley, a Southerner with questionable morals, when John Standish comes from New York to landscape the grounds of Headland Hall. Standish arouses Beth's antagonism until he rescues Haskell, a hermit living on Treadway land, from a fire. Beth dresses Standish's wounds and eventually comes to admire him. Meanwhile, she learns that Rippley has compromised Dorothy Pennell, the overseer's daughter, and tricks him into marrying Dorothy. Their marriage is short-lived, however, when Rippley is caught by the Major while robbing his safe and kills the old man. At first, Haskell is charged with the murder, but when a piece of Rippley's pajamas is discovered in the Major's hand, he is accused of the crime. Rippley resists arrest and in the ensuing melee is killed by Standish.

Dir: John B. O'Brien

Eleanor Alderson and her young sister Jane lose their positions as models when Eleanor prevents Jane from accepting buyers' invitations. Eleanor accepts help from a retired seeress and becomes known as "Isis the Eastern Mystic," establishing herself and her sister fashionably. One of Jane's joyrides results in her being compromised with Hamilton, a married man whose wife seeks evidence for divorce. Eleanor arrives at the roadhouse in time to save Jane, but Mrs. Hamilton files her suit, naming Jane. Eleanor has met and loves Ernest Bickley the harum-scarum scion of a wealthy family. To avoid scandal, Jane accepts the hospitality of friends in a nearby city. Adventuress Mrs. Herriard sets her cap for Ernest and, learning of his love for Eleanor, attempts to break up the match while a guest at a party at the Bickley home, where Eleanor is also visiting. In her exile, Jane falls in love with George Saunders, a chum of Ernest's, but she is panic-stricken when he attends the party, fearing that he will learn the truth. A news story of the divorce trial, accompanied by a photograph of Eleanor, causes her to be regarded as the co-respondent, and to protect Jane, she finally acknowledges that she is the woman in the case Ernest refuses to believe Eleanor's self-accusation. He learns that she has a sister, and by a clever scheme, leads her to believe that Jane is at the door, Eleanor falling into the trap and disclosing the secret. Her loyalty to her sister wins the entire Bickley family and Jane's name is cleared of the stain when it is learned she was innocently led into the affair.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Reputation perfectly mirrors the editorial trajectory of our deep dive.

Imar the Servitor rescues an American tourist who has lost his way in the desert and the two men become friends. Before he leaves, the American gives his friend a picture of his fiancée. When the tourist returns home, he discovers that his girlfriend has married a horseman, both of whom have journeyed to the Arabian desert. Imar's master attacks the trader's wife. Her husband then accuses her of infidelity and starts to beat her. Imar recognizes her from the picture given to him by his American friend and rescues her. They both traverse the desert and meet her former fiancé, who has been sent for. Her husband and Imar's master are slain, leaving the three friends free of any retribution.

Dir: John B. O'Brien

Hulda, a plucky Dutch girl, brings her three little brothers from Holland to America to live with their rich Uncle Peter. Hulda finds love with a poor artist.

Dir: John B. O'Brien

In New York's notorious Pell Street district, U.S. District Attorney Arnold Somers' men capture Queen X, known to drug smugglers as "The Queen of Chinatown," a woman with a cross-shaped birthmark on her wrist. Summers recognizes her as Janice Waltham, formerly a prominent society woman. After becoming an addict and dealer, Janice was imprisoned in underground dens filled with opium fumes to prevent her from recovering and betraying her suppliers. She refuses to name her associates despite third degree questioning. As Janice is about to be sentenced to a long prison term, Miriam Evans, whose brother George is the assistant district attorney, recognizes Janice as the former schoolmate who rescued her in a convent fire. Somers allows Miriam to take Janice home and advises George to court her to get the names of the gang leaders. With George's help, Janice develops enough will power to kick her drug habit, while George, according to their pact, stops smoking cigarettes and drinking coffee. After George secures the names, Janice, threatened by a Chinese cohort, learns about George's deal, but George, now in love, confesses this and they marry.