Rare Cinematic Gems Exploring the Legacy of Mona Lisa: Cult Guide

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Arthur Maude

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Lord Loveland in England is besieged by his creditors and consults his mother as to what he should do. He is advised to go to America and marry an heiress. He plans to sail on a certain ship, but at the eleventh hour changes his plans and departs on another vessel without informing his relatives of the change. Meanwhile, In England, his valet, annoyed at not having been paid a year's wages, impersonates Lord Loveland. At New York's most expensive hotel Lord Loveland discovers he has but forty cents in his pocket. He goes to bank and presents his letter of credit, but the bank determines that he is a bogus Lord and will not honor the draft. Disgusted, Lord Loveland returns to his hotel, where he finds he has no credit. He is ejected and his baggage is held in lieu of the bills he has already accumulated at the hostelry. Lord Loveland is alone in a strange world and with forty cents in his pocket. He applies to a friend for aid, but the friend, thinking the card presented is that of the bogus Lord Loveland. refuses to even see the visitor. Disheartened and disgusted, the nobleman betakes himself to Central Park, where through the thrilling rescue by Lord Loveland of a mongrel puppy, he forms a fast friendship with one Bill Willing, a likable old man out of work. Willing takes Lord Loveland to a cheap hotel where his forty cents is more than sufficient to procure two beds. In the morning he takes the English peer to a restaurant where in payment for meals, Willing draws artistic signs which advertise the day's tempting viands at Alex's restaurant. Lord Loveland, attired in evening clothes and monocle, has no trouble in getting employment as a waiter. He hopes thus to earn sufficient funds to pay his passage back to the dear old British Isles, but Tony Kidd, an enterprising New York reporter, learns of the monocled waiter and writes a story for his paper. Crowds come daily to Alex's restaurant to be waited on by this unique garcon. Among them is Leslie Dearmer, a woman playwright with whom Lord Loveland had become acquainted on shipboard. There is an explosion in the kitchen and the guests flee panic-stricken from Alex's restaurant. Lord Loveland becomes a hero when he extinguishes the blaze and causes the guests to return to their tables. Later, he loses his job through the apparent affection he has for Izzy, who is Alex's daughter. He takes up with a 10-20-30-cent troupe of theatrical players with whom he plays minor parts. Miss Dearmer seeks out the manager of Lord Loveland's troupe, intending to sue that individual for the use of one of her copyrighted plays. She calls and is surprised when her gaze meets that of the British nobleman. To her, the Lord relates his plight and she engages him as her chauffeur. The nobleman falls head over heels in love with his fair employer. The two are out for a spin when the Englishman summons up courage and declares his love. So ardent does he become in his proposal that he fails to heed the path his automobile is taking. The machine leaves the road, crashes into a tree and both occupants are thrown violently from their seats. When consciousness returns, Miss Dearmer is in Lord Loveland's arms, and the two plight their troth. The tide of Lord Loveland's fortunes have turned, By a combination of circumstances, he becomes recognized as the real Lord Loveland and he is restored to the position which is rightfully his. Henceforth, all is love and happiness and the nobleman has no desire again to see dear old Britain's shores.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Arthur Maude

A visual fragment from the archive: The thematic resonance of Lord Loveland Discovers America perfectly mirrors the editorial trajectory of our deep dive.

