The Auteur's Selection In the Shadow of Melissa of the Hills: Cult ...

Dir: James Kirkwood

Nell Gwynne ( Mary Pickford ) and King Charles II ( Owen Moore ) fall in love after meeting at a fox hunt. Nell soon learns the jealous Duchess of Portsmouth ( Ruby Hoffman ) is a spy and conspiring with the Duke of Buckingham to place Charles at the mercy of the King of France. Nell boldly disguises herself as a fashionable young blade and wins the confidence of the Duchess. Now entrusted with the delivery of important documents, she makes sure they go to the King of England rather than the King of France. Now, Nell has the last laugh on the traitorous Duchess.

Dir: James Kirkwood

A visual fragment from the archive: The thematic resonance of Rags perfectly mirrors the editorial trajectory of our deep dive.

Mary Pickford plays "Rags," a pretty but wild girl who defends her alcoholic father a disgraced bank cashier, no matter how he mistreats her.

Dir: James Kirkwood

David Remon loves barmaid Dulcie, not by choice but by force of circumstances, and attempts to persuade her to marry him rather than submit to a life of drudgery. But Dulcie is thoroughly independent and prefers to earn her own living. Life at the inn, however, soon becomes irksome to Dulcie, who grows so tired of it that she is ready to accept the first wealthy man who proposes to her. A charity auction is held at the inn, to help the family of a poor man and Dulcie auctions off a kiss. David, bent upon preventing anyone from kissing her in public bids every cent he has in the effort to gain the prize himself. But Sir Brice, a bon vivant, doubles his offering and adds his hand in the bargain. Dulcie accepts the proposal, but soon finds that her husband, when under the influence of liquor, is a very ugly tempered man. As the years drag on, Sir Brice becomes more and more intolerable, until at last he openly humiliates Dulcie and insults her guests at a reception. He demands that someone gamble with him, and grows abusive when they refuse. Finally, David, who has remained faithful to Dulcie through all the years, in a desperate game, stakes his entire fortune against Dulcie herself. Sir Brice is penniless, having squandered his fortune, and he gladly offers his wife as the prize. After a nerve-wracking battle of wits, David wins. It is not before Dulcie, thoroughly disillusioned, accepts the verdict of the god of chance and finds a new happiness with the man whose love has remained constant.

Dir: James Kirkwood

A visual fragment from the archive: The thematic resonance of The Masqueraders perfectly mirrors the editorial trajectory of our deep dive.

Dulcie's once-aristocratic Southern family has fallen upon hard times, so her Aunt Netta decides to take her to California in search of a millionaire husband. While Dulcie pines for Harry, her sweetheart back home, Netta triumphantly arranges an engagement with a wealthy suitor. On her wedding day, preparing to sacrifice herself for her family, Dulcie discovers that her fiance's millions actually belong to other people when he is arrested at the altar on a bank robbing charge. Meanwhile, Harry, who has come West to get Dulcie back, arrives at the wedding just as the police interrupt it. He volunteers to take the arrested fiance's place, and Dulcie accepts his offer instantly.

Dir: James Kirkwood

During a jewelry-store holdup, 6-year-old Millicent Hawthorne, the neglected daughter of a wealthy socialite, falls on her head and is carried home to be reared by Mother Gumpf, the leader of the thieves. The fall cost Millicent her memory, but at night she dreams of her former high-society existence, while during the day she works for Gumpf as a pickpocket and later becomes a cabaret dancer. A friend of the Hawthornes sees Millicent perform, recognizes her, and reports back to Mrs. Hawthorne, who has vowed to be a devoted mother should she ever find her daughter. Finally, after the Hawthornes rescue Millicent from Kraft, the lecherous cabaret manager, an operation restores her memory, and she delights in the love of her long-lost mother.

Dir: James Kirkwood

A visual fragment from the archive: The thematic resonance of Dulcie's Adventure perfectly mirrors the editorial trajectory of our deep dive.

Sylvia is the niece of a man who leaves a fortune for her. He leaves it in the hands of his attorney, who is supporting an aspiring wife and daughter. Sylvia goes to the lawyer's home and is looked upon as an intruder. The lawyer's son sets out on a road of dissipation and soon becomes a devotee of gay life. He is saved just in time by the gentle influence of Sylvia and, upon discovering that his father is using all of the girl's fortune, he makes him give her the money. The family is horror-stricken at the thought of losing their fortune. They ask Sylvia's forgiveness for their treatment of her and she insists upon sharing her fortune with them. She also tells Arnold, the son, that his love is reciprocated.

Dir: James Kirkwood

Suffering from aphasia after being conked on the head, a man is coerced into robbing his fiancée's home.

Dir: James Kirkwood

A visual fragment from the archive: The thematic resonance of A Dream or Two Ago perfectly mirrors the editorial trajectory of our deep dive.

Even though he had saved her father from a financial crisis, Jennifer Hale refuses to marry wealthy Stephen Weldon, who tries to ruin the Hales. They leave for their summer home in the woods where Jennifer falls in love with wealthy James Murray, a lumber camp foreman. After Weldon finds them and threatens Hale with exposure unless Jennifer marries him, Murray marries Jennifer. Weldon then convinces him that Jennifer and he had a secret romance, and that she married Murray for his money. Murray's sister Agnes becomes Weldon's lover, and when he prepares to leave, she kills him. After Jennifer takes the blame to save Murray from learning of Agnes' disgrace, Murray, although he now hates her, takes Jennifer to the mountains to escape the law. Just as the posse overtakes them, a man rides up with the news that Agnes fell over a cliff and confessed before she died. Their love renewed love, the couple are now reunited.

Dir: James Kirkwood

When Josiah Whitcomb's son gets into trouble with bad companions in New York City, Josiah leaves the farm and goes into the city to find the boy. There he finds that his country ways are not at all respected in the sophisticated city.

Dir: James Kirkwood

When a young girl who has grown up as a music hall entertainer is brought to live in a stodgy New England town, the quiet town life is changed forever.