Magda, the daughter of Colonel Schwartz, a retired army officer, runs away from her home in Germany, and goes to Paris, hoping to gain fame as an opera singer. Her leave taking breaks her father's heart and brings on a stroke of paralysis, which almost results in his death. After months of careful nursing, he partially recovers, and thereafter, forbids even the mention of Magda's name in his presence. In Paris the years pass, and Magda failing to realize her ambitions, is reduced to abject poverty, and finally, rather than sell her honor, becomes a common beggar of the streets. Then, one day, penniless and starving, she enters a Bohemian café, in the Latin Quartier and sings for the price of a meal. Here she is seen and recognized by an old friend of her childhood days, Karl Von Kellar, who has come to Paris to study law. Learning the pathetic story of Magda's struggles and failure, he takes her to his apartment, and in the course of events she becomes his mistress. After months of happiness, Von Kellar begins to tire of Magda, and then, one day, he is called back to Germany by the death of his father. A few months later, Magda's child is born, but pride prevents her from communicating the fact to Von Kellar, who has apparently forgotten her. Again reduced to poverty, and cast out upon the streets by a heartless landlord, she wanders up and down the highways, singing, her baby clutched to her breast. Later, to save her child from starvation, and with the promise of attaining the goal of her life's ambition, a musical career, she becomes the mistress of Antony D'Arcy, a rising young operatic manager. Years pass, and Magda, now a famous opera singer, known as Maddalina Dall Orto, arrives at the principal hotel in her home city, to attend a big musical festival. At the governor's ball that night, which she attends, as the guest of honor, she is instantly recognized by Von Kellar, who is now a dignified and eminently respectable counselor of state. Meanwhile Colonel Schwartz, learning that the distinguished guest of the governor's is Magda his daughter, is prevailed upon to forgive her, and take her back. With her numerous servants and pets, Magda takes up her quarters in the old home, and bedazzles her bumble family with the wealth of her jewels and the magnificence of her wardrobe. At a loss to understand how she has attained so much good fortune and fame, her father becomes suspicious, and questions her persistently regarding her past life in Paris. Then Von Kellar pays a call, and learns for the first time of his child, now a youngster of seven, attending a private academy in Paris. Magda denounces Von Kellar. When Von Kellar has departed, Magda's father, who has overheard enough to confirm his suspicions confronts Magda and brutally forces a confession from her. In a towering rage, he writes Von Kellar a note, threatening to kill him, unless he consents to an immediate marriage with Magda. Fearing public exposure, and realizing that Magda's position in the world of art, will lend a certain dignity to his political prestige. Von Kellar calls on Colonel Schwartz and heartily agrees to an immediate marriage with his daughter. Alone with Magda, however, Von Kellar refuses to make her his wife, unless she agrees to keep all knowledge of their child a secret from the world. In a burst of outraged pride, she is furiously denouncing him, when her father enters, and learning what has passed between them, promises Von Kellar that he will force Magda to marry him as she is no longer in a position to choose the conditions under which she will become the honorable wife of her child's father. After Kellar has left, Colonel Schwartz locks all the doors, and arming himself with a revolver, threatens to kill both Magda and himself unless she consents to marry Von Kellar at once. She refuses to abandon her child, and as her father slowly raises the pistol to her heart, he is seized with a stroke of paralysis and falls back dead. Flinging herself upon her knees by her father's dead body, Magda sobs out her misery and grief, as the story concludes.

Dir: Arthur Maude

Judson Brand, a powder manufacturer, is approached by the envoys of two warring nations, but before entering into a contract with Baron Von Halstyn, envoy for Gravonia, he sends his son, Marshall, to investigate the country's financial condition. Burghoff, Sashofen's envoy, is advised of a blockade and instructed to halt shipments of munitions to the enemy. Both envoys try to enlist the help of Jan Bernheim, a clever political exile from Gravonia. Out of revenge, she promises to aid Burghoff, but patriotism prevails and she goes over to Von Halstyn, although pretending to remain in the employ of Burghoff. Elinor, Brand's daughter, is engaged to Fosdick, a humanitarian propagandist, who opposes Brand's mercenary attitude in furnishing munitions. Burghoff allies himself with Fosdick, and together they hope to control the vote of the congressional committee against furnishing munitions. The committee is divided in opinion and the deciding vote is with Hayes, the chairman who favors the non-participating policy. Brand quarrels with Fosdick about the issue and forces Elinor, in sympathy with Fosdick, to break her engagement, when Fosdick refuses to renounce his principle. Jan induces Burghoff to give Fosdick a check for a thousand dollars "for charitable purposes." Jan secures the canceled check which the unsuspecting Fosdick has accepted, for evidence against him, and when Von Halstyn urges her to win over Hayes to their side, she does so by showing him the check, which she makes him believe was accepted as a bribe from Burghoff. Burghoff refuses to accept defeat and proposes to Fosdick the blowing up of the powder mills, but Fosdick refuses to listen, so Burghoff undertakes it alone unknown even to Jan. Brand's son, traveling through the war zone, finds their Brandite shells being used by both sides, and is so absorbed in commercialism that he is untouched by the evidence of suffering about him. Fosdick saves the life of a child belonging to one o£ the men employed by Burghoff to blow up the mills. Brand receives a favorable report from his son and he and Von Halstyn ride over to the mill to sign up the contract, accompanied by Elinor and Jan. Fosdick, in Burghoff's office waiting for him, answers the telephone and learns of the plot to destroy the mills within an hour. He tries to reach Brand only to find that he and Elinor have gone to the mill. Fosdick drives to the mills, and through his efforts the plan only partially succeeds; no one is hurt but Mason, the man who was on the job. Fosdick is found trying to put out the fuse and is accused by Brand of attempting to blow up the mill. Mason, however, clears him when he recovers and Von Halstyn and Jan are arrested by a secret service man who has been trailing them. Brand stubbornly insists that Fosdick is to blame for it all and vows he will sign the contract away. Then the final argument presents itself, his beloved son has been killed by a Brandite shell. Later Von Halstyn and Jan are deported. Burghoff flees the country and Fosdick and Elinor are united. Brand turns from the manufacture of ammunition to Red Cross work.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.